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A “first person narrative,” key to the work and prayer of the current Book of Common Prayer Appeal to those interested in literature or in the history of the BCP In the nearly 40 years since the advent of the 1979 Book of Common Prayer, the retranslation of the Psalter created for that book has become a standard, used not only by Episcopalians, but adopted by others into their own worship service books and liturgies. Now J. Chester Johnson, one of the two surviving members of the Committee that produced the retranslation, has agreed for the first time to calls to tell the story of this Psalter and the little-known but vital part played in it by acclaimed poet W. H. Auden, whom Johnson replaced on the committee when Auden decided to return to live in England. Despite Auden’s ambivalence about changes in the Episcopal Book of Common Prayer, he wrote associated articles and poems, authored many letters—some of special liturgical and spiritual significance—and attended Psalter drafting committee meetings. Auden, The Psalms, and Me not only illuminates this untold part of the Episcopal Psalter story but also describes the key elements that drove the creation of this special retranslation.
• A “first person narrative,” key to the work and prayer of the current Book of Common Prayer • Appeal to those interested in literature or in the history of the BCP In the nearly 40 years since the advent of the 1979 Book of Common Prayer, the retranslation of the Psalter created for that book has become a standard, used not only by Episcopalians, but adopted by others into their own worship service books and liturgies. Now J. Chester Johnson, one of the two surviving members of the Committee that produced the retranslation, has agreed for the first time to calls to tell the story of this Psalter and the little-known but vital part played in it by acclaimed poet W. H. Auden, whom Johnson replaced on the committee when Auden decided to return to live in England. Despite Auden’s ambivalence about changes in the Episcopal Book of Common Prayer, he wrote associated articles and poems, authored many letters—some of special liturgical and spiritual significance— and attended Psalter drafting committee meetings. Auden, The Psalms, and Me not only illuminates this untold part of the Episcopal Psalter story but also describes the key elements that drove the creation of this special retranslation.
Bible scholar Christian Brady, an expert on Old Testament lament, was as prepared as a person could be for the death of a child—which is to say, not nearly well enough. When his eight-year-old son died suddenly from a fast-moving blood infection, Brady heard the typical platitudes about accepting God's will and knew that quiet acceptance was not the only godly way to grieve. With deep faith, knowledge of Scripture, and the wisdom that comes only from experience, Brady guides readers grieving losses and setbacks of all kinds in voicing their lament to God, reflecting on the nature of human existence, and persevering in hope. Brady finds that rather than an image of God managing every event and action in our lives, the biblical account describes the very real world in which we all live, a world full of hardship and calamity that often comes unbidden and unmerited. Yet, it also is a world into which God lovingly intrudes to bring comfort, peace, and grace.
'For a poet like myself, an autobiography is redundant' Auden wrote to a friend, 'since anything of importance that happens to one is immediately incorporated, however obscurely, in a poem.' This scholarly book is the history of Auden's poems, and of the events that went into them, from the time he moved to America in 1939 until his death in Austria in 1973. It completes the study begun by Professor Mendelson in his standard Early Auden. Later Auden links the changes in Auden's intellectual, religious and domestic life with his shifting public roles - as representative of political causes, as a researcher working for the army in post-war Germany, as public moralist, lecturer and teacher, and above all as poet and thinker. Mendelson shows how Auden converted the success and later wreckage of his relationship with Chester Kallman into the seemingly impersonal meditations of his long poems, and explores theways his later poetry celebrates the human body. Throughout he reveals the depth of Auden's struggles with himself and with the temptations of his growing fame, showing how these struggles gave shape to his imperishable art.
Neither a translation nor a paraphrase of the psalms, psalms for a Pilgrim People aims instead "to make the psalms prayable for those who find stumbling blocks in many of them as they have been variously translated into English," writes Jim Cotter. There is much in the psalms, written many centuries ago, that still speaks to today’s reader, but there are other passages that are troubling. Cotter’s psalms take today’s realities into account by including references to present-day issues of concern, while retaining the poetry and beauty of the originals. Jim Cotter is a priest in the Church of England, living in Sheffield and focusing his ministry on writing books of prayers and reflection, seeking to unfold the Christian inheritance in fresh ways. He is also a popular retreat leader, and visits the United States regularly.
Behold What You Are is written to open the possibilities of liturgy and liturgical awareness, in the church and of the church, Sunday by Sunday, season by season. In a world increasingly and sharply divided, the image of the body of Christ can provide an alternate and life-giving narrative. We don’t just gather to worship God; we gather to worship God together, even when that gathering is online. And we go forth together to be the body of Christ, that the world might be repaired and restored to God. This body is not finite and exclusive; it is porous and open to all. Our traditions are a wonderful springboard for refreshed liturgical expressions in settings within and beyond our church buildings. These expressions can connect with people who would not otherwise enter a beautiful but somewhat austere structure. With some thoughtful reflection and intentionality, the public expression and formation of the body of Christ through liturgy can become more vital for all.
Louis Weil looks back on his work shaping the liturgical life of the Episcopal Church through his involvement with the development of The 1979 Book of Common Prayer— and looks forward to the future of the church and its liturgical life. Through stories and first-person anecdotes, Weil does “narrative theology” as only he can. Although most points of reference are to the 1979 BCP, the book is aiming at a more fundamental level—not just Episcopal or even Anglican liturgy, but liturgical rites as such: how do they “do what they do”?—or NOT do when they are done badly! “Liturgical Sense” is two dimensional: both the “common sense” of liturgical rites and also their “aesthetic sense.” It is Dr. Weil’s contention that in American culture we have an inherent inability to “think symbolically.” Dr. Weil seeks to encourage a return to “liturgical sense” across the church.
Daily spiritual practice takes dedication and discipline, and we often wonder where to start and how to keep it from feeling like yet another task on our to-do list. In this grounded, practical book, author Derek Olsen uses The Book of Common Prayer for a template to a deeper spiritual life. Olsen explains the purpose and intention of the prayer book with fresh insight, offering practical applications for daily living.