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Australia 1918-1950s explores AustraliafºÁs modern history from 1918 and considers how Australians responded to the rapid social, technological, economic and political changes that came in the aftermath of World War l at both the domestic and international level. In exploring these themes particular attention is paid to: the ambitious agricultural and infrastructure development schemes of the 1920s and their successes and failures everyday experiences of those who lived global crises such as the economic Depression of the 1930s and World War Two the changing roles of women political position of Indigenous Australians Australian foreign policy World War Two Post-war reconstruction, migration schemes and nation building programs Impact of the Cold War on Australian Labour Party politics and society.
The USA 1900 - 1945 has been developed especially for senior secondary students of History and is part of the Nelson Modern History series. Each book in the series is based on the understanding that History is an interpretive study of the past by which students also come to better appreciate the making of the modern world. Developing understandings of the past and present in senior History extends on the skills learnt in earlier years. Senior students will use historical skills, including research, evaluation, synthesis, analysis and communication. Students will rely on their knowledge of the historical concepts such as evidence, continuity and change, cause and effect, significance, empathy, perspectives and contestability, to understand and interpret societies from the past. The activities and tasks have been written to ensure that students develop the skills and attributes required for senior History subjects. This study of the United States of America from the early 20th century to the end of World War II explores a variety of themes using a rich range of primary visual and text sources and recent historiography. Included in the text are detailed considerations of American capitalism, social and cultural developments in literature and the arts, race relations and the experience of the 'Jazz Age', the Great Depression, and the impact of war.
Subtle and wide-ranging in its account, this study explores the impact of Australian art in Britain in the two decades following the end of World War II and preceding the 'Swinging Sixties'. In a transitional period of decolonization in Britain, Australian painting was briefly seized upon as a dynamic and reinvigorating force in contemporary art, and a group of Australian artists settled in London where they held centre stage with group and solo exhibitions in the capital's most prestigious galleries. The book traces the key influences of Sir Kenneth Clark, Bernard Smith and Bryan Robertson in their various (and varying) roles as patrons, ideologues, and entrepreneurs for Australian art, as well as the self-definition and interaction of the artists themselves. Simon Pierse interweaves multiple issues of the period into a cohesive historical narrative, including the mechanics of the British art world, the limited and frustrating cultural scene of 1950s Australia, and the conservative influence of Australian government bodies. Publishing for the first time archival material, letters, and photographs previously unavailable to scholars either in Britain or Australia, this book demonstrates how the work of expatriate Australian artists living in London constructed a distinct vision of Australian identity for a foreign market.
Many of Australia's first Fabians are known as legislators, priests, jurists, men and women of letters, diplomats, feminists and educators, yet few are recognised as Fabians. Until this book, little attention has been given to Australian Fabian thinkers, activists and organisations, and their long-term influence on Australian political and intellectual life. This book recreates the lives of the first Fabians in Australia, their political ideas and strategies, and presents their visions for society in a lively and entertaining way. It also explores the similarities between the Fabian Society's development in Britain and Australia. The book will fill a long-standing gap in Australian intellectual history and the history of early socialist movements in Australia.
This book explores art song as an emblem of musical modernity in early twentieth-century East Asia and Australia. It appraises the lyrical power of art song – a solo song set to a poem in the local language in Western art music style accompanied by piano – as a vehicle for creating a localized musical identity, while embracing cosmopolitan visions. The study of art song reveals both the tension and the intimacy between cosmopolitanism and local politics and culture. In 20 essays, the book includes overviews of art song development written by scholars from each of the five locales of Japan, Korea, China, Taiwan, and Australia, reflecting perspectives of both established narratives and uncharted historiography. The Art Song in East Asia and Australia, 1900 to 1950 proposes listening to the songs of our neighbours across cultural and linguistic boundaries. Recognizing the colonial constraints experienced by art song composers, it hears trans-colonial expressions addressing musical modernity, both in earlier times and now. Readers of this volume will include musicologists, ethnomusicologists, singers, musicians, and researchers concerned with modernity in the fields of poetry and history, working within local, regional, and transnational contexts.