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Paul Hindemith: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a musician and teacher. The second edition includes research published since the publication of the first edition and provides electronic resources.
In the late nineteenth century, as Americans debated the "woman question," a battle over the meaning of biology arose in the medical profession. Some medical men claimed that women were naturally weak, that education would make them physically ill, and that women physicians endangered the profession. Mary Putnam Jacobi (1842-1906), a physician from New York, worked to prove them wrong and argued that social restrictions, not biology, threatened female health. Mary Putnam Jacobi and the Politics of Medicine in Nineteenth-Century America is the first full-length biography of Mary Putnam Jacobi, the most significant woman physician of her era and an outspoken advocate for women's rights. Jacobi rose to national prominence in the 1870s and went on to practice medicine, teach, and conduct research for over three decades. She campaigned for co-education, professional opportunities, labor reform, and suffrage--the most important women's rights issues of her day. Downplaying gender differences, she used the laboratory to prove that women were biologically capable of working, learning, and voting. Science, she believed, held the key to promoting and producing gender equality. Carla Bittel's biography of Jacobi offers a piercing view of the role of science in nineteenth-century women's rights movements and provides historical perspective on continuing debates about gender and science today.
This book traces the development of the German Army League from its inception through the earliest days of the Weimar Republic. Founded in January 1912, the League promoted the intensification of German militarism and the cultivation of German nationalism. As the last and second largest of the patriotic societies to emerge after 1890, the League led the campaign for army expansion in 1912 and 1913, and against the growing influence of socialism and pacifism within Germany. Attempting to harness popular and nationalist sentiment against the government's foreign and domestic policies by preying on Germans' fears of defeat and socialism, the League contributed to the polarization of German society and aggravated the international tensions which culminated in the Great War. Coetzee combines an analysis of the League's principal personalities and policies with an exploration of the inner workings of local and regional branches, arguing that rather than having served solely as a barometer of populist nationalist sentiment, the League also reflected the machinations of men of education and prominence who believed that an unresponsive German government had stifled their own careers, dealt ineffectually with the prospect of domestic unrest, and squandered the nation's military superiority over its European rivals.
This edition includes two important texts illustrating Kants's view of history along with notes and a comprehensive bibliography.
This book investigates the relationship between musical Modernism and German cinema. It paves the way for anunorthodox path of research, one which has been little explored up until now. The main figures of musical Modernism, from Alban Berg to Paul Hindemith, and from Richard Strauss to Kurt Weill, actually had a significant relationship with cinema. True, it was a complex and contradictory relationship in which cinema often emerged more as an aesthetic point of reference than an objective reality; nonetheless, the reception of the language and aesthetic of cinema had significant influence on the domain of music. Between 1913 and 1933, Modernist composers’ exploration of cinema reached such a degree of pervasiveness and consistency as to become a true aesthetic paradigm, a paradigm that sat at the very heart of the Modernist project. In this insightful volume, Finocchiaro shows that the creative confrontation with the avant-garde medium par excellence can be regarded as a vector of musical Modernism: a new aesthetic paradigm for the very process – of deliberate misinterpretation, creative revisionism, and sometimes even intentional subversion of the Classic-Romantic tradition – which realized the “dream of Otherness” of the Modernist generation.
This is the first biography of the historian Karl Lamprecht, whose theories of historical method unleashed a bitter controversy, which colored the writing of history in Germany well into the twentieth century.
Weltschmerz is a study of the pessimism that dominated German philosophy in the second half of the nineteenth century. Pessimism was essentially the theory that life is not worth living. This theory was introduced into German philosophy by Schopenhauer, whose philosophy became very fashionable in the 1860s. Frederick C. Beiser examines the intense and long controversy that arose from Schopenhauer's pessimism, which changed the agenda of philosophy in Germany away from the logic of the sciences and toward an examination of the value of life. He examines the major defenders of pessimism (Philipp Mainländer, Eduard von Hartmann and Julius Bahnsen) and its chief critics, especially Eugen Dühring and the neo-Kantians. The pessimism dispute of the second half of the century has been largely ignored in secondary literature and this book is a first attempt since the 1880s to re-examine it and to analyze the important philosophical issues raised by it. The dispute concerned the most fundamental philosophical issue of them all: whether life is worth living.
The original edition of Kant: Political Writings was first published in 1970, and has long been established as the principal English-language edition of this important body of writing. In this new, expanded edition, two important texts illustrating Kants's view of history are included for the first time: his reviews of Herder's Ideas on the Philosophy of The History of Mankind and Conjectures on the Beginning of Human History; as well as the essay What is Orientation in Thinking. In addition to a general introduction assessing Kant's political thought in terms of his fundamental principles of politics, this edition also contains such useful student aids as notes on the texts, a comprehensive bibliography, and a new postscript, looking at some of the principal issues in Kantian scholarship that have arisen since first publication.
Listening to instruments -- "The joy of precision" : mechanical instruments and the aesthetics of automation -- "The alchemy of tone" : Jörg Mager and electric music -- "Sonic handwriting" : media instruments and musical inscription -- "A new, perfect musical instrument" : the trautonium and electric music in the 1930s -- The expanding instrumentarium
This volume examines a fascinating dimension of J. S. Bach’s music: the crucial influence it has exerted upon the musical works of many other composers. In a series of articles by distinguished musicologists, compositions by Mozart, Beethoven, Brahms, Hindemith, and others are considered in light of the ways in which they bear Bach’s unmistakable imprint. Ludwig Finscher opens with a survey of Bach’s influence through several centuries, examining his sway over composers from Mozart and Beethoven to Schumann, Wagner, and Reger. Thomas Christensen shows that various of Bach’s early disciples claimed authority from their master for opposing assessments of music and musical theory. Robert L. Marshall argues that Mozart’s intense involvement with Bach’s music probably occurred much earlier in his career than has generally been thought. William Kinderman demonstrates that Beethoven’s assimilation of Bach also occurred very early in his career and that all aspects of Beethoven’s mature style are heavily indebted to Bach. Walter Frisch reveals how Brahms’s absorption in Bach’s work involves a fruitful relation to cultural tradition. Steven Hinton traces Hindemith’s evolving—yet essentially consistent—understanding of Bach’s music. A work that subtly yet decisively traces Bach’s presence in the ongoing history of composition, this volume is an important contribution to our understanding of Bach and of his many eminent successors.