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Augustus Earle (1793–1838) was born to travel and to paint. Living in the era before photography, Earle was one of the world’s most irrepressible travel artists. His paintings are valuable both as works of art and as documentary records of historic and ethnographic significance. This publication gives an overview of some of Earle’s most significant works held by the National Library of Australia.
An award-winning zoologist travels in Charles Darwin's footsteps, and in search of the meaning of life. In one of the most inhospitable places on Earth, zoologist Lloyd Spencer Davis comes face to face with an enraged leopard seal. Towering ice cliffs, a ferocious creature of the deep, and the extreme Antarctic environment all turn Davis's world view on its head. 'What the hell am I doing here?' This question sets Davis on a quest for insight and meaning in a world that still pitches theories of evolution against belief in a Creator; the science of natural selection against a faith that asserts our world was crafted by Intelligent Design. With a self-deprecating grin packed along with his cabin baggage - even when his passport isn't - Davis decides to follow the travels of the eminent nineteenth-century naturalist, Charles Darwin: the man who did more to change our understanding of this planet than any other biologist. Looking for Darwin gives us a personal and intimate insight into Darwin and what drove the man. It is also an attempt to resolve that initially panicked — and then far-reaching — question, that first hit Davis on the big ice. With a wealth of research and vivid imagery — along with a disarming honesty —Lloyd Spencer Davis takes the reader on an unforgettable world tour.
Now See Hear! has been assembled around the central rubric of translation, and essays address translations between art, language, advertising, television, graphic design, comics, video, film, history, art-history, signs and symbols, landscape and architecture, within the context of the current conditions of the market place.
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This collection brings together for the first time literary studies of British colonies in nineteenth-century Australia, New Zealand, South Africa, South America, Southeast Asia, and the South Pacific Islands. Drawing on hemispheric studies, Indigenous studies, and southern theory to decentre British and other European metropoles, the collection offers a groundbreaking challenge to national paradigms and traditional literary periodisations and canons by prioritising southern cultural networks in multiple regional centres from Cape Town to Dunedin. Worlding the south examines the dialectics of literary worldedness in ways that recognise inequalities of power, textual and material violence, and literary and cultural resistance. The collection revises current literary histories of the ‘British world’ by arguing for the distinctiveness of settler colonialism in the southern hemisphere, and by incorporating Indigenous, diasporic, and south-south perspectives.
First published in 1998, this volume reflects that, ever since the publication of Edward Said’s Orientalism twenty years ago, scholars have tested his thesis against the wider application of his terms to cultural practices and the rhetoric of power. The cultural impact of the British on their colonies has been extensively investigated but only recently have scholars begun to ask in what ways British culture was transformed by its contact with the colonies. The essays in this volume demonstrate how influential the Empire was on British culture from the late eighteenth to early twentieth centuries. They show how, from cross-cultural cross-dressing to Buddhism, British artists and writers appropriated unfamiliar and challenging aspects of the culture of the Empire for their own purposes. An examination is also made of the extent to which colonized people engaged in the orientalising discourse, amending and subverting it, even re-applying its stereotypes to the British themselves. Finally, two essays explore instances of the exchange of ideas between colonies. Several of the essays are based on papers given at the 1996 Conference of the College Arts Association.
Chronicles the life of Charles Darwin from his birth in 1809 through his mid-life, discussing his childhood in England, early schooling, first discoveries, personal challenges, voyage on the Beagle, and the early foundations of his "Origin of Species."
DOGS IN AUSTRALIAN ART looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present.
The Beagle has become synonymous with Charles Darwin and his groundbreaking title On the Origin of Species. But how did Darwin come to be on board? For the first time in a single volume all the various strands of the Beagle story have been woven together to reveal the circumstances that set the expedition in motion and the characters who circumnavigated the world together. Enriched with first-hand commentary from personal letters and diaries, and the official narrative of the voyage, as well as artworks, sketches and charts produced by the shipboard artists and surveyors, James Taylor has produced a thoroughly engaging and informative account that will appeal to historians, scientists, art lovers, and anyone with a sense of adventure.