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The open access publication of this book has been published with the support of the Swiss National Science Foundation. Ce livre propose une étude intertextuelle des descriptions d’aurores et de crépuscules dans la Thébaïde de Stace. Les images poétiques de l’Aurore aux doigts de rose ou du char solaire plongeant dans l’Océan cachent un travail minutieux sur la tradition littéraire antérieure. Les remarquables aurores et crépuscules de la Thébaïde illustrent parfaitement la façon dont les caractéristiques traditionnelles du motif peuvent être détournées pour transmettre un nouveau message. Chaque chapitre de cet ouvrage examine en détail un des aspects lié aux aurores et aux crépuscules : expressions formulaires, rôle structurant, fonction lumineuse et temporelle, potentiel métaphorique. This book offers an intertextual study of dawn and dusk descriptions in Statius’ Thebaid. Poetic images such as rosy-fingered Dawn and the fiery chariot of the Sun sinking into the Ocean are the result of learned work on the previous literary tradition. The striking dawn and dusk descriptions in the Thebaid offer a perfect illustration of the way in which the traditional characteristics of the motif can be remodelled to produce new meaning. Each chapter in this monograph examines one of the aspects associated with dawns and dusks: formulaic diction, structuring role, relation to time and light, allegory.
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Virgil’s Aeneid 5 has long been among the more neglected sections of the poet’s epic of Augustan Rome. Book 5 opens the second movement of the poem, the middle section of the Aeneid that sees the Trojans poised between the old world of Phrygia and the new destiny in Italy. The present volume fills a significant gap in Virgilian studies by offering the first full-scale commentary in any language on this key book in the explication of the poet’s grand consideration of the meaning of Trojan versus Roman identity. A new critical text (based on first hand examination of the manuscripts) is accompanied by a prose translation and detailed commentary. The notes provide in depth analysis of literary, historical, and lexical matters; the introduction situates Book 5 both in the context of the epic and the larger tradition of heroic poetry.
First published in 1958, this collection introduced an indispensable corpus of western poetry to countless American students, Francophiles, and would-be poets, among them Patti Smith, whose Introduction to this edition testifies to its epochal impact on her own career. The poetic and cultural tradition forged by the symbolist poets featured herein -- Baudelaire, Rimbaud, Verlaine, Apollinaire, and others -- reverberated throughout the avant garde and countercultures of the twentieth century. Surrealism, modernism, abstract impressionism, and the Beat movement all find their roots in the examples of these poets and their theories of art. With translations by Richmond Lattimore, W.S. Merwin, Richard Wilbur, and Louise Varese, this rediscovered gem is sure to inspire a new generation.