Download Free Atlas Of Brutalist Architecture Book in PDF and EPUB Free Download. You can read online Atlas Of Brutalist Architecture and write the review.

The Brutalist aesthetic is enjoying a renaissance - and this book documents Brutalism as never before. In the most wide-ranging investigation ever undertaken into one of architecture's most powerful movements, more than 850 Brutalist buildings - existing and demolished, classic and contemporary - are organized geographically into nine continental regions. Much-loved masterpieces in the UK and USA sit alongside lesser-known examples in Europe, Asia, Australia, and beyond - 102 countries in all, proving that Brutalism was, and continues to be, a truly international architectural phenomenon.
A curated collection of some of the most powerful and awe-inspiring Brutalist architecture ever built This Brutal World is a global survey of this compelling and much-admired style of architecture. It brings to light virtually unknown Brutalist architectural treasures from across the former eastern bloc and other far flung parts of the world. It includes works by some of the best contemporary architects including Zaha Hadid and David Chipperfield as well as by some of the master architects of the 20th century including Le Corbusier, Mies van der Rohe, Frank Lloyd Wright, Louis Kahn, Paul Rudolph and Marcel Breuer.
BRUTAL NORTH is the first photographic exploration of modernist and Brutalist architecture across the North of England. During the post-war years the North of England saw the building of some of the most aspirational, enlightened and successful modernist architecture in the world. For the first time, a single photographic book captures those buildings, in all their power and progressive ambition. Over the last few years acclaimed photographer Simon Phipps has travelled and sought out the publicly commissioned architecture of the post-war North. From Newcastle's Byker Wall Estate, voted the best neighbourhood in the UK, to the extraordinary Park Hill Estate in Sheffield, from Preston's sweeping bus station and Liverpool's Royal Insurance Building, these structures have seen off threats to their survival and are rightly celebrated for the imprint they leave upon the skyline and the cultural life of their cities. This inspiring invitation to explore northern modernism includes maps and detailed information about all the architecture photographed. 'Captures the most aspirational and enlightened architecture of the north's postwar years.' Guardian Please note this is a fixed-format ebook with some colour pages and may not be well-suited for older e-readers.
"A lively journey around the world's brutalist buildings" Frieze.com "A dazzlingly shot whistle-stop of the much-maligned style's greatest hits ... the book showcases confidence, clarity and the historical importance of the movement." Monocle No modern architectural movement has aroused so much awe and so much ire as Brutalism. This is architecture at its most assertive: compelling, distinctive, sometimes terrifying. But, as Concrete Concept shows, Brutalism can be about love as well as hate. This inspiring and informative photographic survey profiles 50 brutalist buildings from around the world. Travelling the globe – from Le Corbusier's Unite d’Habitation (Marseille, France), to the Former Whitney Museum (New York City, USA) to Preston Bus Station (Preston, UK) – this book covers concrete architecture in its most extraordinary forms, demonstrating how Brutalism has changed our landscapes and infected popular culture. Now in a stylish mini format, this is the perfect tour of Brutalism's biggest hits.
A photographic exploration of the post-war modernist architecture of London. This collection of unique and evocative photography of Brutalist architecture by Simon Phipps casts the city in a new light. Arranged by inner London Borough, BRUTAL LONDON takes in famous examples such as the Trellick Tower, the Brunswick Centre and the Alexandra Road Estate, as well as lesser known housing and municipal spaces. It serves as an introduction to buildings the reader may see every day, an invitation to look differently, a challenge to look up afresh, or to seek out celebrated Brutalism across the capital. The book's portable size and maps for each borough make it useful and practical; while the design, by leading agency A Practice for Everyday Life, echoes the aesthetic of Brutalist architecture with rough textured edges and fonts inspired by the site maps of modernist estates. The hardback was finalist for the British Book Design and Production Awards 2017, Photographic Books, Art / Architecture Monographs. Please note this is a fixed-format ebook with some coloured pages and may not be well-suited for older e-readers.
From luxury apartment towers to offices, places of worship to museums, brutalist architecture is having a 21st-century moment— and this book is here to explore the new interpretations of the style. Designed with the same bold aesthetic that informed Le Corbusier himself, this book features fifty recent examples of how architects around the world are embracing the principles of brutalism — simplicity, functionality, and rawness — reimagining them for today’s standards and tastes. Drawing from the radical approach of the controversial architectural movement, today’s Brutalist buildings are both sophisticated and elegant. As the hundreds of exterior and interior photos in this book reveal, architects have taken advantage of new technology to make concrete-based structures that are refined and alluring, as well as stylish and modish unlike their predecessors. Each chapter is dedicated to a different type of building and is introduced with a selection of iconic structures as an essential visual reference for Brutalism’s new look. In some instances the overall strength of the aesthetic is paired with equally forceful materials such as glass, metal and brick; other examples show how classically brutalist lines are integrated into generously proportioned, light-filled spaces. An informative celebration of Brutalist architecture’s legacy, this book is an exciting exploration of how today’s most innovative architects are discovering the inherent beauty of powerful concrete volumes that was at the heart of Le Corbusier’s original vision.
