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Between the War of 1812 and the Civil War, General William S. Harney became one of the best-known military figures in America. In a career aided by Andrew Jackson and the concept of an expansible army, Harney saw duty in virtually every part of the country and participated in most of the key military episodes of his time. He chased remnants of Lafitte pirates in Louisiana, campaigned with Abraham Lincoln and Zachary Taylor during the Black Hawk War, developed Vietnam-style riverine tactics that ended the Second Seminole War, and led Winfield Scott's cavalry in the Mexican War. In the 1850s Harney devised the army's largest and most successful pre?Civil War campaign against Plains Indians, commanded troops charged with upholding federal authority in Kansas and Utah, and almost provoked hostilities with Great Britain in the Pacific Northwest. Removed from command amid false charges of disloyalty during the Missouri secession crisis, he returned as a leading member of the Indian Peace Commission of 1867?68. ø Harney was bold, ambitious, and innovative, but also impulsive, vindictive, and violent. His career illustrates the nineteenth-century army's role in implementing federal policy, highlights its limited resources compared to its responsibilities, and illuminates key aspects of its organizational structure, the behavior of its officers, and its impact on personal lives.
Though perhaps most famous for Walden, Henry David Thoreau was also a prolific essayist. Many of his essays touch on subjects similar to his famous book: long walks through nature, things found in moonlight that are invisible and unheard during the day, his preference for wild apples over domestic ones. In many ways he prefigured environmentalism, expressing his love for untouched nature and lamenting what the encroachment of man and cities were doing to it. He also had strong opinions on many other subjects. One of his most famous essays, “On the Duty of Civil Disobedience,” was written as a result of his going to jail for refusing to pay several years’ worth of poll taxes. One of the primary reasons for his refusal was his holding the government in contempt for its support of slavery, and several of his other essays express support and admiration for John Brown, who thought to start a slave revolt when he attacked Harper’s Ferry in 1859. Whether discussing trees in a forest, slavery, or the works of Thomas Carlyle, Thoreau’s essays are deeply personal and full of keen observations, often in poetic language. They give a sense of the man expressing them as being much more than the views being expressed. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
The fascinating story of the transformation of American watercolor practice between 1866 and 1925 The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as "the American medium." This engaging and comprehensive book tells the definitive story of the metamorphosis of American watercolor practice between 1866 and 1925, identifying the artist constituencies and social forces that drove the new popularity of the medium. The major artists of the movement - Winslow Homer, John Singer Sargent, William Trost Richards, Thomas Moran, Thomas Eakins, Charles Prendergast, Childe Hassam, Edward Hopper, Charles Demuth, and many others - are represented with lavish color illustrations. The result is a fresh and beautiful look at watercolor's central place in American art and culture.
It is also an image that has resisted fundamental revision over the course of two centuries because of the force of Washington's character, the clarity of his political purposes, and the intensity of his charisma.