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Rooting itself in Kashmir Shaivism, Śrividyā became a force in South India no later than the seventh century, and eventually supplanted the Trika as the dominant Tantric tradition in Kashmir. This is the first comprehensive study of the texts and traditions of this influential school of goddess-centered, Śākta, Tantrism. Centering on the goddess's three manifestations—the beneficent deity Lalita Tripurasundari, her mantra, and the visually striking sricakra—Śrividyā creates a systematic esoteric discipline that combines elements of the yogas of knowledge, of devotion, and of ritual. Utilizing canonical works, historical commentaires, and the interpretive insights of living practitioners, this book explores the theological and ritual theories that form the basis for Śrividyā practice and offers new methods for critical and comparative studies of esoteric Hinduism.
The ways in which humans interact with their location is an important topic within sociological studies of religion. It is integral to the place of religion in secular society. 'The Location of Religion: A Spatial Analysis' offers an overview of the ways in which religion can be located within social, cultural and physical space. It examines contemporary spatial theory - notably the work of the influential sociologist Henri Lefebvre - and the many disciplines that have contributed to the spatial study of religion. This volume will be invaluable to all those interested in the role of religion in spatial analysis.
Explores the diversity of Hindu goddesses and the variety of ways in which they are worshipped. Although they undoubtedly have ancient origins, Hindu goddesses and their worship is still very much a part of the fabric of religious engagement in India today. This book offers an introduction to a complex and often baffling field of study.
The inaugural volume of Princeton Readings in Religions brings together the work of thirty scholars of the religions of India in a new anthology designed to reshape the ways in which the religious traditions of India are understood. The book contains translations of forty-five works, most of which have never before been available in a Western language. Many of these highlight types of discourse (especially ritual manuals, folktales, and oral narratives) and voices (vernacular, esoteric, domestic, and female) that have not been sufficiently represented in previous anthologies and standard accounts of Indian religions. The selections are drawn from ancient texts, medieval manuscripts, modern pamphlets, and contemporary fieldwork in rural and urban India. They represent every region in South Asia and include Hindu, Buddhist, Jain, Sikh, and Muslim materials. Some are written texts reflecting elite concerns, while others are transcriptions of oral narratives told by nonliterate peasants. Some texts are addressed to a public and pan-Indian audience, others to a limited coterie of initiates in an esoteric sect, and still others are intended for a few women gathered in the courtyard for a household ceremony. The editor has reinforced this diversity by arranging the selections within several overarching themes and categories of discourse (hymns, rituals, narratives, and religious interactions), and encourages us to make our own connections.
Rooting itself in Kashmir Shaivism, Śrividyā became a force in South India no later than the seventh century, and eventually supplanted the Trika as the dominant Tantric tradition in Kashmir. This is the first comprehensive study of the texts and traditions of this influential school of goddess-centered, Śākta, Tantrism. Centering on the goddess's three manifestations—the beneficent deity Lalita Tripurasundari, her mantra, and the visually striking sricakra—Śrividyā creates a systematic esoteric discipline that combines elements of the yogas of knowledge, of devotion, and of ritual. Utilizing canonical works, historical commentaires, and the interpretive insights of living practitioners, this book explores the theological and ritual theories that form the basis for Śrividyā practice and offers new methods for critical and comparative studies of esoteric Hinduism.
The essays in this volume, written by specialists working in the field of tantric studies, attempt to trace processes of transformation and transfer that occurred in the history of tantra from around the seventh century and up to the present. The volume gathers contributions on South Asia, Tibet, China, Mongolia, Japan, North America, and Western Europe by scholars from various academic disciplines, who present ongoing research and encourage discussion on significant themes in the growing field of tantric studies. In addition to the extensive geographical and temporal range, the chapters of the volume cover a wide thematic area, which includes modern Bengali tantric practitioners, tantric ritual in medieval China, the South Asian cults of the mother goddesses, the way of Buddhism into Mongolia, and countercultural echoes of contemporary tantric studies.
In various ways, the essays presented in this volume explore the structures and aesthetic possibilities of music, dance and dramatic representation in ritual and theatrical situations in a diversity of ethnographic contexts in Europe, the Americas, Africa and Asia. Each essay enters into a discussion of the “logic” of aesthetic processes exploring their social and political and symbolic import. The aim is above all to explore the way artistic and aesthetic practices in performance produce and structure experience.
Explores the contemporary nature and the diverse narratives, rituals, and performances of the Navar?tri festival. Nine Nights of the Goddess explores the festival of Navarātri—alternatively called Navarātra, Mahānavamī, Durgā Pūjā, Dasarā, and/or Dassain—which lasts for nine nights and ends with a celebration called Vijayadaśamī, or "the tenth (day) of victory." Celebrated in both massive public venues and in small, private domestic spaces, Navarātri is one of the most important and ubiquitous festivals in South Asia and wherever South Asians have settled. These festivals share many elements, including the goddess, royal power, the killing of demons, and the worship of young girls and married women, but their interpretation and performance vary widely. This interdisciplinary collection of essays investigates Navarātri in its many manifestations and across historical periods, including celebrations in West Bengal, Odisha, Karnataka, Maharashtra, Tamil Nadu, Uttar Pradesh, and Nepal. Collectively, the essays consider the role of the festival's contextual specificity and continental ubiquity as a central component for understanding South Asian religious life, as well as how it shapes and is shaped by political patronage, economic development, and social status.
Ritual has been long viewed as an undisputed and indisputable part of (especially religious) tradition, performed over and over in the same ways: stable in form, meaningless, preconcieved, and with the aim of creating harmony and enabling a tradition's survival. The authors represented in this collection argue, however, that this view can be seriously challenged and that ritual's embeddedness in negotiation processes is one of its central features.
While Hindus recognize and revere a variety of different goddesses, they also tend to speak of one Great Goddess, Mahadevi, as a singular divine being who is the unity underlying all female deities. In this book, ten scholars reflect on both the diverse depictions of Mahadevi found in textual and devotional environments and the ways that the singularity and multiplicity of the divine Hindu feminine are negotiated. Seeking Mahadevicovers various geographical locations, from the Punjab and Bengal in North India to Kerala and Tamilnadu in the South, and makes use of evidence from ancient texts and contemporary interviews, male-authored documents and women's possession experiences, myth, ritual, and folklore. Arguing that Mahadevi has multiple, context-dependent identities that are constructed through human interpretive activity, this book highlights the great diversity of ways that those who worship Mahadevi conceive of and portray her. Contributors include C. Mackenzie Brown, Sarah Caldwell, Thomas Coburn, Elaine Craddock, Kathleen M. Erndl, Jeffrey J. Kripal, Usha Menon, Tracy Pintchman, Andhra Pradesh, and Mark Edwin Rohe.