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This publication explores the integrative narratives of historical costume in the novel universal perspective of literature, leisure, ornamentation, customs/traditions, and theoretical contexts. The adaptation, mutation, and transformation of attire are the result of complex interactions between many factors, such as economic conditions, political conditions, social conditions, psychological conditions, and technology. The meanings encoded in the costume are one of the noticeable hallmarks of any society. This proposed book investigates multidisciplinary topics, for instance, embellishments such as needlework and embroidery; the historical concept of fight, physical encounter, combat, or bout and its connection with related-attire; the contribution of dress to the narrative process of Virgil’s 'Aeneid'; and the theory and philosophy of fashion.
A law professor and cultural critic offers an eye-opening exploration of the laws of fashion throughout history, from the middle ages to the present day, examining the canons, mores and customs of clothing rules that we often take for granted
This publication explores the integrative narratives of historical costume in the novel universal perspective of literature, leisure, ornamentation, customs/traditions, and theoretical contexts. The adaptation, mutation, and transformation of attire are the result of complex interactions between many factors, such as economic conditions, political conditions, social conditions, psychological conditions, and technology. The meanings encoded in the costume are one of the noticeable hallmarks of any society. This proposed book investigates multidisciplinary topics, for instance, embellishments such as needlework and embroidery; the historical concept of fight, physical encounter, combat, or bout and its connection with related-attire; the contribution of dress to the narrative process of Virgil's 'Aeneid'; and the theory and philosophy of fashion.
""Analyzing French fashion prints and what these images represent and reveal about the fashion and culture of the seventeenth-century."--Provided by publisher"--
By using the medium of dress, Evolution & Revolution explores the dramatic cultural, social, economic and political changes which have occurred in mainland China, Hong Kong and Taiwan over th past three centuries. This history is revealed through the luxury court robes of the Qing Dynasty (1644-1911); the tight-fitting, side-slitted East-West cheungsam; the ubiquitous Mao suit, symbol of Communist ideology; and the bold new directions of contemporary designers. Written by authors from Australia, mainland China, Hong Kong and Taiwan and rich with visual material, this unique book offers an accessible, informative and inspiring treatment of Chinese history, culture and dress.
Focusing on visual approaches to performance in global cultural contexts, Perspectives in Motion explores the work of Adrienne L. Kaeppler, a pioneering researcher who has made a number of interdisciplinary contributions over five decades to dance and performance studies. Through a diverse range of case studies from Oceania, Asia, and Europe, and interdisciplinary approaches, this edited collection offers new critical and ethnographic frameworks for understanding and experiencing practices of music and dance across the globe.
A NEW YORKER BEST BOOK OF THE YEAR • A sweeping and captivatingly told history of clothing and the stuff it is made of—an unparalleled deep-dive into how everyday garments have transformed our lives, our societies, and our planet. “We learn that, if we were a bit more curious about our clothes, they would offer us rich, interesting and often surprising insights into human history...a deep and sustained inquiry into the origins of what we wear, and what we have worn for the past 500 years." —The Washington Post In this panoramic social history, Sofi Thanhauser brilliantly tells five stories—Linen, Cotton, Silk, Synthetics, Wool—about the clothes we wear and where they come from, illuminating our world in unexpected ways. She takes us from the opulent court of Louis XIV to the labor camps in modern-day Chinese-occupied Xinjiang. We see how textiles were once dyed with lichen, shells, bark, saffron, and beetles, displaying distinctive regional weaves and knits, and how the modern Western garment industry has refashioned our attire into the homogenous and disposable uniforms popularized by fast-fashion brands. Thanhauser makes clear how the clothing industry has become one of the planet’s worst polluters and how it relies on chronically underpaid and exploited laborers. But she also shows us how micro-communities, textile companies, and clothing makers in every corner of the world are rediscovering ancestral and ethical methods for making what we wear. Drawn from years of intensive research and reporting from around the world, and brimming with fascinating stories, Worn reveals to us that our clothing comes not just from the countries listed on the tags or ready-made from our factories. It comes, as well, from deep in our histories.
The essays in this volume discuss the visible elements, such as clothing, jewellery, the opulence of the elite, fashion and styles, but they also inform the reader about the manner in which these were connected to political and social developments. The articles in this volume highlight important themes regarding the history of textiles, the shifting of trading and manufacturing centres, the professionalization of the various fields in the history of fashion, and the connection with the introduction and proliferation of steam-powered machines and later of electrical equipment. Clothes and garments are also part of the social and political transformations brought about by the multiple modernisations of the various Balkan societies. Fabrics, colours, threads, barrels and buttons, lace and jewellery are marvellous documents that bring to life details of the remote worlds of our ancestors, helping us understand the complex meanings of sartorial appearances. The Balkans and the Orient are regions that offer promising avenues of multidisciplinary research concerning clothes and fashion as indicators of social status and political change.
Inspired by new approaches in performance studies, theatre history, research in material culture and dress history, a rich discussion of the many aspects of costume in Shakespearean performance has begun. Shakespeare and Costume furthers this research, bringing together varied and stimulating essays by leading scholars that consider costume from literary, dramatic, design, performative and theatrical perspectives, as well as interviews with renowned theatre practitioners Jane Greenwood and Robert Morgan. The volume amply demonstrates how an analysis of the meaning of costume enriches our understanding of Shakespeare's plays. Beginning with an overview of the stage history of Shakespeare and costume, the volume looks at the historical context of clothing in the plays, considering topics such as royal self-fashioning, festive livery practices, and conceptions of race and gender exhibited in clothing choice, as well as costume in performance. Drawing on documentary evidence in designers' renderings, illustrations in periodicals, paintings, photographs, newspaper reviews and actors' memoirs, the volume also explores costume designs in specific Shakespeare productions from the re-opening of the London theatres in 1660 to the present day.
Bringing together a wealth of primary sources and with contributions from leading experts, Dress History of Korea presents the most recent approaches to the interpretation of dress and fashion of Korea. Through close analysis of visual, written, and material sources-some newly excavated or recently re-discovered in global museums-the book reveals how dress and adornment evolved from the period of state formation to the modern era. Authors with a range of academic and curatorial experience discuss the close relation of dress and adornments to the socio-political and cultural history of Korea and place the dress history of Korea within broader contexts in studies of fashion, material culture, museology, and costume design. As in other cultures, modern Korean fashion owes many of its styles to historic dress and this process of adaptation is explored within high fashion and popular culture contexts in ways that benefit historians, curators, and designers alike. With key materials newly available to global readers, Dress History of Korea is the indispensable guide to the study of Korean dress and fashion.