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From the host of the Travel Channel’s “The Wild Within.” A hunt for the American buffalo—an adventurous, fascinating examination of an animal that has haunted the American imagination. In 2005, Steven Rinella won a lottery permit to hunt for a wild buffalo, or American bison, in the Alaskan wilderness. Despite the odds—there’s only a 2 percent chance of drawing the permit, and fewer than 20 percent of those hunters are successful—Rinella managed to kill a buffalo on a snow-covered mountainside and then raft the meat back to civilization while being trailed by grizzly bears and suffering from hypothermia. Throughout these adventures, Rinella found himself contemplating his own place among the 14,000 years’ worth of buffalo hunters in North America, as well as the buffalo’s place in the American experience. At the time of the Revolutionary War, North America was home to approximately 40 million buffalo, the largest herd of big mammals on the planet, but by the mid-1890s only a few hundred remained. Now that the buffalo is on the verge of a dramatic ecological recovery across the West, Americans are faced with the challenge of how, and if, we can dare to share our land with a beast that is the embodiment of the American wilderness. American Buffalo is a narrative tale of Rinella’s hunt. But beyond that, it is the story of the many ways in which the buffalo has shaped our national identity. Rinella takes us across the continent in search of the buffalo’s past, present, and future: to the Bering Land Bridge, where scientists search for buffalo bones amid artifacts of the New World’s earliest human inhabitants; to buffalo jumps where Native Americans once ran buffalo over cliffs by the thousands; to the Detroit Carbon works, a “bone charcoal” plant that made fortunes in the late 1800s by turning millions of tons of buffalo bones into bone meal, black dye, and fine china; and even to an abattoir turned fashion mecca in Manhattan’s Meatpacking District, where a depressed buffalo named Black Diamond met his fate after serving as the model for the American nickel. Rinella’s erudition and exuberance, combined with his gift for storytelling, make him the perfect guide for a book that combines outdoor adventure with a quirky blend of facts and observations about history, biology, and the natural world. Both a captivating narrative and a book of environmental and historical significance, American Buffalo tells us as much about ourselves as Americans as it does about the creature who perhaps best of all embodies the American ethos.
This thoroughly researched and superbly written book combines history, myth, folklore, and fiction to tell the story not only of the buffalo but of the relationship between buffalo and man on the North American continent. Synthesizing larger and longer histories of this unique animal, this book traces the history of the buffalo from the time it led man to North America, fed him, clothed him, and housed him. As buffalo increased in numbers, they became central to the culture of the Great Plains Indians who lived surrounded by them. Much of the Indian way of life was related to knowledge of and reverence for the buffalo. When the European white man arrived, he lived off the buffalo as he explored the continent. Later, he slaughtered the great herds of animals when they trampled his crops, stopped his railway trains, and fed the Indians who fought him for the land. But when extinction threatened the buffalo, the white man was challenged by the idea of saving the animal, an idea that captures the imagination of Americans yet today. Heads, Hides & Horns traces this major history in a thousand small stories, with directions for tanning, recipes for cooking, stories of tenderfeet and hide hunters, Metis from Canada who searched for bones, ciboleros from Mexico who hunted buffalo in Texas, and hundreds of anecdotes and first-person accounts. Over one hundred illustrations accompany the lively text. The pictorial research behind this book is as thorough as the textual study, and the illustrations include works by major artists of the period - Karl Bodmer and Frederic Remington, for example - along with actual period photographs. Combining the best of art and history told in an anecdotal and readable manner, Heads, Hides & Horns offers fascinating reading for anyone interested in the American West, its culture, traditions, and ecology.
The New York Times bestselling author of Silver City brings history to life as Cash McLendon takes refuge in Dodge City and falls in with some of the most famous men in the American West... After barely escaping nemesis Killer Boots in the tiny Arizona Territory town of Glorious, Cash McLendon is in desperate need of a safe haven somewhere on the frontier. Fleeing to Dodge City, he meets an intrepid band of buffalo hunters determined to head south to forbidden Indian Territory in the Texas panhandle. In the company of such colorful Western legends as Bat Masterson and Billy Dixon, Cash helps establish a hunting camp known as Adobe Walls. When a massive migration of buffalo arrives, and newly hopeful that he may yet patch things up with Gabrielle Tirrito back in Arizona, Cash thinks his luck has finally changed. But no good can come of entering the prohibited lands they’ve crossed into. Little do Cash and his fellows know that their camp is targeted by a new coalition of the finest warriors among the Comanche, Cheyenne, and Kiowa. Led by fierce Comanche war chief Quanah and eerie tribal mystic Isatai, an enormous force of 2,000 is about to descend on the camp and will mark one of the fiercest, bloodiest battles in frontier history. Cash McLendon is in another fight for his life, and this time, running is not an option...
