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Music of the bars and clubs of Austin, Texas has long been recognized as defining one of a dozen or more musical "scenes" across the country. In Dissonant Identities, Barry Shank, himself a musician who played and lived in the Texas capital, studies the history of its popular music, its cultural and economic context, and also the broader ramifications of that music as a signifying practice capable of transforming identities. While his focus is primarily on progressive country and rock, Shank also writes about traditional country, blues, rock, disco, ethnic, and folk musics. Using empirical detail and an expansive theoretical framework, he shows how Austin became the site for "a productive contestation between two forces: the fierce desire to remake oneself through musical practice, and the equally powerful struggle to affirm the value of that practice in the complexly structured late-capitalist marketplace."
This is a guidebook to all of the open access climbing areas in and around Austin, Texas. Limestone
Arriving in 1978, hitched to the back of the Sex Pistols tour bus, punk soon became as mythic in Texas as the state's devotion to football, cattle, and prayer. Confrontational renegades like the Huns, the Big Boys, and the Dicks led a defiant new era of blood, sweat, and cross-dressing cowboys. Austin son Pat Blashill grabbed a camera and began shooting local punk bands, uncovering a story of desperation and creative deliverance, set in trailer parks, low-rent shared housing, and wild, Texas bucket-of-beer bars.Along the trail Blashill befriended and photographed the Big Boys, the Dicks, Butthole Surfers. Poison 13, the Hickoids, the Offenders, Scratch Acid, Daniel Johnston, Doctors' Mob, Glass Eye, and others. As Austin became a mecca for live music, he captured equally iconic images of touring bands including Sonic Youth, Devo, Samhain, Soul Asylum, the Replacements, and the Dead Kennedys. More than two hundred of Blashill's deep black and white photos are joined here by essays from director Richard Linklater (Slacker/School of Rock); singer David Yow (Scratch Acid/Jesus Lizard); drummer Teresa Taylor (Butthole Surfers); and local luminaries Adriane "Ash" Shown and Donna Rich. True mavericks banded together to make a stand, and?Texas Is the Reason.
What happens when an introverted feminist academic tosses off her big black nerd glasses and succumbs to a brutal crush on a hard-rockin' Texas boygirl? Paige Schilt's journey introduces her to Southern belles, singing sperm donors, gay evangelicals, and tattooed sub-cultural kinfolk. A unique tale of family, illness, and resilience, Queer Rock Love reminds us that our trials and tribulations can sometimes become powerful sources of community and connection.
A comprehensive guidebook to rock climbing in Austin, Texas. Out-of-state retailers will be particularly interested in its coverage of one of the few Deep Water Solo areas in the southern U.S. Sport routes are detailed with full color topo-photos and descriptions. Amusing local climbing history is also covered.
From legendary wrestling announcer Jim Ross, this candid, colorful memoir about the inner workings of the WWE and the personal crises he weathered at the height of his career is “a must-read for wrestling fans” (Charleston Post Courier). If you’ve caught a televised wrestling match anytime in the past thirty years, you’ve probably heard Jim Ross’s throaty Oklahoma twang. The beloved longtime announcer of the WWE “has been a driving force behind a generation of wrestling fans” (Mark Cuban), and he’s not slowing down, having signed on as the announcer of the starry new wrestling venture All Elite Wrestling. In this follow-up to his bestselling memoir Slobberknocker, he dishes out about not only his long career, which includes nurturing global stars like Stone Cold Steve Austin, The Rock, and John Cena, but also about his challenges of aging and disability, his split from collaborator Vince McMahon, and the sudden death of his beloved wife, Jan. The result is a gruff, endearing, and remarkably human-scale portrait, set against the larger than life backdrop of professional wrestling. Ross’s ascent in WWE mirrors the rise of professional wrestling itself from a DIY sideshow to a billion-dollar business. Under the Black Hat traces all the highs and lows of that wild ride, in which Jim served not only as on-air commentator, but talent manager, payroll master, and even occasional in-ring foil to threats like Paul “Triple H” Levesque and Undertaker. While his role brought him riches and exposure he had never dreamed of, he chafed against the strictures of a fickle corporate culture and what he saw as a narrow vision of what makes great wrestlers—and great story lines. When suddenly stricken with Bell’s palsy, a form of facial paralysis that makes it impossible to smile, he started down his greatest fear—being cast out of the announcing booth for good. Picking up where Slobberknocker left off and ending on the cusp of a new career in a reimagined industry, Under the Black Hat is the triumphant tale of a country boy who made it to the top, took a few knocks, and stuck around—just where his fans like him. Not only being one of the greatest wrestlers of the WWE, Ross is also “a master storyteller, and this book is the perfect forum for his forty years’ worth of tales” (Chris Jericho, former WWE champion).