Often problematically labeled as “Brutalist” architecture, the concrete buildings that transformed Boston during 1960s and 1970s were conceived with progressive-minded intentions by some of the world’s most influential designers, including Marcel Breuer, Le Corbusier, I. M. Pei, Henry Cobb, Araldo Cossutta, Gerhard Kallmann and Michael McKinnell, Paul Rudolph, Josep Lluís Sert, and The Architects Collaborative. As a worldwide phenomenon, building with concrete represents one of the major architectural movements of the postwar years, but in Boston it was deployed in more numerous and diverse civic, cultural, and academic projects than in any other major U.S. city. After decades of stagnation and corrupt leadership, public investment in Boston in the 1960s catalyzed enormous growth, resulting in a generation of bold buildings that shared a vocabulary of concrete modernism. The period from the 1960 arrival of Edward J. Logue as the powerful and often controversial director of the Boston Redevelopment Authority to the reopening of Quincy Market in 1976 saw Boston as an urban laboratory for the exploration of concrete’s structural and sculptural qualities. What emerged was a vision for the city’s widespread revitalization often referred to as the “New Boston.” Today, when concrete buildings across the nation are in danger of insensitive renovation or demolition, Heroic presents the concrete structures that defined Boston during this remarkable period—from the well-known (Boston City Hall, New England Aquarium, and cornerstones of the Massachusetts Institute of Technology and Harvard University) to the already lost (Mary Otis Stevens and Thomas F. McNulty’s concrete Lincoln House and Studio; Sert, Jackson & Associates’ Martin Luther King Jr. Elementary School)—with hundreds of images; essays by architectural historians Joan Ockman, Lizabeth Cohen, Keith N. Morgan, and Douglass Shand-Tucci; and interviews with a number of the architects themselves. The product of 8 years of research and advocacy, Heroic surveys the intentions and aspirations of this period and considers anew its legacies—both troubled and inspired.
Global investigation of 20th-century architecture, 750+ masterpieces richly illustrated.
Buildings designated brutalist in style were largely built in the 1960s and 1970s, exuding an aura of daring, uncompromising design today. Vilified for decades as the step-child of modernism, brutalist architecture is now enjoying an astonishing comeback by inspiring contemporary architecture. This book offers a sophisticated overview of post-war and contemporary brutalist buildings and of the relationship in appearance and design, in the grand concepts and the smallest details between brutalism today and its ancestors.
Born to Polish parents, the first 11 years of Andrzej Jackowski's life were spent in a post-war refugee camp, and The Remembered Present delves into the resulting themes of alienation, family, childhood and nationality that are ever-present in the artist's work. As one of the leading figurative painters of his generation, the work of Andrzej Jackowski is mostly biographical, based on his early childhood memories, recollections of a family history in Poland and the feelings of alienation and enclosure that these experiences roused. Using powerful, insistent images from his past Jackowski explores ideas of human memory and psyche both on a personal and more collective level. As such, his paintings and drawings have come to be imbued with some of the defining imagery of modern European history, reflecting a generations feeling towards concentration camps, war and the displacement of populations. The Remembered Present is the first profile on his hugely intriguing artist and includes essays by Gabriel Josopovici, Timothy Hyman and Professor Michael Tucker. Images of dispossession, loss and identity are continually addressed, bringing ideas such as invasion, betrayal, childhood and nationality to the forefront of current debates concerning painting. Whether personal or private in intention, his work is an embodiment of contemporary historical painting. AUTHOR: Timothy Hyman is an English painter and writer, and is a frequent contributor to The Times Literary Supplement, London Magazine, Artscribe and Modern Painter Gabriel David Josipovici is a British novelist, short story writer, critic, literary theorist, and playwright. Besides short fiction and 14 novels he has published a substantial body of literary criticism, over a dozen plays and radio plays. He also serves as a regular reviewer for The Times Literary Supplement. Professor Michael Tucker has curated extensively and published widely in the fields of visual art, music and poetry. In 1998 he was awarded the Degree of Doctor of Letetrs by the University of Sussex for "distinguished contributions to the advancement of learning". SELLING POINTS: As one of the leading figurative painters of his generation, the work of Andrzej Jackowski is largely biographical, based on early childhood memories in a post-war refuge camp, recollections of a family history in Poland and the feelings of alienation and enclosure that these experiences roused. The subject matter draws on his childhood memories and the inherited memories of his family's background conveyed to him through his father's storytelling and the family's photographic albums. The Remembered Present is the first book given over to the entirety of Jackowski's work, which includes drawings, prints and paintings and extends back to works that he undertook as a student through to his most recent work. ILLUSTRATIONS 140 colour & b/w illustrations *