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DESIRE HAUNTS HER Rumors of madness and murder lurk within the crumbling walls of Manorbrier Castle. But Emma Parrish is not easily put off. She accepts a position no one else dares, as governess to the son of Lord Anthony Craven, the castle’s dark master. Her presence stirs up shadows and threat. She feels unseen eyes watching her. Eerie laughter haunts her. And the seductive pull of Anthony Craven lures her. DARK SECRETS DRIVE HIM The secrets of Anthony Craven’s shadowy past lurk behind the locked doors of the estate’s forbidden Round Tower. Mysterious lights flash there in the night. The servants whisper warnings of death. And Anthony himself warns Emma that there is only danger to be found in his sensual embrace. EVIL IS ONLY A BREATH AWAY Powerfully drawn to the dangerously alluring Anthony, Emma finds herself unable to deny her deepest yearnings. But even as she succumbs to the master of Manorbrier, she is touched by the whisper of evil that rises from the secrets of his past.
A New York Times Notable Book: A novel about growing up in a remote corner of Vermont, from the author Richard Russo calls “one of our very best writers.” When six-year-old Austen Kittredge was sent up north to live on his grandparents’ farm in 1948, he didn’t know that he would spend the next twelve years of his life there—or that his remarkable stay would never leave him, no matter how far he traveled. The farm in Lost Nation Hollow would become a magical place for Austen, full of eccentric people—like his stubborn but loving grandparents, whose marriage was known as the Forty Years War—wild adventures, and festering family secrets. An enchanting, startling coming-of-age novel, Northern Borders evokes a world of county fairs, heirloom quilts, and timber forests, in “a touching and unforgettable portrait of a people and time that are past” (Fannie Flagg, The New York Times Book Review). “A contemporary classic . . . A complex, yet idyllic, story of childhood in Vermont.” —Los Angeles Times
A bittersweet farewell to the world and the word by the Australian master “The mind is a place best viewed from borderlands . . .” Border Districts, purportedly the Australian master Gerald Murnane’s final work of fiction, is a hypnotic, precise, and self-lacerating “report” on a life led as an avid reader, fumbling lover, “student of mental imagery,” and devout believer—but a believer not in the commonplaces of religion, but rather in the luminescence of memory and its handmaiden, literature. In Border Districts, a man moves from a capital city to a remote town in the border country, where he intends to spend the last years of his life. It is time, he thinks, to review the spoils of a lifetime of seeing, a lifetime of reading. Which sights, which people, which books, fictional characters, turns of phrase, and lines of verse will survive into the twilight? A dark-haired woman with a wistful expression? An ancestral house in the grasslands? The colors in translucent panes of glass, in marbles and goldfish and racing silks? Feeling an increasing urgency to put his mental landscape in order, the man sets to work cataloging this treasure, little knowing where his “report” will lead and what secrets will be brought to light. Border Districts is a jewel of a farewell from one of the greatest living writers of English prose.
From the influential work of Los Bros Hernandez in Love & Rockets, to comic strips and political cartoons, to traditional superheroes made nontraditional by means of racial and sexual identity (e.g., Miles Morales/Spider-Man), comics have become a vibrant medium to express Latino identity and culture. Indeed, Latino fiction and nonfiction narratives are rapidly proliferating in graphic media as diverse and varied in form and content as is the whole of Latino culture today. Graphic Borders presents the most thorough exploration of comics by and about Latinos currently available. Thirteen essays and one interview by eminent and rising scholars of comics bring to life this exciting graphic genre that conveys the distinctive and wide-ranging experiences of Latinos in the United States. The contributors’ exhilarating excavations delve into the following areas: comics created by Latinos that push the boundaries of generic conventions; Latino comic book author-artists who complicate issues of race and gender through their careful reconfigurations of the body; comic strips; Latino superheroes in mainstream comics; and the complex ways that Latino superheroes are created and consumed within larger popular cultural trends. Taken as a whole, the book unveils the resplendent riches of comics by and about Latinos and proves that there are no limits to the ways in which Latinos can be represented and imagined in the world of comics.
