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The lost civilization of Atlantis is one of the most enduring controversies of all time. Now, armed with visionary Edgar Cayce's psychic clues and the latest findings from archaeology, geology, and anthropology, three scholars have traveled the world in search of proof. Readers join them as they explore the wisdom of Edgar Cayce and discover new evidence about the destruction of Atlantis.
In 1958 construction began on Akademgorodok, a scientific utopian community modeled after Francis Bacon's vision of a "New Atlantis." The city, carved out of a Siberian forest 2,500 miles east of Moscow, was formed by Soviet scientists with Khrushchev's full support. They believed that their rational science, liberated from ideological and economic constraints, would help their country surpass the West in all fields. In a lively history of this city, a symbol of de-Stalinization, Paul Josephson offers the most complete analysis available of the reasons behind the successes and failures of Soviet science--from advances in nuclear physics to politically induced setbacks in research on recombinant DNA. Josephson presents case studies of high energy physics, genetics, computer science, environmentalism, and social sciences. He reveals that persistent ideological interference by the Communist Party, financial uncertainties, and pressures to do big science endemic in the USSR contributed to the failure of Akademgorodok to live up to its promise. Still, a kind of openness reigned that presaged the glasnost of Gorbachev's administration decades later. The openness was rooted in the geographical and psychological distance from Moscow and in the informal culture of exchange intended to foster the creative impulse. Akademgorodok is still an important research center, having exposed physics, biology, sociology, economics, and computer science to new investigations, distinct in pace and scope from those performed elsewhere in the Soviet scientific establishment.
Plato's legend of Atlantis has become notorious among scholars as the absurdest lie in literature. Atlantis Destroyed explores the possibility that the account given by Plato is historically true. Rodney Castleden first considers the location of Atlantis re-examining two suggestions put forward in the early twentieth century; Minoan Crete and Minoan Thera. He outlines the latest research findings on Knossos and Bronze Age Thera, discussing the material culture, trade empire and agricultural system, writing and wall paintings, art, religion and society of the Minoan civilization. Castleden demonstrates the many parallels between Plato's narrative and the Minoan Civilization in the Aegean. Fired by the imagination a new vision of Atlantis has arisen over the last one hundred and fifty years as a lost utopia. Rodney Castleden discusses why this picture arose and xplains how it has become confused with Plato's genuine account.
A handbook of Atlantean information for general readers and specialists alike! This is an invaluable, one-of-a-kind reference. Unlike most other books on the subject, The Atlantis Encyclopedia offers fewer theories and more facts. Although it does not set out to prove the sunken capital actually existed, The Atlantis Encyclopedia musters so much evidence on its behalf, even skeptics may conclude that there must be at least something factual behind such an enduring, indeed global legend. You'll learn: What was Atlantis? Where was it located? How long ago did it flourish? How was it destroyed? What became of its survivors? Have any remains of Atlantis ever been found? Will Atlantis ever be found? Did Atlantis have any impact on America?
A readable account of the history of natural disasters throughout history.
Lost Knowledge: The Concept of Vanished Technologies and Other Human Histories examines the idea of lost knowledge, reaching back to a period between myth and history. It investigates a peculiar idea found in a number of early texts: that there were civilizations with knowledge of sophisticated technologies, and that this knowledge was obscured or destroyed over time along with the civilization that had created it. This book presents critical studies of a series of early Chinese, South Asian, and other texts that look at the idea of specific “lost” technologies, such as mechanical flight and the transmission of images. There is also an examination of why concepts of a vanished “golden age” were prevalent in so many cultures. Offering an engaging and investigative look at the propagation of history and myth in technology and culture, this book is sure to interest historians and readers from many backgrounds.
Marina Leslie draws on three important early modern utopian texts—Thomas More's Utopia, Francis Bacon's New Atlantis, and Margaret Cavendish's Description of a New World Called the Blazing World—as a means of exploring models for historical transformation and of addressing the relationship of literature and history in contemporary critical practice. While the genre of utopian texts is a fertile terrain for historicist readings, Leslie demonstrates that utopia provides unstable ground for charting out the relation of literary text to historical context. In particular, she examines the ways that both Marxist and new historicist critics have taken the literary utopia not simply as one form among many available for reading historically but as a privileged form or methodological paradigm. Rather than approach utopia by mapping out a fixed set of formal features, or by tracing the development of the genre, Leslie elaborates a history of utopia as critical practice. Moreover, by taking every reading of utopia to be as historically symptomatic as the literary production it assesses, her book integrates readings of these three English Renaissance utopias with an analysis of the history and politics of reading utopia. Throughout, Leslie considers utopia as a fictional enactment of historical process and method. In her view, these early modern utopian constructions of history relate very closely to and impinge upon the narrative structures of history assumed by critical theory today.
Most narratives depict Soviet Cold War cultural activities and youth groups as drab and dreary, militant and politicized. In this study Gleb Tsipursky challenges these stereotypes in a revealing portrayal of Soviet youth and state-sponsored popular culture. The primary local venues for Soviet culture were the tens of thousands of clubs where young people found entertainment, leisure, social life, and romance. Here sports, dance, film, theater, music, lectures, and political meetings became vehicles to disseminate a socialist version of modernity. The Soviet way of life was dutifully presented and perceived as the most progressive and advanced, in an attempt to stave off Western influences. In effect, socialist fun became very serious business. As Tsipursky shows, however, Western culture did infiltrate these activities, particularly at local levels, where participants and organizers deceptively cloaked their offerings to appeal to their own audiences. Thus, Soviet modernity evolved as a complex and multivalent ideological device. Tsipursky provides a fresh and original examination of the Kremlin's paramount effort to shape young lives, consumption, popular culture, and to build an emotional community—all against the backdrop of Cold War struggles to win hearts and minds both at home and abroad.
Atlantis lies between Europe and the East Coast of Terranova. For many years, this land of opportunity lured dreamers from around the globe with its natural resources, offering a new beginning for those willing to brave the wonders of the unexplored territory. It is a new world indeed: ripe for discovery, for plunder, and eventually for colonization?but will its settlers destroy the very wonders they had journeyed to Atlantis to find?