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ATHENS OF AMERICA: A Play in Two Acts with and Epilogue is inspired by and loosely based upon, Il giaco delle parti (Rules of the Game) by Luigi Pirandello (1867-1936). Set in a popular Italian neighborhood simply known as: Boston’s North End, Athens of America explores marital betrayal, worshipful jealousy and boyhood rivalry. Midst Emily Dickenson, foreboding Latin phrases, the paranormal and pious ritual, this new work unites the immortal leitmotifs of classic Pirandellian drama. Here, illusion, hope, individualism and psychological exploitation meet head-on with Jim Morrison, NASA, art galleries and the meticulous niceties of gourmet cooking. The play’s entire ensemble is persistently gripped by the trials of bewildered identities, contrived fantasies and the outcomes of their own distorted self-images. In this new play, we immediately recognize how oftentimes our own sense of self may solely exist in relation to others and their own premeditated and controlling cosmologies. Each character is habitually trapped by shifting facets of overwhelming desire, ones shrouding themselves in a consuming abyss of delusion, deceit and duplicity. This is a play of verbal pretext, ominous revelation and ultimate tragic vengeance. * * * * * * * * * A lesser known moniker for the city Boston is “The Athens of America”, used mainly in literary circles during the first half of the 20th Century. One of the alleged sources is to be found in a letter written in 1764 by Samuel Adams (along with many other suspected sources of imprecise origin.) * * * * * * * * * “Just to be in Boston, in Cambridge, on a Monday night was very horrifying to me. It frightens me . . . All the stores closing up by 5 or 6, coffeehouses being open maybe until 11, just the sense that the world shuts down and you're left with yourself.” –Ann Douglas
In the summer of 1978, the B-52's conquered the New York underground. A year later, the band's self-titled debut album burst onto the Billboard charts, capturing the imagination of fans and music critics worldwide. The fact that the group had formed in the sleepy southern college town of Athens, Georgia, only increased the fascination. Soon, more Athens bands followed the B-52's into the vanguard of the new American music that would come to be known as "alternative," including R.E.M., who catapulted over the course of the 1980s to the top of the musical mainstream. As acts like the B-52's, R.E.M., and Pylon drew the eyes of New York tastemakers southward, they discovered in Athens an unexpected mecca of music, experimental art, DIY spirit, and progressive politics--a creative underground as vibrant as any to be found in the country's major cities. In Athens in the eighties, if you were young and willing to live without much money, anything seemed possible. Cool Town reveals the passion, vitality, and enduring significance of a bohemian scene that became a model for others to follow. Grace Elizabeth Hale experienced the Athens scene as a student, small-business owner, and band member. Blending personal recollection with a historian's eye, she reconstructs the networks of bands, artists, and friends that drew on the things at hand to make a new art of the possible, transforming American culture along the way. In a story full of music and brimming with hope, Hale shows how an unlikely cast of characters in an unlikely place made a surprising and beautiful new world.
Wages of Appeasement explores the reasons why a powerful state gives in to aggressors. It tells the story of three historical examples of appeasement: the greek city-states of the fourth century b.c., which lost their freedom to Philip II of Macedon; England in the twenties and thirties, and the failure to stop Germany's aggression that led to World War II; and America's current war against Islamic jihad and the 30-year failure to counter Iran's attacks on the U.S. The inherent weaknesses of democracies and their bad habit of pursuing short-term interests at the expense of long-term security play a role in appeasement. But more important are the bad ideas people indulge, from idealized views of human nature to utopian notions like pacifism or disarmament. But especially important is the notion that diplomatic engagement and international institutions like the u.n. can resolve conflict and deter an aggressor––the delusion currently driving the Obama foreign policy in the middle east. Wages of Appeasement combines narrative history and cultural analysis to show how ideas can have dangerous and deadly consequences.
In 1811, architect Benjamin Henry Latrobe spurred American builders into action when he called for them to reject "the corrupt Age of Dioclesian, or the still more absurd and debased taste of Louis the XIV," and to emulate instead the ancient temples of Greece. In response, people in the antebellum trans-Appalachian region embraced the clean lines, intricate details, and stately symmetry of the Grecian style. On newly built public buildings, private homes, and religious structures, references to classical Greek architecture became the preferred ornamentation. Several antebellum cities and towns adopted the moniker of "Athens," styling themselves as centers of culture, education, and sophistication. As the trend grew, American citizens understood the name as a link between the Grecian style and the founding principles of democracy—signaling a change of taste in service to the larger American cultural ideal. In Athens on the Frontier, Patrick Lee Lucas examines the material culture of Grecian-style buildings in antebellum America to help recover nineteenth-century regional identities. As communities worked to define their built landscape and develop a shared Western identity, Lucas's study invites readers to question many of the assumptions Americans have made about divisions and cultural formation in antebellum society.
