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By Georges Perec.
American national trade bibliography.
As distinct from the extant studies of ancient canonical texts, which focus either on literary (Greco-Roman) or religious (Judeo-Christian) canons, the present volume aims at bridging between these two fields by proposing the first comparative study of canon. An international team of experts discusses the processes of canon-formation in societies of the ancient world, addressing such issues as canon and the articulation of identity; the hermeneutical attitude toward canonical texts; textual fixity and openness; oral and written canons; methods of transmission, and more. Among the topics discussed are Mesopotamian canons; Zoroastrianism; the Bible; Homer; literary and philosophical canons in ancient Greece and Rome; the New Testament; the Roman law; Rabbinic Judaism and Kabbalistic literature. The future of the so-called Western Canon is one of the most hotly debated issues of the day. There is reason to believe that what is perceived today as a unique crisis, can be put into perspective by students of ancient societies, for the simple reason that the ancient world offers us the historical perspective of civilizations as a whole and allows us to study cultural phenomena in the longue durée.
Excerpt from Specimen of an Attempt at a Catalogue of Original American Books: With Index of Subject-Matters My aim in the following pages has been to attempt a partial Specimen of a compendious, descriptive Catalogue of Original American Works. The necessity for a similar complete. Catalogue need not be dwelt upon. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Why would a smart New York investment banker pay twelve million dollars for the decaying, stuffed carcass of a shark? By what alchemy does Jackson Pollock’s drip painting No.5 1948 sell for $140 million? 'The $12 Million Dollar Stuffed Shar'k is the first book to look at the economics of the modern art world, and the marketing strategies that power the market to produce such astronomical prices. Don Thompson talks to auction houses, dealers, and collectors to find out the source of Charles Saatchi’s Midas touch, and how far a gallery like White Cube has contributed to Damien Hirst becoming one of the highest-earning artists in the world.