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In this lively and detailed study, Beth Severy examines the relationship between the emergence of the Roman Empire and the status and role of this family in Roman society. The family is placed within the social and historical context of the transition from republic to empire, from Augustus' rise to sole power into the early reign of his successor Tiberius. Augustus and the Family at the Birth of the Roman Empire is an outstanding example of how, if we examine "private" issues such as those of family and gender, we gain a greater understanding of "public" concerns such as politics, religion and history. Discussing evidence from sculpture to cults and from monuments to military history, the book pursues the changing lines between public and private, family and state that gave shape to the Roman imperial system.
In this lively and detailed study, Beth Severy examines the relationship between the emergence of the Roman Empire and the status and role of this family in Roman society. The family is placed within the social and historical context of the transition from republic to empire, from Augustus' rise to sole power into the early reign of his successor Tiberius. Augustus and the Family at the Birth of the Roman Empire is an outstanding example of how, if we examine "private" issues such as those of family and gender, we gain a greater understanding of "public" concerns such as politics, religion and history. Discussing evidence from sculpture to cults and from monuments to military history, the book pursues the changing lines between public and private, family and state that gave shape to the Roman imperial system.
During his long reign of near-absolute power, Caesar Augustus established the Pax Romana, which gave Rome two hundred years of peace and social stability, and established an empire that would endure for five centuries and transform the history of Europe and the Mediterranean. Ronald Mellor offers a collection of primary sources featuring multiple viewpoints of the rise, achievements, and legacy of Augustus and his empire. His cogent introduction to the history of the Age of Augustus encourages students to examine such subjects as the military in war and peacetime, the social and cultural context of political change, the reform of administration, and the personality of the emperor himself. Document headnotes, a list of contemporary literary sources, a glossary of Greek and Latin terms, a chronology, questions for consideration, and a selected bibliography offer additional pedagogical support.
The acclaimed historian and author of Caesar presents “a first-rate popular biography” of Rome’s first emperor, written “with a storyteller’s brio” (Washington Post). The story of Augustus’ life is filled with drama and contradiction, risky gambles and unexpected success. He began as a teenage warlord whose only claim to power was as the grand-nephew and heir of the murdered Julius Caesar. Mark Antony dubbed him “a boy who owes everything to a name,” but he soon outmaneuvered a host of more experienced politicians to become the last man standing in 30 BC. Over the next half century, Augustus created a new system of government—the Principate or rule of an emperor—which brought peace and stability to the vast Roman Empire. In this highly anticipated biography, Goldsworthy puts his deep knowledge of ancient sources to full use, recounting the events of Augustus’ long life in greater detail than ever before. Goldsworthy pins down the man behind the myths: a consummate manipulator, propagandist, and showman, both generous and ruthless. Under Augustus’ rule the empire prospered, yet his success was constantly under threat and his life was intensely unpredictable.
He found Rome made of clay and left it made of marble. As Rome’s first emperor, Augustus transformed the unruly Republic into the greatest empire the world had ever seen. His consolidation and expansion of Roman power two thousand years ago laid the foundations, for all of Western history to follow. Yet, despite Augustus’s accomplishments, very few biographers have concentrated on the man himself, instead choosing to chronicle the age in which he lived. Here, Anthony Everitt, the bestselling author of Cicero, gives a spellbinding and intimate account of his illustrious subject. Augustus began his career as an inexperienced teenager plucked from his studies to take center stage in the drama of Roman politics, assisted by two school friends, Agrippa and Maecenas. Augustus’s rise to power began with the assassination of his great-uncle and adoptive father, Julius Caesar, and culminated in the titanic duel with Mark Antony and Cleopatra. The world that made Augustus–and that he himself later remade–was driven by intrigue, sex, ceremony, violence, scandal, and naked ambition. Everitt has taken some of the household names of history–Caesar, Brutus, Cassius, Antony, Cleopatra–whom few know the full truth about, and turned them into flesh-and-blood human beings. At a time when many consider America an empire, this stunning portrait of the greatest emperor who ever lived makes for enlightening and engrossing reading. Everitt brings to life the world of a giant, rendered faithfully and sympathetically in human scale. A study of power and political genius, Augustus is a vivid, compelling biography of one of the most important rulers in history.
