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This volume brings together a selection of the most stimulating and influential writing on Haydn and his music in the English language. Written by a range of established and younger scholars it probes a variety of aesthetic, biographical, compositional, performance and reception issues. A specially written introduction summarizes the significance of each essay, directs the reader to appropriate complementary material and seeks the common ground between the essays; to assist with consistent referencing the individual essays retain their original pagination. This representative compendium of Haydn research provides the opportunity to explore the intellectual diversity of recent scholarship and is an indispensable publication for students of Haydn, whether new or old, amateur or professional.
From her world-famous dude ranch in Washington state's Yakima County, Kay Kershaw exerted tremendous influence on conservation efforts in the Pacific Northwest and, tangentially, on LGBTQ+ rights in the United States. After gaining local renown in sports and aviation, she established the ranch at Goose Prairie with her first partner, Pat Kane--a fraught undertaking in a region closely associated with the John Birch Society. Operating under the guise of two "spinsters," Kershaw and her later life-partner Isabelle Lynn guarded their privacy closely, but local encroachment by the U.S. Forest Service and the timber industry forced them into the public arena as environmentalists. In partnership with Supreme Court Justice William O. Douglas, Kershaw and Lynn spearheaded a decades-long campaign to save the ancient forests and ecosystem of Washington's Cascade Range. In the process, Kay and Isabelle's devoted relationship proved a marked contrast to Justice Douglas' own turbulent love life, perhaps affecting his perception of the law and his precedent-setting judicial opinion in Griswold v. Connecticut (1965), which provided the basis for major LGBTQ+ Supreme Court decisions in the twenty-first century as well as Roe v. Wade in 1973.
This book focuses on major theories of language from several disciplines and aims to develop an approach to communicative practice that combines the formal properties of linguistic systems with the dynamics of speech as social activity.
Joseph Haydn's symphonies and string quartets are staples of the concert repertory, yet many aspects of this founding genius of the Viennese Classical style are only beginning to be explored. From local Kapellmeister to international icon, Haydn achieved success by developing a musical language aimed at both the connoisseurs and amateurs of the emerging musical public. In this volume, the first collection of essays in English devoted to this composer, a group of leading musicologists examines Haydn's works in relation to the aesthetic and cultural crosscurrents of his time. Haydn and His World opens with an examination of the contexts of the composer's late oratorios: James Webster connects the Creation with the sublime--the eighteenth-century term for artistic experience of overwhelming power--and Leon Botstein explores the reception of Haydn's Seasons in terms of the changing views of programmatic music in the nineteenth century. Essays on Haydn's instrumental music include Mary Hunter on London chamber music as models of private and public performance, fortepianist Tom Beghin on rhetorical aspects of the Piano Sonata in D Major, XVI:42, Mark Evan Bonds on the real meaning behind contemporary comparisons of symphonies to the Pindaric ode, and Elaine R. Sisman on Haydn's Shakespeare, Haydn as Shakespeare, and "originality." Finally, Rebecca Green draws on primary sources to place one of Haydn's Goldoni operas at the center of the Eszterháza operatic culture of the 1770s. The book also includes two extensive late-eighteenth-century discussions, translated into English for the first time, of music and musicians in Haydn's milieu, as well as a fascinating reconstruction of the contents of Haydn's library, which shows him fully conversant with the intellectual and artistic trends of the era.
A history -- the first ever -- of the abundant traditions of German-American musical theater in New York, and a treasure trove of songs and information.
A volume of essays on the themes of tradition, oral communication versus literal communication, Wittgenstein, and computers. The later Wittgenstein is shown to be on the one hand a traditionalist, and on the other hand, along with Heidegger, a philosopher of postmodern -- secondary -- orality, yearning for bygone, premodern times -- the times of primary orality. Under conditions of primary orality traditions fulfilled the specific cognitive role of conserving information -- a role subsequently taken over by writing, and today by electronic data processing. The message of the volume is that the Western values of individuality and critical thinking are intimately bound up with the technology of writing. It offers arguments in favour of the standards and techniques of classical education even under conditions of, indeed as a foundation for, the emerging computer culture.