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A collection of essays by James Baldwin, Norman Mailer, and other beloved American writers on the primal contest in the boxing ring—and the crazy carnival world outside it From neighborhood gyms and smoke-filled arenas to star-studded casinos and exotic locales, American writers have chronicled unforgettable stories about determination and dissipation, about great champions and punch-drunk has-beens, about colorful entourages and outrageous promoters, and, inevitably along the way, about race, class, and violence in America. Like baseball, boxing has a vivid culture and language all its own, one that has proven irresistible to career journalists and literary writers alike. The Library of America presents a gritty and glittering anthology of a century of the very best writing and reportage about the fights. Here is Jack London on the immortal Jack Johnson; H. L. Mencken and Irvin S. Cobb on Jack Dempsey vs. Georges Carpentier, dubbed “The Fight of the Century”; Richard Wright on Joe Louis’s historic victory over Max Schmeling; A. J. Liebling’s brilliantly comic portrait of a manager who really identifies with his fighter; Jimmy Cannon on the inimitable Archie Moore; James Baldwin and Gay Talese on the haunted Floyd Patterson; George Plimpton on Muhammad Ali and Malcolm X; Norman Mailer on the “Rumble in the Jungle”; Mark Kram on the “Thrilla in Manila”; Pete Hamill on legendary trainer and manager Cus D’Amato; Mark Kriegel on Oscar de la Hoya; and David Remnick and Joyce Carol Oates on Mike Tyson. National Book Award-winning novelist Colum McCann (Let the Great World Spin) weighs in with a foreword.
The dramatic, little-known story of Joe Gans, an early African-American sports hero and the welterweight champion of the world. Though he is largely unknown today, this book will change that with its emphasis on one key fight in 1906.
To Foreman, Ali now said, 'You have heard of me since you were young. You've been following me since you were a little boy. Now, you must meet me, your master!' '
Kicking ass and taking notes—what it’s like to be a woman in the ring. Alison Dean teaches English literature. She also punches people. Hard. But despite several amateur fights under her belt, she knows she will never be taken as seriously as a male boxer. “You punch like a girl” still isn’t a compliment — women aren’t supposed to choose to participate in violence. Her unique perspective as a 30-something university lecturer turned amateur fighter allows Dean to articulately and with great insight delve into the ways martial arts can change a person’s — and particularly a woman’s — relationship to their body and to the world around them, and at the same time considers the ways in which women might change martial arts. Combining historical research, anecdotal experience, and interviews with coaches and fighters, Seconds Out explores our culture’s relationship with violence, and particularly with violence practiced by women. "An important addition to women’s martial arts scholarship, Dean provides personal insight into the radical space women occupy in sport fighting. Seconds Out is a must-read for all fighters looking for mentors in the complicated world of martial arts." —L.A. Jennings, author of Mixed Martial Arts: A History from Ancient Fighting Sports to the UFC "Dean brings a fresh new female voice to the topic of combat sports." —Trevor Wittman, renowned MMA trainer, UFC analyst, and founder of ONX Sports "Trained in the discipline and art of both fighting and literature, Dean combines both with style. She honors the fighters, writers, and historians who have come before her and definitively ends the idea of women fighters as a novelty. Seconds Out is a must-read for anyone who feels the call of the bell and reverence for a good fight." —Sue Jaye Johnson
For much of the twentieth century, boxing was one of America’s most popular sports, and the heavyweight champions were figures known to all. Their exploits were reported regularly in the newspapers—often outside the sports pages—and their fame and wealth dwarfed those of other athletes. Long after their heyday, these icons continue to be synonymous with the “sweet science.” In The Boxing Kings: When American Heavyweights Ruled the Ring, Paul Beston profiles these larger-than-life men who held a central place in American culture. Among the figures covered are John L. Sullivan, who made the heavyweight championship a commercial property; Jack Johnson, who became the first black man to claim the title; Jack Dempsey, a sporting symbol of the Roaring Twenties; Joe Louis, whose contributions to racial tolerance and social progress transcended even his greatness in the ring; Rocky Marciano, who became an embodiment of the American Dream; Muhammad Ali, who took on the U.S. government and revolutionized professional sports with his showmanship; and Mike Tyson, a hard-punching dynamo who typified the modern celebrity. This gallery of flawed but sympathetic men also includes comics, dandies, bookworms, divas, ex-cons, workingmen, and even a tough-guy-turned-preacher. As the heavyweight title passed from one claimant to another, their stories opened a window into the larger history of the United States. Boxing fans, sports historians, and those interested in U.S. race relations as it intersects with sports will find this book a fascinating exploration into how engrained boxing once was in America’s social and cultural fabric.
This knockout biography follows boxing legend Floyd Patterson, civil rights activist, national icon, and the youngest man to win the World Heavyweight Champion title, and the first to ever win the title twice.
A reissue of bestselling, award-winning author Joyce Carol Oates' classic collection of essays on boxing.
Roberto Duran, Marvelous Marvin Hagler, Sugar Ray Leonard, and Thomas "Hit Man" Hearns all formed the pantheon of boxing greats during the late 1970s and early 1980s—before the pay-per-view model, when prize fights were telecast on network television and still captured the nation's attention. Championship bouts during this era were replete with revenge and fury, often pitting one of these storied fighters against another. From training camps to locker rooms, author George Kimball was there to cover every body shot, uppercut, and TKO. Inside stories full of drama, sacrifice, fear, and pain make up this treasury of boxing tales brought to life by one of the sport's greatest writers.
This volume presents fifteen chapters of biography of African American and black champions and challengers of the early prize ring. They range from Tom Molineaux, a slave who won freedom and fame in the ring in the early 1800s; to Joe Gans, the first African American world champion; to the flamboyant Jack Johnson, deemed such a threat to white society that film of his defeat of former champion and "Great White Hope" Jim Jeffries was banned across much of the country. Photographs, period drawings, cartoons, and fight posters enhance the biographies. Round-by-round coverage of select historic fights is included, as is a foreword by Hall-of-Fame boxing announcer Al Bernstein.
A collection of essays by James Baldwin, Norman Mailer, and other beloved American writers on the primal contest in the boxing ring—and the crazy carnival world outside it From neighborhood gyms and smoke-filled arenas to star-studded casinos and exotic locales, American writers have chronicled unforgettable stories about determination and dissipation, about great champions and punch-drunk has-beens, about colorful entourages and outrageous promoters, and, inevitably along the way, about race, class, and violence in America. Like baseball, boxing has a vivid culture and language all its own, one that has proven irresistible to career journalists and literary writers alike. The Library of America presents a gritty and glittering anthology of a century of the very best writing and reportage about the fights. Here is Jack London on the immortal Jack Johnson; H. L. Mencken and Irvin S. Cobb on Jack Dempsey vs. Georges Carpentier, dubbed “The Fight of the Century”; Richard Wright on Joe Louis’s historic victory over Max Schmeling; A. J. Liebling’s brilliantly comic portrait of a manager who really identifies with his fighter; Jimmy Cannon on the inimitable Archie Moore; James Baldwin and Gay Talese on the haunted Floyd Patterson; George Plimpton on Muhammad Ali and Malcolm X; Norman Mailer on the “Rumble in the Jungle”; Mark Kram on the “Thrilla in Manila”; Pete Hamill on legendary trainer and manager Cus D’Amato; Mark Kriegel on Oscar de la Hoya; and David Remnick and Joyce Carol Oates on Mike Tyson. National Book Award-winning novelist Colum McCann (Let the Great World Spin) weighs in with a foreword.