Literary Nonfiction. Poetry. Latinx Studies. LGBTQIA Studies. Edited by Ricardo F. Vivancos-Pèrez and Norma Cantú. Rooted in Gloria Anzaldúa's experiences growing up near the U.S./Mexico border, BORDERLANDS/LA FRONTERA remaps our understanding of borders as psychic, social, and cultural terrains that we inhabit and that inhabit us all. Drawing heavily on archival research and a comprehensive literature review while contextualizing the book within her theories and writings before and after its 1987 publication, this critical edition elucidates Anzaldúa's complex composition process and its centrality in the development of her philosophy. It opens with two introductory studies; offers a corrected text, explanatory footnotes, translations, and four archival appendices; and closes with an updated bibliography of Anzaldúa's works, an extensive scholarly bibliography on Borderlands, a brief biography, and a short discussion of the Gloria E. Anzaldúa Papers. "Ricardo F. Vivancos-Pèrez's meticulous archival work and Norma Elia Cantú's life experience and expertise converge to offer a stunning resource for Anzaldúa scholars; for writers, artists, and activists inspired by her work; and for everyone. Hereafter, no study of Borderlands will be complete without this beautiful, essential reference."--Paola Bacchetta
Thomas King is the first Native writer to generate widespread interest in both Canada and the United States. He has been nominated twice for Governor General's Awards, and his first novel, Medicine River, has been transformed into a CBC movie. His books have been reviewed in publications such as The New York Times Book Review, The Globe and Mail, and People magazine. King is also the author of the serialized radio series The Dead Dog Café and is an accomplished photographer. Border Crossings is the first full-length study to explore King's art. Davidson, Walton, and Andrews employ a framework of postcolonial and border studies theory to examine the concepts of nation, race, and sexuality in King's work. They examine how King's art routinely explores cross-cultural dynamics, including Native rights and race relations, American and Canadian cultural interaction, and the artistic traditions of Europe and North America. The authors argue that, by situating these concepts within a comic framework, King avoids the polemics that often surface in cultural critiques. His writing engages, entertains, and educates. This provocative analysis of King's art reads across cultures and between borders, and makes an important contribution to the study of Native writing, Canadian and American literature, border studies, and humour studies.
Over many centuries, women on the Chinese stage committed suicide in beautiful and pathetic ways just before crossing the border for an interracial marriage. Uncrossing the Borders asks why this theatrical trope has remained so powerful and attractive. The book analyzes how national, cultural, and ethnic borders are inevitably gendered and incite violence against women in the name of the nation. The book surveys two millennia of historical, literary, dramatic texts, and sociopolitical references to reveal that this type of drama was especially popular when China was under foreign rule, such as in the Yuan (Mongol) and Qing (Manchu) dynasties, and when Chinese male literati felt desperate about their economic and political future, due to the dysfunctional imperial examination system. Daphne P. Lei covers border-crossing Chinese drama in major theatrical genres such as zaju and chuanqi, regional drama such as jingju (Beijing opera) and yueju (Cantonese opera), and modernized operatic and musical forms of such stories today.
The time is the future. Robots are doing the work previously performed by humans. The replacement of workers by robots is both predictable and inevitable. The owner of the largest robotics company in the world decides to create the perfect woman. He hires the best engineer to construct her body, and the best programmer to construct her brain. He buys an island and changes its name to Eden Island. He names the plan Project Eve, and she is planned to be the prototype for a new race of women to replace flawed womanhood. He does not foresee the consequences of his plan, such is his obsession. He does create the perfect woman in body and mind, but when she acquires human characteristics his plan starts to unravel. Project Eve ends in disaster.
From novelette to flash fiction, snippets of three novels to a final essay, from voices old and young, mixing the ethereal and actual in tales of misadventure, guilt, murder, bigotry, the thrill and angst of a one-night stand, poignant as the breath of evil or memory in ache to breathe, where common lives bleed over into wonder, horror, and the unexplained. For those who would enter and explore the recurring mysteries Eve has wrought... Stories included in this collection: SON OF EVE LION JACK THE PLAYER MOONLIGHT JITTERS IN THE OWL’S EYE HAUNTED DAY THE BELL RINGER FIFTY CENT TIP THE FAIR OF BIRDS AND TIME THE CACTUS FLOWER BENEATH THE CEDARS WINTER MEMORY THE SHARK’S TOOTH THE IS OF THINGS PROSPECTS SEEDS OF HATE JACK STRAW SAYS WEEDS BOB’S CAFE BLACK MOON COLD SHOWER SNAKES! THE EVER POND THIRTY YEAR SUMMER
Fiction. Women's Studies. Eve Gates is intent on finding a way to fly away from the small town where her millworker family lives a wary existence and where her best friend meets tragedy. Tired of battling her loving but close-mouthed mother, Maisie, for details about Evangeline, the grandmother who died before Eve was born, and whose death seems to be the heart of the mystery that swirls around her family, Eve heads for New York, for Paris, for all the places she has conjured through her love of reading only to be called back due to family illnesses. Now she must decide whether she will settle back into her old home town or move into the larger world she has always craved. If she stays, can a romance in a small- minded community provide a large- enough window on life? If she goes, will she ever resolve the mystery that her mother and aunts guard so closely? The path forward lies through a search for the friend she thought was lost forever, and by connecting with the grandmother she never knew."