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Between 1922 and 1924, the young Canadian anthropologist T.F. McIlwraith spent eleven months in the isolated community of Bella Coola, British Columbia, living among the people of the Nuxalk First Nation. During his time there, McIlwraith gained intimate knowledge of the Nuxalk culture and of their struggle to survive in the face of massive depopulation, loss of traditional lands, and the efforts of the Canadian government to ban the potlatch. McIlwraith’s resulting ethnography, The Bella Coola Indians (1948), is widely considered the finest published study of a Northwest Coast First Nation. This volume is a rich complement to McIlwraith’s classic work, incorporating his letters from the field as well as previously unpublished essays on the Nuxalk. Vivid and lively, the letters show the human side of the anthropologist, and provide a fascinating insight into the famous Northwest winter ceremonials and potlatch -- events in which McIlwraith was one of the few white men privileged to participate as a dancer and partner. Extensive editorial annotations and striking photographs make this book a pleasurable read that will appeal to anthropologists and historians, as well as those with interests in Northwest cultures and the history of anthropology in Canada.
A comprehensive guide to Nuxalk culture and a central document in the study of ethnographic methods.
When Clayton Mack was a child, his parents wrapped him in wolf skin and dumped him in water four times so he would grow up strong and fierce in the woods like a wolf. True to this Nuxalk tradition, Mack grew up to be a world-famous grizzly bear hunter and guide. Clayton Mack's first book of amazing tales about bears and q'umsciwas (white men), Grizzlies and White Guys, became an instant best seller when it was published in 1993. In Bella Coola Man, Clayton Mack continues his hair-raising stories about pulling bears out of the bushes by their legs, eating fresh bear meat with Thor Heyerdahl, finding gold nuggets in the bush, murder in the Big Ootsa country and dead men's talking beans, plus Crooked Jaw the Indian agent and where to find good fishing. Clayton Mack was a walking encyclopedia of tribal lore, and one of the best storytellers ever born. The stories in Bella Coola Man are the last he told, and reflect his desire to pass on as much information about Nuxalk life and legends as he could before his death. Hear about the man-eater dance performed at River's Inlet where the dancers ate a dead woman's head, or about the last Indian war on the coast, native remedies like devil's club tea which is "good for anything," Alexander Mackenzie's travels through Bella Coola country along the Grease Trail, how native hunters killed mountain goats by prying them off cliffs with sticks, and about forgotten villages and places, which come alive again through Clayton Mack's words. Clayton Mack had a deep understanding and appreciation of life on British Columbia's rugged coast. His stories are unique lessons in history, as well as pure entertainment. Here are the stories of the legend himself, Clayton Mack.
This paper describes the ethnographic context and analyses the structural characteristics of Bella Coola songs. Seventy-three original transcriptions which encompass a broad spectrum of Bella Coola ceremonial and non-ceremonial repertoires are included.
Writing the Empire is a collective biography of the McIlwraiths, a family of politicians, entrepreneurs, businesspeople, scientists, and scholars. Known for their contributions to literature, politics, and anthropology, the McIlwraiths originated in Ayrshire, Scotland, and spread across the British Empire, specifically North America and Australia, from the mid-nineteenth century onwards. Focusing on imperial networking, Writing the Empire reflects on three generations of the McIlwraiths’ life writing, including correspondence, diaries, memoirs, and estate papers, along with published works by members of the family. By moving from generation to generation, but also from one stage of a person’s life to the next, the author investigates how various McIlwraiths, both men and women, articulated their identity as subjects of the British Empire over time. Eva-Marie Kröller identifies parallel and competing forms of communication that involved major public figures beyond the family’s immediate circle, and explores the challenges issued by Indigenous people to imperial ideologies. Drawing from private papers and public archives, Writing the Empire is an illuminating biography that will appeal to readers interested in the links between life writing and imperial history.
The Histories of Anthropology Annual series presents diverse perspectives on the discipline's history within a global context, with a goal of increasing awareness and use of historical approaches in teaching, learning, and doing anthropology. Critical, comparative, analytical, and narrative studies involving all aspects and subfields of anthropology are included. This ninth volume of the series, Corridor Talk to Culture History showcases geographic diversity by exploring how anthropologists have presented their methods and theories to the public and in general to a variety of audiences. Contributors examine interpretive and methodological diversity within anthropological traditions often viewed from the standpoint of professional consensus, the ways anthropological relations cross disciplinary boundaries, and the contrast between academic authority and public culture, which is traced to the professionalization of anthropology and other social sciences in the nineteenth century. Essays showcase the research and personalities of Alexander Goldenweiser, Robert Lowie, Harlan I. Smith, Fustel de Coulanges, Edmund Leach, Carl Withers, and Margaret Mead, among others.
This book is a one-stop reference resource for the vast variety of musical expressions of the First Peoples' cultures of North America, both past and present. Encyclopedia of Native American Music of North America documents the surprisingly varied musical practices among North America's First Peoples, both historically and in the modern context. It supplies a detailed yet accessible and approachable overview of the substantial contributions and influence of First Peoples that can be appreciated by both native and nonnative audiences, regardless of their familiarity with musical theory. The entries address how ethnomusicologists with Native American heritage are revolutionizing approaches to the discipline, and showcase how musicians with First Peoples' heritage are influencing modern musical forms including native flute, orchestral string playing, gospel, and hip hop. The work represents a much-needed academic study of First Peoples' musical cultures—a subject that is of growing interest to Native Americans as well as nonnative students and readers.
In fulfilling their traditional roles as leaders in their communities, American Indian women are oftenat the core of American Indianresistance and struggle for liberation. Native women have a long history of assuming leadership positions within their particular tribes. Theirstruggles share many of the characteristics of women's struggles associated with feminism in the larger society, yetmany Native American women explicitly reject the label of feminism. This book takes into account the historical oppression of Native peoples, as well as the relative exclusion of Native women in the existing feminist research. What became apparent despite their more central position in their societies, traditional Native women tend not to view themselves as feminists. An important theme running through the book was although Native women, in general, do not have equality of opportunity within larger American society in terms of economic resources, employment, education, health care, etc, and in many cases are solely responsible for the survival of their families. Native women do not view their struggles for more power within their communities and the larger society as being incompatible with the primacy of home and family.