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Essay by Peter Mesenholler.
Now available in paperback Throughout his tenure as a registry clerk with the Immigration Division of Ellis Island, Augustus F. Sherman systematically photographed more than 200 families, groups and individuals while they were being held by customs for special investigations. This volume collects and provides an essential revaluation of Sherman's striking portraits, which predate August Sander's cataloging efforts by several years. An historical document of unprecedented worth, "Augustus F. Sherman: Ellis Island Portraits" includes almost 100 portraits taken from 1905 through 1920. The subjects are frequently dressed in elaborate national costumes or folk dress, emphasizing the variety and richness of the cultural heritage that came together to form the United States. Romanian shepherds, German stowaways, Russian vegetarians, Greek priests and Ghanaian women in elaborately patterned dresses are treated with equal gravitas. The resulting body of work presents a unique and powerful picture of the stream of immigrants who came through Ellis Island. Though originally taken for his own personal study, Sherman's work appeared in the public eye as illustrations for publications with titles such as "Alien or American, " and hung on the walls of the customs offices as cautionary or exemplary models of the new Americans.
The Paper Time Machine is a book that will change the way you think about the past.It contains 130 historical black-and-white photographs, reconstructed in colour and introduced by Wolfgang Wild – creator and curator of the Retronaut website. The site has become a global phenomenon, collecting images that collapse the distance between the past and present and tear a hole in our map of time. The Paper Time Machine goes even further. Early photographic technology lacked a crucial ingredient – colour. As early as the invention of the medium, skilled artisans applied colour to photographs by hand, attempting to convey the vibrancy and immediacy of life in vivid detail. In most cases this was crude and unconvincing. Until now. The time-bending images in The Paper Time Machine have been painstakingly restored and rendered in full and accurate colour by Jordan Lloyd of Dynamichrome, a company that has taken the craft of colour reconstruction to a new level. Each element of every photograph has been researched and colour-checked for historical authenticity. Behold American child labourers from the early twentieth century, alongside the construction of the Statue of Liberty. Marvel at crisp photographs from the Crimean War in 1855, balanced with never-before-seen pictures from the Walt Disney archive. As the layers of colour build up, the effect is disorientingly real and the decades and centuries fall away. It is as though we are standing at the original photographer’s elbow. This is a landmark photographic book – a collection of historical ‘remixes’ that exist alongside the original photographs but draw out qualities, textures and details that have hitherto remained hidden. Let The Paper Time Machine transport you. It is as close to time travel as we are ever likely to get.
Since peoples from around the globe began to come to America, Hoboken has always been a popular destination for immigrants. People migrated from Ireland, Germany, Italy, Russia, Puerto Rico and other countries to the city, hoping to find opportunity and prosperity for themselves and their families in America. Using Hoboken as a point of entry, many ultimately chose to remain in the Mile Square City. As they struggled to establish themselves, immigrants clashed with one another and with native-born Hobokenites as they influenced the citys politics, economics, religions and customs. Author Christina A. Ziegler-McPherson explores their struggles and the complicated conflicts that have influenced the ethnic and cultural environments of this New Jersey city.
Snapshot of America at a crucial moment of transition.
The bestselling genre of Frankenfiction sees classic literature turned into commercial narratives invaded by zombies, vampires, werewolves, and other fantastical monsters. Too engaged with tradition for some and not traditional enough for others, these 'monster mashups' are often criticized as a sign of the artistic and moral degeneration of contemporary culture. These hybrid creations are the 'monsters' of our age, lurking at the limits of responsible consumption and acceptable appropriation. This book explores the boundaries and connections between contemporary remix and related modes, including adaptation, parody, the Gothic, Romanticism, and postmodernism. Taking a multimedia approach, case studies range from novels like Pride and Prejudice and Zombies and The Extraordinary Adventures of the Athena Club series, to television programmes such as Penny Dreadful, to popular visual artworks like Kevin J. Weir's Flux Machine GIFs. Megen de Bruin-Molé uses these monstrous and liminal works to show how the thrill of transgression has been contained within safe and familiar formats, resulting in the mashups that dominate Western popular culture.