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Summary: A highly readable account of the history and culture of the Renaissance from its origins in Italy to its spread through Europe and beyond.
Discusses the political developments in Europe from the fourteenth through the sixteenth centuries as well as the cultural changes of the period.
Text, maps, and illustrations reveal the art, architecture, trade, agriculture, religion, geographical discoveries, and other aspects of the Renaissance period throughout Europe.
The Cambridge Illustrated Atlas of Warfare: Renaissance to Revolution provides a thorough introduction to the military and naval history of the years 1492 to 1792, covering the period from the European Renaissance to the revolutionary wars of the late eighteenth century. Detailed colour maps, battle plans, and colour and black-and-white illustrations combine with an authoritative text to illuminate developments in warfare on both land and sea. Particular attention is paid to the effects of European military expansion on the rest of the world including the Americas, Africa, Asia, and the Mediterranean. Special feature panels are devoted to key events, to the more complicated and intriguing military confrontations, to individual tacticians and to the key topics such as weapons, battle strategies, the rise of naval warfare, and the composition of armies. The book is written by a leading historian of the early modern period.
Text, maps, and illustrations reveal the art, architecture, trade, agriculture, religion, geographical discoveries, and other aspects of the Renaissance period throughout Europe.
Covering the period from the fall of the Roman Empire through to the beginnings of the Renaissance, this is an indispensable volume which brings the complex and colourful history of the Middle Ages to life. Key features: * geographical coverage extends to the broadest definition of Europe from the Atlantic coast to the Russian steppes * each map approaches a separate issue or series of events in Medieval history, whilst a commentary locates it in its broader context * as a body, the maps provide a vivid representation of the development of nations, peoples and social structures. With over 140 maps, expert commentaries and an extensive bibliography, this is the essential reference for those who are striving to understand the fundamental issues of this period.
A reconsideration of the problem of time in the Renaissance, examining the complex and layered temporalities of Renaissance images and artifacts. In this widely anticipated book, two leading contemporary art historians offer a subtle and profound reconsideration of the problem of time in the Renaissance. Alexander Nagel and Christopher Wood examine the meanings, uses, and effects of chronologies, models of temporality, and notions of originality and repetition in Renaissance images and artifacts. Anachronic Renaissance reveals a web of paths traveled by works and artists—a landscape obscured by art history's disciplinary compulsion to anchor its data securely in time. The buildings, paintings, drawings, prints, sculptures, and medals discussed were shaped by concerns about authenticity, about reference to prestigious origins and precedents, and about the implications of transposition from one medium to another. Byzantine icons taken to be Early Christian antiquities, the acheiropoieton (or “image made without hands”), the activities of spoliation and citation, differing approaches to art restoration, legends about movable buildings, and forgeries and pastiches: all of these emerge as basic conceptual structures of Renaissance art. Although a work of art does bear witness to the moment of its fabrication, Nagel and Wood argue that it is equally important to understand its temporal instability: how it points away from that moment, backward to a remote ancestral origin, to a prior artifact or image, even to an origin outside of time, in divinity. This book is not the story about the Renaissance, nor is it just a story. It imagines the infrastructure of many possible stories.
The great turning point of Western civilization that we call the Renaissance marked the emergence of the modern world from the Dark Ages. This ingenious, profusely illustrated book presents the entire epoch of the Renaissance through a spectacular array of images and invites readers to follow the great lives, explore the themes, and witness the major events of this exciting era.
The sea monsters on medieval and Renaissance maps, whether swimming vigorously, gamboling amid the waves, attacking ships, or simply displaying themselves for our appreciation, are one of the most visually engaging elements on these maps, and yet they have never been carefully studied. The subject is important not only in the history of cartography, art, and zoological illustration, but also in the history of the geography of the "marvelous" and of western conceptions of the ocean. Moreover, the sea monsters depicted on maps can supply important insights into the sources, influences, and methods of the cartographers who drew or painted them. In this highly-illustrated book the author analyzes the most important examples of sea monsters on medieval and Renaissance maps produced in Europe, beginning with the earliest mappaemundi on which they appear in the 10th century and continuing to the end of the 16th century.