In this, the definitive comprehensive history of Philadelphia, the reader will discover a rich and colorful portrait of one of America's most vital, interesting, and illustrious cities.
Drawing on new empirical research from the political and cognitive sciences, Angus Fletcher deftly analyzes the narrative elements of two dozen stage plays, novels, romances, histories, and operas written by such authors as Aristophanes, Menander, Plautus, Ariosto, Machiavelli, Cervantes, Shakespeare, Ben Jonson, William Congreve, John Gay, Henry Fielding, and Washington Irving. He unearths five comic techniques that were used to foster democratic behaviors in antiquity and the Renaissance, then traces the role of these techniques in Tom Paine's Common Sense, Thomas Jefferson's preamble to the Declaration of Independence, George Washington's farewell address, Mercy Otis Warren's federalist history of the Revolution, Frederick Douglass's abolitionist orations, and other key documents that played a pivotal role in the development of the early American Republic. --Publisher description.
Athens, Iowa, is the best of small college towns. But at the beginning of a long dry summer, Athens sheds its communal innocence as two teenagers are killed in a police chase gone bad. This is the story of two men dealing with public tragedy and private grief.
Although this booklet is based on broken pottery found during the excavation of the Agora, the author ranges far beyond the confines of Athens in her discussion of the purpose and significance of different amphora types. Amphoras were used in the ancient world to transport various different types of products, including wine and oil. The author shows how chronological variations in shape and the geographical clues offered by stamped handles make amphoras a fascinating source of economic information. The booklet illustrates many different forms of amphora, all set into context by the well-written text.
What holds America together? In this classic work, Russell Kirk identifies the beliefs and institutions that have nurtured the American soul and commonwealth. Beginning with the Hebrew prophets, Kirk examines in dramatic fashion the sources of American order. His analytical narrative might be called a "tale of five cities": Jerusalem, Athens, Rome, London, and Philadelphia. For an understanding of the significance of America in the twenty-first century, Russell Kirk's masterpiece on the history of American civilization is unsurpassed.
A magisterial account of how a tiny city-state in ancient Greece became history’s most influential civilization, from the bestselling author of acclaimed biographies of Cicero, Augustus, and Hadrian Filled with tales of adventure and astounding reversals of fortune, The Rise of Athens celebrates the city-state that transformed the world—from the democratic revolution that marked its beginning, through the city’s political and cultural golden age, to its decline into the ancient equivalent of a modern-day university town. Anthony Everitt constructs his history with unforgettable portraits of the talented, tricky, ambitious, and unscrupulous Athenians who fueled the city’s rise: Themistocles, the brilliant naval strategist who led the Greeks to a decisive victory over their Persian enemies; Pericles, arguably the greatest Athenian statesman of them all; and the wily Alcibiades, who changed his political allegiance several times during the course of the Peloponnesian War—and died in a hail of assassins’ arrows. Here also are riveting you-are-there accounts of the milestone battles that defined the Hellenic world: Thermopylae, Marathon, and Salamis among them. An unparalleled storyteller, Everitt combines erudite, thoughtful historical analysis with stirring narrative set pieces that capture the colorful, dramatic, and exciting world of ancient Greece. Although the history of Athens is less well known than that of other world empires, the city-state’s allure would inspire Alexander the Great, the Romans, and even America’s own Founding Fathers. It’s fair to say that the Athenians made possible the world in which we live today. In this peerless new work, Anthony Everitt breathes vivid life into this most ancient story. Praise for The Rise of Athens “[An] invaluable history of a foundational civilization . . . combining impressive scholarship with involving narration.”—Booklist “Compelling . . . a comprehensive and entertaining account of one of the most transformative societies in Western history . . . Everitt recounts the high points of Greek history with flair and aplomb.”—Shelf Awareness “Highly readable . . . Everitt keeps the action moving.”—Kirkus Reviews Praise for Anthony Everitt’s The Rise of Rome “Rome’s history abounds with remarkable figures. . . . Everitt writes for the informed and the uninformed general reader alike, in a brisk, conversational style, with a modern attitude of skepticism and realism.”—The Dallas Morning News “[A] lively and readable account . . . Roman history has an uncanny ability to resonate with contemporary events.”—Maclean’s “Elegant, swift and faultless as an introduction to his subject.”—The Spectator “An engrossing history of a relentlessly pugnacious city’s 500-year rise to empire.”—Kirkus Reviews “Fascinating history and a great read.”—Chicago Sun-Times