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The Athenae Cantabrigienses was the most ambitious of several large writing projects undertaken by Charles Henry Cooper, a keen historian, successful lawyer and town clerk of Cambridge in the mid-nineteenth century. He enlisted the help of his elder son, Thompson Cooper, for this book, a collection of carefully researched biographies of distinguished figures with Cambridge connections, inspired by Anthony Wood's Athenae Oxonienses (1692). Two volumes were published during Cooper Senior's lifetime, but only 60 pages of the third volume (ending in 1611) appeared in print, and he died leaving an enormous quantity of notes. Even in its incomplete state, the work contains about seven thousand biographies; their subjects include clergymen, military commanders, judges, artists, scholars and benefactors of the University. Volume 2, originally published in 1861, covers the period 1586-1609.
The Athenae Cantabrigienses was the most ambitious of several large writing projects undertaken by Charles Henry Cooper, a keen historian, successful lawyer and town clerk of Cambridge in the mid-nineteenth century. He enlisted the help of his elder son, Thompson Cooper, for this book, a collection of carefully researched biographies of distinguished figures with Cambridge connections, inspired by Anthony Wood's Athenae Oxonienses (1692). Two volumes were published during Cooper Senior's lifetime, but only 60 pages of the third volume (ending in 1611) appeared in print, and he died leaving an enormous quantity of notes. Even in its incomplete state, the work contains about seven thousand biographies; their subjects include clergymen, military commanders, judges, artists, scholars and benefactors of the University. Volume 2, originally published in 1861, covers the period 1586-1609.
The Athenae Cantabrigienses was the most ambitious of several large writing projects undertaken by Charles Henry Cooper, a keen historian, successful lawyer and town clerk of Cambridge in the mid-nineteenth century. He enlisted the help of his elder son, Thompson Cooper, for this book, a collection of carefully researched biographies of distinguished figures with Cambridge connections, inspired by Anthony Wood's Athenae Oxonienses (1692). Two volumes were published during Cooper Senior's lifetime, but only 60 pages of the third volume (ending in 1611) appeared in print, and he died leaving an enormous quantity of notes. Even in its incomplete state, the work contains about seven thousand biographies; their subjects include clergymen, military commanders, judges, artists, scholars and benefactors of the University. Volume 2, originally published in 1861, covers the period 1586-1609.
William Webbe's A Discourse of English Poetry (1586) is the first printed treatise exclusively dedicated to devising a canon for the definition of poetry in England. Traditionally eclipsed by the academic centrality of Philip Sidney's The Defence of Poesy (c. 1580; published 1595) and George Puttenham's The Art of English Poesy (1588), it was last prepared in a scholarly edition by Gregory Smith in 1904. This volume presents a modern-spelling text and a critical apparatus derived from the collation of the first printed document with subsequent editions. The explanatory notes incorporate recent research on Elizabethan literary theory and aim at substantiating Webbe's contribution within the academic and literary spheres of sixteenth-century England. A Discourse offers an enlightening testimony of the main concerns of Tudor humanism, and it also sheds light on the ideological foundations of the acclaimed quantitative reformation of metre launched by Sidney, Harvey, Spenser and other contemporary scholars.