Download Free Augustan And Julio Claudian Athens Book in PDF and EPUB Free Download. You can read online Augustan And Julio Claudian Athens and write the review.

While there is now renewed interest in the history of Athens under the Roman empire, the Augustan and Julio-Claudian periods remain relatively neglected in terms of extended study. Thus the only comprehensive historical works on the period and its epigraphy remain those of Paul Graindor, which were published before the discovery of the Athenian Agora and its epigraphical wealth. This study aims to help provide a basis for new research on early Roman Athens, in the form of an epigraphical and historical reference work, in two parts. The Epigraphical Catalogue (Part I) represents both a companion and supplement to the Attic corpus of the "Inscriptiones Graecae" (Minor Editio) as it pertains to the Augustan and Julio-Claudian period. The Prosopographical Catalogue (Part II) offers an updated prosopography of the period as it relates to the material of the Epigraphical Catalogue. An appendix provides a chronological list of the period's major office-holders, liturgists, and priesthoods.
This collection of essays considers the challenging questions around the formation, establishment and continuation of the Julio-Claudian principate from the coming to power of Augustus. Augustus laid down the ground rules for a princeps, and the essays explore the subsequent transition of power, and how the succession and subsequent rule manifested itself, even though there was no formal mechanism for such a transfer. These essays fully utilize the extant literary, epigraphic, numismatic and visual record to evaluate Augustus’ “political legacy”. The representation, and retention, of power was a critical issue for the princeps and his subjects, and the contributors provide fresh political and literary analysis of aspects of the principates of Augustus, Tiberius, Claudius and Nero.
This volume, rather than concentrating on politics and imperial administration, studies the manifold ways in which people were ritually engaged in producing, consuming, organising and worshipping that fitted the changing realities of empire, focusing on how individuals and groups tried to do things 'the right way', the Greco-Roman imperial way. Given the deep cultural entrenchment of ritualistic practices, an imperial identity firmly grounded in such practices might well have been instrumental not just to the long-lasting stability of the Roman imperial order but also to the persistency of its ideals well into post-Roman times.
The fourteen essays in this volume share new and evolving knowledge, theories, and observations about the city of Athens or the region of Attica. The contents include essays on topography, architecture, religion and cult, sculpture, ceramic studies, iconography, epigraphy, trade, and drama. This volume is dedicated to John McK. Camp II, to acknowledge the extraordinary impact he has had on the field of Greek archaeology through his work in the Athenian Agora, as a scholar of ancient Greece, and as Mellon Professor at the American School of Classical Studies. The contributors' work represents current research by the latest generation of scholars with ties to Athens. All of the contributors were students of Professor Camp in Greece, and their essays are dedicated to him in gratitude for his profound influence on their lives and careers.
A major new history of Athens' remarkably long and influential life after the collapse of its empire To many the history of post-Classical Athens is one of decline. True, Athens hardly commanded the number of allies it had when hegemon of its fifth-century Delian League or even its fourth-century Naval Confederacy, and its navy was but a shadow of its former self. But Athens recovered from its perilous position in the closing quarter of the fourth century and became once again a player in Greek affairs, even during the Roman occupation. Athenian democracy survived and evolved, even through its dealings with Hellenistic Kings, its military clashes with Macedonia, and its alliance with Rome. Famous Romans, including Julius Caesar and Mark Antony, saw Athens as much more than an isolated center for philosophy. Athens After Empire offers a new narrative history of post-Classical Athens, extending the period down to the aftermath of Hadrian's reign.
This book explores the ways in which statues have been experienced in public in different cultures and the role that has been played by statues in defining publicness itself. The meaning of public statues is examined through discussion of their appearance and their spatial context and of written discourses having to do with how they were experienced. Bringing together experts working on statues in different cultures, the book sheds light on similarities and differences in the role that public statues had in different times and places throughout history. The book will also provide insight into the diverse methods and approaches that scholars working on these different periods use to investigate statues. The book will appeal to historians, art historians and archaeologists of all periods who have an interest in the display of sculpture, the reception of public art or the significance of public monuments.
This book examines the impact of the Roman cultural revolution under Augustus on the Roman province of Greece. It argues that the transformation of Roman Greece into a classicizing 'museum' was a specific response of the provincial Greek elites to the cultural politics of the Roman imperial monarchy. Against a background of Roman debates about Greek culture and Roman decadence, Augustus promoted the ideal of a Roman debt to a 'classical' Greece rooted in Europe and morally opposed to a stereotyped Asia. In Greece the regime signalled its admiration for Athens, Sparta, Olympia and Plataea as symbols of these past Greek glories. Cued by the Augustan monarchy, provincial Greek notables expressed their Roman orientation by competitive cultural work (revival of ritual; restoration of buildings) aimed at further emphasising Greece's 'classical' legacy. Reprised by Hadrian, the Augustan construction of 'classical' Greece helped to promote the archaism typifying Greek culture under the principate.
Hidden Criticism of the Angry Tyrant in Early Judaism and the Acts of the Apostles adds to the current literature of imperial-critical New Testament readings with an examination of Luke’s hidden criticism of imperial Rome in the Acts of the Apostles and in Paul’s speech on the Areopagus in Acts 17. Focusing on discursive resistance in the Hellenistic world, Drew J. Strait examines the relationship between hidden criticism and persuasion and between subordinates and the powerful, and he explores the challenge to the dissident voice to communicate criticism while under surveillance. Strait argues that Luke confronts the idolatrous power and iconic spectacle of gods and kings with the Gospel of the Lord of all—a worldview that is incompatible with the religions of Rome, including emperor worship.
Ancient Athenians were known to reuse stone artifacts, architectural blocks, and public statuary in the creation of new buildings and monuments. However, these construction decisions went beyond mere pragmatics: they were often a visible mechanism for shaping communal memory, especially in periods of profound and challenging social or political transformation. Sarah Rous develops the concept of upcycling to refer to this meaningful reclamation, the intentionality of reemploying each particular object for its specific new context. The upcycling approach drives innovative reinterpretations of diverse cases, including column drums built into fortification walls, recut inscriptions, monument renovations, and the wholesale relocation of buildings. Using archaeological, literary, and epigraphic evidence from more than eight centuries of Athenian history, Rous's investigation connects seemingly disparate instances of the reuse of building materials. She focuses on agency, offering an alternative to the traditional discourse on spolia. Reset in Stone illuminates a vital practice through which Athenians shaped social memory in the physical realm, literally building their past into their city.