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Winner of the Colin Roderick Award for Australian writing, the Ned Kelly Award for Australian crime fiction, and the CWA Duncan Lawrie Dagger Award. Peter Temple's The Broken Shore is a transfixing and moving novel about a place, a family, politics and power, and the need to live decently in a world where so much is rotten. The Broken Shore, his eighth novel, revolves around big-city detective Joe Cashin. Shaken by a scrape with death, he's posted away from the Homicide Squad to the quiet town on the South Australian coast where he grew up. Carrying physical scars and more than a little guilt, he spends his time playing the country cop, walking his dogs, and thinking about how it all was before. But when a prominent local is attacked in his own home and left for dead, Cashin is thrust into what becomes a murder investigation. The evidence points to three boys from the nearby aboriginal community—everyone seems to want to blame them. Cashin is unconvinced, and soon begins to see the outlines of something far more terrible than a burglary gone wrong. Peter Temple is currently being hailed as the finest crime writer in Australia, but it won't be long before he is recognized as what he really is—one of the nation's finest writers, period. Born in South Africa, Temple is writing a dynamic kind of literary thriller that ultimately defies classification.
From the editors of The Anthology of Colonial Australian Gothic Fiction comes this fascinating collection of disturbing mysteries and gruesome tales by authors such as Mary Fortune, James Skipp Borlase, Guy Boothby, Francis Adams, Ernest Favenc, 'Rolf Boldrewood' and Norman Lindsay, among many others. In the bush and the tropics, the goldfields and the city streets, colonial Australia is a troubling, bewildering place and almost impossible to regulate—even for the most vigilant detective. Ex-convicts, bushrangers, ruthless gold prospectors, impostors, thieves and murderers flow through the stories that make up this collection, challenging the nascent forces of colonial law and order. The landscape itself seems to stimulate criminal activity, where identities change at will and people suddenly disappear without a trace. The Anthology of Colonial Australian Crime Fiction is a remarkable anthology that taps into the fears and anxieties of colonial Australian life.
Arthur Conan Doyle has long been considered the greatest writer of crime fiction, and the gender bias of the genre has foregrounded William Godwin, Edgar Allan Poe, Wilkie Collins, Emile Gaboriau and Fergus Hume. But earlier and significant contributions were being made by women in Britain, the United States and Australia between 1860 and 1880, a period that was central to the development of the genre. This work focuses on women writers of this genre and these years, including Catherine Crowe, Caroline Clive, Elizabeth Cleghorn Gaskell, Mary Elizabeth Braddon, Mrs. Henry (Ellen) Wood, Harriet Prescott Spofford, Louisa May Alcott, Metta Victoria Fuller Victor, Anna Katharine Green, Celeste de Chabrillan, "Oline Keese" (Caroline Woolmer Leakey), Eliza Winstanley, Ellen Davitt, and Mary Helena Fortune--innovators who set a high standard for women writers to follow.
Meet Hal Challis, Detective for the Mornington Peninsula police force in Southeast Australia, in the first investigation in this prize-winning crime series A serial killer is on the loose in a small coastal town near Melbourne, Australia. Detective Inspector Hal Challis and his team must apprehend him before he strikes again. But first, Challis has to contend with the editor of a local newspaper who undermines his investigation at every turn, and with his wife, who attempts to resurrect their marriage through long-distance phone calls from a sanitarium, where she has been committed for the past eight years for attempted murder--"his."
"Previously published by Bantam Australia in trade paperback in January 2017"--Copyright page.
INSTANT NEW YORK TIMES BESTSELLER "I love Jane Harper's Australia-based mysteries." —Stephen King Two brothers meet in the remote Australian outback when the third brother is found dead, in this stunning new standalone novel from Jane Harper Brothers Nathan and Bub Bright meet for the first time in months at the remote fence line separating their cattle ranches in the lonely outback. Their third brother, Cameron, lies dead at their feet. In an isolated belt of Australia, their homes a three-hour drive apart, the brothers were one another’s nearest neighbors. Cameron was the middle child, the one who ran the family homestead. But something made him head out alone under the unrelenting sun. Nathan, Bub and Nathan’s son return to Cameron’s ranch and to those left behind by his passing: his wife, his daughters, and his mother, as well as their long-time employee and two recently hired seasonal workers. While they grieve Cameron’s loss, suspicion starts to take hold, and Nathan is forced to examine secrets the family would rather leave in the past. Because if someone forced Cameron to his death, the isolation of the outback leaves few suspects. A powerful and brutal story of suspense set against a formidable landscape, The Lost Man confirms Jane Harper, author of The Dry and Force of Nature, is one of the best new voices in writing today.
Australian crime fiction has grown from the country's origins as an 18th-century English prison colony. Early stories focused on escaped convicts becoming heroic bush rangers, or how the system mistreated those who were wrongfully convicted. Later came thrillers about wealthy free settlers and lawless gold-seekers, and urban crime fiction, including Fergus Hume's 1887 international best-seller The Mystery of a Hansom Cab, set in Melbourne. The 1980s saw a surge of private-eye thrillers, popular in a society skeptical of police. Twenty-first century authors have focused on policemen--and increasingly policewomen--and finally indigenous crime narratives. The author explores in detail this rich but little known national subgenre.
A selection of stories featuring Australia's favourite PI, plus unpublished writing by Peter Corris on crime. For almost four decades Peter Corris was known as 'the godfather of Australian crime fiction', and Cliff Hardy has been Australia's favourite private investigator since he solved his first case in 1980. This selection of stories starts with Cliff's early days driving round Glebe in his battered Falcon, drinking at the Toxteth Hotel and taking on cases that more often than not leave him as battered as his car. As Cliff becomes older and wiser, he prefers to use his head more than his fists, but the cases are as tricky as ever and Hardy's clients lead him to the murkiest surroundings. To further celebrate Peter Corris's legacy, editor Jean Bedford has also included a selection of his columns on the world of crime and crime writing, along with his 'ABC of Crime Writing'. From Adultery to Yeti, via Gumshoe, Hit man and The Mob, this entertaining compendium gives a fascinating insight into Peter's vast knowledge of the genre. Peter Corris was the author of nearly ninety books between 1973 and 2017, forty-two of them featuring the legendary Cliff Hardy PI. Other fiction included the 'Creepy' Crawley and Browning series, along with his non-fiction books, including biographies of Fred Hollows and Ray Barrett, and A Round of Golf with Peter Corris.
On a sweltering Friday afternoon in Durton, best friends Ronnie and Esther leave school together. Esther never makes it home. Ronnie's going to find her, she has a plan. Lewis will help. Their friend can't be gone, Ronnie won't believe it. Detective Sergeant Sarah Michaels can believe it. She has seen what people are capable of. She knows more than anyone how, in a moment of weakness, a person can be driven to do something they never thought possible. Lewis can believe it too. But he can't reveal what he saw that afternoon at the creek without exposing his own secret. Five days later, Esther's buried body is discovered.