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In 2019, the Vitra Design Museum will publish the Atlas of Furniture Design, the definitive, encyclopedic overview of the history of modern furniture design. Featuring over 1700 objects by more than 500 designers and 121 manufacturers, it includes approximately 2800 images ranging from detailed object photographs to historical images documenting interiors, patents, brochures, and related works of art and architecture. The basis for the Atlas of Furniture Design is the collection held by the Vitra Design Museum, one of the largest of its kind with more than 7000 works. The book presents selected pieces by the most important designers of the last 230 years and documents key periods in design history, including early nineteenth-century industrial furniture in bentwood and metal, Art Nouveau and Secessionist pieces and works by protagonists of classical modernism and postwar design, as well as postmodern and contemporary pieces. The Atlas of Furniture Design employed a team of more than 70 experts and features over 550 detailed texts about key objects. In-depth essays provide sociocultural and design-historical context to four historical epochs of furniture design and the pieces highlighted here, enriched by a detailed annex containing designer biographies, glossaries, and elaborate information graphics. The Atlas of Furniture Design is an indispensable resource for collectors, scholars and experts, as well as a beautifully designed object that speaks to design enthusiasts.
Features 500 interior design projects for food and beverage establishments, retail shops, spas and hotels, schools, hospitals, homes etc. from all over the world.
A geographically organized survey of the world's most desirable and iconic residential interiors from the 1940s to today. 'The Atlas of Interior Design' is an unparalleled global tour of more than 400 captivating residential interiors from the past eight decades. From classic to contemporary, minimal to maximal, the homes included illuminate the design tropes unique to their location's context, while others confound preconceived ideas of vernacular design to spectacular effect. Exceptional photography and a descriptive text accompanying each project enrich this thoroughly researched and comprehensive volume.
"Collects a key press archive of US architectural production abroad and the transformations of the US architectural office over the last hundred years"--Page 11.
In countries such as, Iran, United Arab Emirates, South Africa, Morocco, Tunisia and so on, the history and culture of a particular location was subtly integrated into the interior design through innovative approaches. Moreover, designers can also be inspired a lot by this book to search a balance between the overwhelmingly globalized trend and the increasingly personalized feature. This book offers readers a visual feast with the collection of world's most classic interior projects and is categorized into 10 parts, including culture and leisure, restaurant, bar, shop and showroom, spa and fitness, hospital and pharmacy, office, teaching and research, house, hotel, transport and factory. Each project is illustrated with real photos, plans and text. In addition, each geographic region is distinguished by a different color-code. We firmly believe and hope it will serve as a source of pleasure and inspiration to all its readers.
This compedium is a detailed and comprehensive portrayal of the best and newest interior projects from accross the globe and acts as an inspiration for designers seeking a balance between globalized trends and personalized projects.
The study of human body measurements on a comparative basis is known as anthropometrics. Its applicability to the design process is seen in the physical fit, or interface, between the human body and the various components of interior space. Human Dimension and Interior Space is the first major anthropometrically based reference book of design standards for use by all those involved with the physical planning and detailing of interiors, including interior designers, architects, furniture designers, builders, industrial designers, and students of design. The use of anthropometric data, although no substitute for good design or sound professional judgment should be viewed as one of the many tools required in the design process. This comprehensive overview of anthropometrics consists of three parts. The first part deals with the theory and application of anthropometrics and includes a special section dealing with physically disabled and elderly people. It provides the designer with the fundamentals of anthropometrics and a basic understanding of how interior design standards are established. The second part contains easy-to-read, illustrated anthropometric tables, which provide the most current data available on human body size, organized by age and percentile groupings. Also included is data relative to the range of joint motion and body sizes of children. The third part contains hundreds of dimensioned drawings, illustrating in plan and section the proper anthropometrically based relationship between user and space. The types of spaces range from residential and commercial to recreational and institutional, and all dimensions include metric conversions. In the Epilogue, the authors challenge the interior design profession, the building industry, and the furniture manufacturer to seriously explore the problem of adjustability in design. They expose the fallacy of designing to accommodate the so-called average man, who, in fact, does not exist. Using government data, including studies prepared by Dr. Howard Stoudt, Dr. Albert Damon, and Dr. Ross McFarland, formerly of the Harvard School of Public Health, and Jean Roberts of the U.S. Public Health Service, Panero and Zelnik have devised a system of interior design reference standards, easily understood through a series of charts and situation drawings. With Human Dimension and Interior Space, these standards are now accessible to all designers of interior environments.
The spirit of an era is reftected by its architecture. The worldwide turbulences of the past years have led to a correspondingly unparalleled diversity of buildings. This compendium presents an international exhibition of contemporary architecture against a backdrop of global trends, local traditions, functional demands, economical constraints and individual styles. The selection includes stunning designs from the most sought-after architecte and talented up-and-coming companies, demonstrating new interpretations of forms to suit anticipated future demands. The Atlas of World Architecture sets a benchmark for buildings of all typologies from the past five years that have earned their place in architectural history.
Lenses for Design describes and explains the unique, creative process of American industrial designer and educator, Josh Owen. Project by project, Owen illustrates and decodes his philosophy and approach to design invention and problem solving. His designs combine clarity of purpose and functional efficacy with emotive and tactile qualities that will prove instructive and inspirational. JOSH OWEN is a designer and professor of Industrial Design at Rochester Institute of Technology in New York. His work has been featured at the Venice Biennale and is in the permanent design collections of the Centre Georges Pompidou, Chicago Athenaeum, Mus e des Beaux-Arts de Montreal, National Museum of American Jewish History, Philadelphia Museum of Art, and the Taiwan Design Museum, among others. Significant manufacturers in the U.S. and Europe produce his home/design, furniture, and office products.