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Catalog of an exhibition held at the National Gallery, London, December 7, 2016-March 26, 2017.
Bringing together works by 30 contemporary Aboriginal and Torres Strait Islander artists from across the country, Defying Empire commemorates the 50th anniversary of the 1967 Referendum that recognized Aboriginal people as Australians for the first time. It explores the strength and resilience of Australia's Indigenous people since first contact, through the historical fight for recognition and ongoing activism in the present day. This moving and powerful art touches on the issues of identity, racism, displacement, country, nuclear testing, sovereignty and the stolen generations through many media: painting on canvas and bark, weaving and sculpture, new media, prints, photography, metalwork and glasswork. 'We defy: By existing; By determining our identity; By asserting our histories; our culture; our language; By telling our stories, our way; By being one of the oldest continuous living cultures in the world.' - Tina Baum, NGA Curator of Aboriginal and Torres Strait Islander Art
This book showcases a unique collection of the National Gallery of Australia. During the early 1970s an impressive array of traditional arts through a program of field collecting on the Islands of Ambrym and Malakula. Central to many traditional practices, better known as 'Kastom', are masked performances and displays of sculpture including iconic upright slit drums.
The National Gallery of Australia holds the largest collection of Australian Indigenous art in the world. Written by Indigenous authors and curators and other experts in the field, this new book features works of art which highlight the diversity, richness and excellence of the Gallery's collection. They range from rare 19th-century objects, historical and contemporary bark paintings, fabrics, dance masks, and headdresses to contemporary politically charged works by artist working in towns and cities in the 21st century. Frachesco Cubillo is a member of the Larrakia, Bardi, Wadaman, and Yanuwa Nations. She is senior curator Aboriginal and Torres Strait Islander art at the National Gallery of Australia. Wally Caruana is an independent curator, author, and consultant on Indigenous Australian art.
Botticelli to Van Gogh: Masterpieces from the National Gallery, London explores the history of European art from the Renaissance through to the birth of modern art in the late nineteenth century. Published in conjunction with the exhibition held at the National Gallery of Australia, this book features essays by international experts in Italian, Spanish, Dutch, Flemish, French and British art and 60 paintings by some of Europe's most revered artists, including Titian, Rembrandt, Vermeer, Velázquez, Goya, Turner, Renoir, Gauguin and Cézanne.
Roy Lichtenstein: Pop remix is drawn from the extensive collection of the artist's prints at the National Gallery of Australia, Canberra -- Gallery website.
Cressida Campbell is a renowned and gifted artist who depicts the essence of her familiar subjects in water colour, painted woodblocks and woodblock prints. Conscious of the legacy of Margaret Preston, Campbell portrays beauty in everyday scenes such as domestic still lives, industrial maritime scenes and rooftops overlooking Sydney harbour. Her work is given depth through solid composition and vivid colour. A fine draughtswoman and strong designer, her works show graphic elements reminiscent of Japanese prints. WOODBLOCK PAINTING OF CRESSIDA CAMPBELL is the first comprehensive survey of her work in print. It spans pictures produced from 1984 to 2007 to guide the viewer through the imaginative world of one of Australia's most uncompromising artists
The extraordinary relationship between Henry Matisse and Pablo Picasso is one of the most important and eventful narratives in modern art. Between them, they set the course of western art history in the first half of the twentieth century, where Renaissance one-point perspective and realism were abandoned for radical ideas about depicting the third dimension. Their artistic rivalry and collaboration began the new story of modernism. This publication examines the paths of these two artists over the years and the way they each responded to the other's work.
Sidney Nolan (1917 1992) wove a compelling narrative around the figure of Ned Kelly as the 'wronged' anti-hero who forged his own homemade armour and was pursued by police through the often featureless Australian bush. Though the Kelly myth didn't start with Nolan's paintings, his images remain the most enduring and instantly recognisable evocations of the legend. Kelly's stark black silhouette gave Nolan his most powerful poetic metaphor for Australians' relationship with their land. The text is by Andrew Sayers, Director of the National Portrait Gallery, Canberra, and Murray Bail, whose novels include the prize-winning Eucalyptus.
Published in conjunction with the exhibition FIONA HALL: WRONG WAY TIME at the Australian Pavilion, Venice Biennale 2015, and exhibition tour 2016-17.Fiona Hall is a distinguished Australian artist best known for her dexterous and inventive transfiguration of materials into forms that animate our relationship with the natural world.In her exhibition for the Venice Biennale, FIONA HALL: WRONG WAY TIME, she brings together hundreds of disparate elements which find alignments and create tensions around three intersecting concerns: global politics, finances and the environment. In common with many of us, Hall sees in these failed states 'a minefield of madness, badness, sadness, in equal measure', stretching beyond the foreseeable future. Her lifelong passion for the natural environment can be intensely felt in works that respond to our persistent role in its demise, or the perilous state of various species.