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An Instant #1 New York Times Bestseller! An Instant Indie Bestseller! *An Amazon Best Book of the Year * A B&N Best Book of the Year* A great gift for tiny go-getters and big dreamers, including for back to school! NBA champion and superstar LeBron James pens a slam-dunk picture book inspired by his foundation’s I PROMISE program that motivates children everywhere to always #StriveForGreatness. Just a kid from Akron, Ohio, who is dedicated to uplifting youth everywhere, LeBron James knows the key to a better future is to excel in school, do your best, and keep your family close. I Promise is a lively and inspiring picture book that reminds us that tomorrow’s success starts with the promises we make to ourselves and our community today. Featuring James’s upbeat, rhyming text and vibrant illustrations perfectly crafted for a diverse audience by #1 New York Times bestselling and Geisel Honor winning artist Nina Mata, this book has the power to inspire all children and families to be their best. Perfect for shared reading in and out of the classroom, I Promise is also a great gift for graduation, birthdays, and other occasions. Plus check out the audiobook, read by LeBron James's mother and I Promise School supporter Gloria James!
For the fans of Be Brave Little One, If I Could Keep You Little, and I Love You So comes an encouraging message to kids of all ages, a heartfelt reassurance of all the things we can promise our little ones: belonging, acceptance, listening, and love ... and a forever home in our heart. Perfect for Valentine's Day gifts, your family library, and a sweet read-aloud for every day of the week. When you first came to me so little and so new I held you close and rocked you slow and made a promise to you I promise you love for your lifetime through. Steady, endless and sure, this I promise you. Perfect for anyone looking for books: to give for a Kindergarten graduation gift. for kids at Valentine's Day. to show love to the kids in their life!
I'd had a conversation specifically with Dan about ecstasy. It's one of the things you do as a parent, isn't it? Wear your helmet when you're out on your bike, you know, don't take drugs. To be honest, I was more worried about him being safe on his bike than at a party with his friends. The words of the title are the last ones spoken by sixteen-year-old Daniel Spargo-Mabbs to his mother. One evening in January 2014, Daniel's parents thought he was going to a friend's house. He actually attended an illegal rave and later died after taking MDMA. That fateful evening is told through the words of his school friends and family, divided into two hard-hitting acts in Mark Wheeller's verbatim play. I Love You, Mum - I Promise I Won't Die was commissioned by the charity set up in Daniel's memory to raise awareness about the danger of party drugs. It is a fast-paced, tragic, vibrant piece of verbatim theatre, which should engage teenage readers, audiences and performers alike.
“This tale is a sturdy one that is made even more emphatic by Davies’s terse writing style. The text is heightened in every way by Carlin’s outstanding mixed-media artwork.” — Booklist (starred review) On a mean street in a mean, broken city, a young girl tries to snatch an old woman’s bag. But the frail old woman says the thief can’t have it without giving something in return: the promise. It is the beginning of a journey that will change the girl’s life — and a chance to change the world, for good.
Suddenly single after twenty-two years of marriage, the calm of Katherine Price's midlife has turned upside down. Seeking to find her true self, she took a chance on starting over. A year later, she is certain of this: she's in love with Philippe and adores his idyllic French homeland, where he wants her to live with him. But all that feels like a fantasy far removed from Toronto, where she's helping her friend Molly, hospitalized after a life-threatening accident. Staying in her childhood home full of memories, Katherine wonders: Is she really ready to leave everything behind for an unknown life abroad? And if all her happiness lies with Philippe, will it last? Can she trust in love again? Searching her heart, Katherine finds the pull of the familiar is stronger than she thought. An unexpected meeting with her ex, the first time since his cruel departure, and a stunning declaration of love from an old flame spur her introspection. With sunlit backdrops and plot twists as breathtaking as the beaches of Antibes, author Patricia Sands brings her trilogy about second chances to a provocative and satisfying close that proves that a new life just might be possible--if you're willing to let your heart lead you home.