Incorporating the most recent scholarship, this book offers afascinating history of Rome and the Roman peoples during the ruleof the first Roman emperor, Augustus. Written in an easily accessible style, making it the idealintroduction to Augustan Rome for those with little previousknowledge Offers compelling insight into the workings of Roman societyduring this pivotal period in its history Incorporates the most recent scholarship on aspects ofAugustus's reign including the armed forces, religion, andintellectual and cultural life Andrew Lintott is a widely respected expert on the RomanRepublic
Provides a general picture of the main features of the Roman family and looks at important legal aspects such as property rights, dowries, divorce, and the authority of the male with its links to political power.
Bestselling classical historian Barry Strauss delivers “an exceptionally accessible history of the Roman Empire…much of Ten Caesars reads like a script for Game of Thrones” (The Wall Street Journal)—a summation of three and a half centuries of the Roman Empire as seen through the lives of ten of the most important emperors, from Augustus to Constantine. In this essential and “enlightening” (The New York Times Book Review) work, Barry Strauss tells the story of the Roman Empire from rise to reinvention, from Augustus, who founded the empire, to Constantine, who made it Christian and moved the capital east to Constantinople. During these centuries Rome gained in splendor and territory, then lost both. By the fourth century, the time of Constantine, the Roman Empire had changed so dramatically in geography, ethnicity, religion, and culture that it would have been virtually unrecognizable to Augustus. Rome’s legacy remains today in so many ways, from language, law, and architecture to the seat of the Roman Catholic Church. Strauss examines this enduring heritage through the lives of the men who shaped it: Augustus, Tiberius, Nero, Vespasian, Trajan, Hadrian, Marcus Aurelius, Septimius Severus, Diocletian, and Constantine. Over the ages, they learned to maintain the family business—the government of an empire—by adapting when necessary and always persevering no matter the cost. Ten Caesars is a “captivating narrative that breathes new life into a host of transformative figures” (Publishers Weekly). This “superb summation of four centuries of Roman history, a masterpiece of compression, confirms Barry Strauss as the foremost academic classicist writing for the general reader today” (The Wall Street Journal).
The turbulent decade of the 60s CE brought Rome to the brink of collapse. It began with Nero's ruthless elimination of Julio-Claudian rivals and ended in his suicide and the civil wars that followed. Suddenly Rome was forced to confront an imperial future as bloody as its Republican past and a ruler from outside the house of Caesar. The anonymous historical drama Octavia is the earliest literary witness to this era of uncertainty and upheaval. In Staging Memory, Staging Strife, Lauren Donovan Ginsberg offers a new reading of how the play intervenes in the contests over memory after Nero's fall. Though Augustus and his heirs had claimed that the Principate solved Rome's curse of civil war, the play reimagines early imperial Rome as a landscape of civil strife with a ruling family waging war both on itself and on its people. In doing so, the Octavia shows how easily empire becomes a breeding ground for the passions of discord. In order to rewrite the history of Rome's first imperial dynasty, the Octavia engages with the literature of Julio-Claudian Rome, using the words of Rome's most celebrated authors to stage a new reading of that era and its ruling family. In doing so, the play opens a dialogue about literary versions of history and about the legitimacy of those historical accounts. Through an innovative combination of intertextual analysis and cultural memory theory, Ginsberg contextualizes the roles that literature and the literary manipulation of memory play in negotiating the transition between the Julio-Claudian and Flavian regimes. Her book claims for the Octavia a central role in current debates over both the ways in which Nero and his family were remembered as well as the politics of literary and cultural memory in the early Roman empire.
This volume provides a unique and critical perspective on how Chinese, Japanese and Korean scholars engage and critique the West in their historical thinking. It showcases the dialogue between Asian experts and their Euro-American counterparts and offers valuable insights on how to challenge and overcome Eurocentrism in historical writing.