For twenty years Dan O’Brien struggled to make ends meet on his cattle ranch in South Dakota. But when a neighbor invited him to lend a hand at the annual buffalo roundup, O’Brien was inspired to convert his own ranch, the Broken Heart, to buffalo. Starting with thirteen calves, “short-necked, golden balls of wool,” O’Brien embarked on a journey that returned buffalo to his land for the first time in more than a century and a half. Buffalo for the Broken Heart is at once a tender account of the buffaloes’ first seasons on the ranch and an engaging lesson in wildlife ecology. Whether he’s describing the grazing pattern of the buffalo, the thrill of watching a falcon home in on its prey, or the comical spectacle of a buffalo bull wallowing in the mud, O’Brien combines a novelist’s eye for detail with a naturalist’s understanding to create an enriching, entertaining narrative.
In 1867 the total number of buffaloes in the trans-Missouri region was conservatively estimated at fifteen million. By the end of the 1880s that figure had dwindled to a few hundred. The destruction of the great herds is the theme of this book. Mari Sandoz's canvas is vast, but it is charged with color and excitement—accounts of Indian ambushes, hairbreadth escapes, gambling and gunfights, military expeditions, famous frontier characters (Wild Bill Hickok, Lonesome Charlie Reynolds, Buffalo Bill, Sheridan, Custer, and Indian Chiefs Whistler, Yellow Wolf, Spotted Tail, and Sitting Bull).
Sequel to Spitfire On My Tail, the courageous story of Steinhilper's experiences as a German Prisoner Of War POW) in Canada and the USA and his three escape attempts.
Clipping hoodies changed Sura's life. He's shipped off to Hamstock, a juvenile detention center that's worse than most. At the Stock they don't. try to keep juvies till they reform. They just keep guys till they feel like letting them go. Sura and his patchmate, a kid named Coly Jo, look out for each other and try to evade the Stock's sadistic games. But things turn bad fast for Coly Jo, and Sura helplessly watches his friend's descent into hell, determined to escape with his own body and spirit intact -- if he can. Thirteen-year old Sura--intelligent, reckless, sensitive, and adrift--is serving a six-month sentence at Hamstock Juvenille Detention Center. Coping wiht the brutal pressures of life inside "the Stock," Sura helplessly watches his doomed bunkmate, Coly Jo, fall prey to the worst excesses of the prison system, and determines to escape with his own body and spirit intac -- if he can.
In The Gateless Gate, one of modern Zen Buddhism's uniquely influential masters offers classic commentaries on the Mumonkan, one of Zen's greatest collections of teaching stories. This translation was compiled with the Western reader in mind, and includes Koan Yamada's clear and penetrating comments on each case. Yamada played a seminal role in bringing Zen Buddhism to the West from Japan, going on to be the head of the Sanbo Kyodan Zen Community. The Gateless Gate would be invaluable if only for the translation and commentary alone, yet it's loaded with extra material and is a fantastic resource to keep close by: An in-depth Introduction to the History of Zen Practice Lineage charts Japanese-to-Chinese and Chinese-to-Japanese conversion charts for personal names, place names, and names of writings Plus front- and back-matter from ancient and modern figures: Mumon, Shuan, Kubota Ji'un, Taizan Maezumi, Hugo Enomiya-Lasalle, and Yamada Roshi's son, Masamichi Yamada. A wonderful inspiration for the koan practitioner, and for those with a general interest in Zen Buddhism.
Writing about the economic collapse and social unrest of her 1970s childhood in Buffalo, New York, Laura Pedersen was struck by how things were finally improving in her beloved hometown. As 2008 began, Buffalo was poised to become the thriving metropolis it had been a hundred years earlier—only instead of grain and steel, the booming industries now included healthcare and banking, education and technology. Folks who'd moved away due to lack of opportunity in the 1980s talked excitedly about returning home. They mised the small-town friendliness and it wasn't nostalgia for a past that no longer existed—Buffalo has long held the well-deserved nickname the City of Good Neighbors. The diaspora has ended. Preservationists are winning out over demolition crews. The lights are back on in a city that's usually associated with blizzards and blight rather than its treasure trove of art, architecture, and culture.