In 'The Road to Astroworld,' a haunting narrative unfolds through a series of letters sent by Promise Goodday, a woman confined to a mental institution for a tragic act. Addressed to her childhood friend, Lakeisha Ann, these letters unveil a harrowing twenty-year journey within the confines of Rust Hills, a place marred by drugs, questionable therapies, and unspeakable abuse, including the torment from an individual she cryptically refers to as 'Big Fingers.' These poignant missives serve as a searing, yet occasionally darkly humorous chronicle of Promise's life at Rust Hills. As readers delve into her correspondence, they must ponder whether escape and redemption are attainable in the end. And, nestled within the recesses of Promise's heart, lies the enigmatic Astroworld—Is it a tangible escape or a whimsical dreamland guiding her on 'The Road to Astroworld'? Excerpt: Dear LaKeisha Ann: I think Big Fingers is a woman, or at least has had woman hands transplanted at the ends of his bull shouldered arms. I mean his fingers know my snatch better than my own fingers. They don't fumble. My Charlie the pussy Doctor, fumbled and was very clinical with me. But this man gets to the heart of the matter as he strokes me. And in my moaning I forget about the purple wounds on my ass that he has inflicted. Love, Promise Dear LaKeisha Ann: Lord, lord, if I were a beast, I would rip Big Fingers's heart out and eat it. You would think this man was on a period the way he swells and bellows toward the end of the month. He sent another girl to the infirmary. He beat Collette because she forgot how to spell her name. She wrote "'Let'" on her medicine sign-out sheet. She didn't really forget how to spell her name, but you know how it is to be seventeen. You wake up one morning and decide that you want a new name. Big Fingers told her to write "Collette Smith" on the form. She insisted on 'Let.' His blistering coaxial cable did not make her change her mind. If she dies, I hope death does not rob her of her spirit. I will buy her a tombstone and have "LET" chiseled into its granite face. Love, Promise PS. What's new with you? Dear LaKeisha Ann: we had a bad storm here yesterday. The rain battered the windows like a shower of fists--mens' fists. I screamed at the men. Girl, I screamed at them and cursed their Mamas. They started up the bus to drown out my screams. But, baby, I out-screamed their buses. finally they sent in Big Mama to point her finger at me. I came close to biting her finger off at the root, and sucking her until all that was left of her was bitter and dry. But I didn't bite Big Mama. the rain, I woke up in shackles. I think Big Fingers shackles us girls just so he can get a chance to touch our pussies. When you come out here, I'm going to introduce you to Big Fingers in case you're in the market for a husband. kiss them grandbabies. Love, Promise
Parker Sloane, an adversarial English sea captain, has been asked to transport McKenna Reed to England, to let her escape the impending Civil War in the States. The beautiful belle and the handsome captain will meet their match in sass and barter time and time again throughout their journey, both unaccustomed to concession. McKenna’s encounters with family members along with her grit and tenacity to survive four long years away from South Carolina will challenge her resolve. This novel inaugurates a host of characters and chancy conflicts shepherding McKenna and Parker into each other’s arms – forcing them to believe in the conviction and credence of love.
The Gift of Love explores the intelligibility of Augustine’s claim that we come to know and encounter God in and through our love. Building upon the discoveries of recent scholarship, Andrew Staron reads Augustine’s De Trinitate not as presenting the Trinity as a concept to be grasped, but rather as a rational study of the limits of theological language and the possibility of coming to know the Trinity because of those limits. Human dependence on God’s initiative indicates that the Trinitarian God of love is knowable only through attention to how God’s self-revelation transforms and saves us. Therefore, to see God, one seeks to mark love’s formative activity within the heart. Jean-Luc Marion’s rigorous description of the gift of love offers to Augustine’s theology a phenomenological texture by which the Trinitarian love given in revelation might be made incarnate in one’s life. The Gift of Love presents a reason for hope that while coming to know “the Trinity that God is” might be impossible for human beings, it is made possible by God’s antecedent gift of love, given in the missions Son and Holy Spirit, and iconically received in the particularity of one’s own love.