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In Aunt Mary's Guide to Raising Children the Old-Fashioned Way, Amy S. Peele reflects on her childhood and discovers memories both painful and funny that yield meaningful life lessons. In this book, Peele delves into her sometimes chaotic, sometimes simple childhood, and reflects on the peace of mind she experienced at Lake Wawasee every summer.After you read this memoir, you'll be compelled to look on the map to see if there really is a lake called Wawasee. You'll want to be invited into Aunt Mary's garage at 5 PM for Scotch and cards. You'll relate to Peele's underlying message: that parents and relatives do the best they can with the circumstances life sets before them.
In this accessible, straightforward book, seasoned author Betsy Graziani Fasbinder offers readers the why, what, and how of public speaking, along with exercises and resources to support ongoing learning. She provides inspiration and encouragement to help writers to overcome their fears of public speaking, but she doesn’t stop there; she also lays out the practical, nuts-and-bolts tools they need to select, deselect, and arrange the content of what to say when they’re on a podium, in an interview, or in casual conversations about their writing, and includes a model for handling challenging questions from interviewers and audience members with confidence and grace. Part practical how-to—full of usable tools and tips—and part author cheerleader and champion, From Page to Stage is the ultimate resource for writers who wish bring their storytelling skills to their speaking opportunities.
When children lose someone they love, life is never the same. In this sympathetic book, the authors advocate an open, honest approach, suggesting that our instinctive desire to "protect" children from the reality of death may be more harmful than helpful.
As Mary Malbunka shares her stories of playing with friends, building cubby houses, climbing trees, collecting sugarbag, digging for honey ants, hunting for lizards, and learning about the seasons, animals and plants, she creates a vivid picture of a truly Australian childhood in which country - ngurra is life itself. Warm and accessible, this is essentially an oral story, and it contains a number of words in Luritja whose meaning is explained in context and also within an extensive glossary. The book also interprets recurring symbols used in traditional Aboriginal painting. 'This beautiful work is a gift to children, education and reconciliation.' - Jackie Huggins AM, Co-Chair, Reconciliation Australia 'Mary Malbunka's story is simply bursting with details of her childhood in Papunya - the bush tucker and medicines, the animals, the sense of family and community, the Dreaming stories, the country itself and the difficulties of fitting in to the white man's world. I'm sure readers young and old will find the vibrant picture it paints to be irresistible. It is also an important story because it helps Aboriginal people reclaim our traditional culture.' - Professor Lowitja O'Donoghue
Surviving a horrific school shooting, a six-year-old boy retreats into the world of books and art while making sobering observations about his mother's determination to prosecute the shooter's parents and the wider community's efforts to make sense of the tragedy.
The “superb” time travel adventure of one lonely young girl, a remarkable family, and an impossible task, set between modern and Elizabethan England (The Washington Post) "A beautiful book . . . a form of enchanting ghost story, with the ghosts drawn in with the grace of a painter on a fan." —The Observer Penelope Taberner Cameron is a solitary and a sickly child, a reader and a dreamer. Her mother, indeed, is of the opinion that the girl has grown all too attached to the products of her imagination and decides to send her away from London for a restorative dose of fresh country air. But staying at Thackers, in remote Derbyshire, Penelope is soon caught up in a new mystery, as she finds herself transported at unforeseeable intervals back and forth from modern to Elizabethan times. There she becomes part of a remarkable family that is, Penelope realizes, in terrible danger as they plot to free Mary, Queen of Scots, from the prison in which Queen Elizabeth has confined her. Penelope knows the tragic end that awaits the Scottish queen, but she can neither change the course of events nor persuade her new family of the hopelessness of their cause, which love, loyalty, and justice all compel them to embrace. Caught between present and past, Penelope is ever more torn by questions of freedom and fate. To travel in time, she discovers, is to be very much alone. And yet the slow recurrent rhythms of the natural world, beautifully captured by Alison Uttley, also speak of a greater ongoing life that transcends the passage of the years.