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An intimate celebration of British country life with all the hallmarks of how design and dogs are as intertwined as roses and Wellingtons. This dreamy look into some of the most beautiful country homes and gardens in England, lived in by many of Britain's brightest design stars and their dogs, is brimming with inspirations. At Home in the English Countryside showcases a mix of glamorously bohemian and casually aristocratic country homes captured in original photography and lively text. Presented are the striking and chic houses of several of Great Britain's top international designers, from Paolo Moschino and Kit Kemp to Anouska Hempel and Veere Grenney. Beloved canines of several sizes and breeds, among them whippets, Labrador Retrievers, lurchers, Cavalier Kin Charles spaniels, and Jack Russell terriers, are shown in their picturesque homes and gardens of fragrant flowers. The designers offer ideas on how to live stylishly with their dogs. Seen are dog collars (one of custom leather and green malachite), dog bowls of antique Spode porcelain, and chic and comfy napping spots. Anglophiles will be inspired by the lives of these designers, who are devoted to their canine companions.
Sir Roy Strong and his wife, the designer Julia Trevelyan Oman, have lived in the country for nearly thirty years. In 1987 he was asked to write an occasional column reflecting this quintessentially English way of life for the prestigious magazine A Country Life. This charming book brings these popular pieces together, portraying the passing of the seasons in what the author describes as his 'beloved adopted county' of Herefordshire. A Country Life is a wide-ranging kaleidoscope of memories and observations, embracing the countryside, gardens, cooking, and remembrances of things both long gone and only yesterday. The author writes lyrically of the arrival of the bright green tarragon shoots in spring; of the delights of eating al fresco; of making sorbets from blackberry and quince; of the russet beech hedges in winter and the sweet nostalgia that comes from unpacking Christmas decorations. The keynote of A Country Life is delight--a portrait of life in the English countryside, which seems as old as time itself.
Ranging from Kentchurch Court, a former fortified medieval manor house that has been the seat of the Scudamore family for nearly 1,000 years, to a delightful Strawberry Hill-style Gothic house in rural Cornwall and car-crazed Goodwood House, this beautifully illustrated book showcases ten outstanding British country houses, all still in the hands of the original families. James Peill recounts the ups and downs of such deep-rooted clans as the Cracrofts, landowners in Lincolnshire since the 12th century, whose late 18th-century Hackthorn Hall is a perfect example of the kind of house Jane Austen describes in her novels (indeed, she appears on their family tree), as well as the relatively newly arrived Biddulphs, who constructed Rodmarton, an Arts & Crafts masterpiece, in the first decades of the last century. James Fennell has once again provided superb photographs of a wealth of gardens, charming interiors, bygone sporting trophies, fine art collections and fanciful family memorabilia, making The English Country House a delicious treat for Anglophiles and lovers of old houses.
Based on the author's Slade lectures given at Oxford University in 1975-76.
Sixty-two stunning houses in a range of architectural styles spanning seven centuries are brought to life through glorious imagery from the photography library of Country Life magazine.
A highly detailed look at the English country house interior, offering unprecedented access to England’s finest rooms. In this splendid book, renowned historian Jeremy Musson explores the interiors and decoration of the great country houses of England, offering a brilliantly detailed presentation of the epitome of style in each period of the country house, including the great Jacobean manor house, the Georgian mansion, and the Gothic Revival castle. For the first time, houses known worldwide for their exquisite architecture and decoration--including Wilton, Chatsworth, and Castle Howard--are seen in unprecedented detail. With intimate views of fabric, gilding, carving, and furnishings, the book will be a source of inspiration to interior designers, architects, and home owners, and a must-have for anglophiles and historic house enthusiasts. The fifteen houses included represent the key periods in the history of English country house decoration and cover the major interior fashions and styles. Stunning new color photographs by Paul Barker-who was given unparalleled access to the houses-offer readers new insights into the enduring English country house style. Supplementing these are unique black-and-white images from the archive of the esteemed Country Life magazine. Among the aspects of these that the book covers are: paneling, textile hangings (silks to cut velvet), mural painting, plasterwork, stone carving, gilding, curtains, pelmets, heraldic decoration, classical imagery, early upholstered furniture, furniture designed by Thomas Chippendale, carved chimney-pieces, lass, use of sculpture, tapestry, carpets, picture hanging, collecting of art and antiques, impact of Grand Tour taste, silver, use of marble, different woods, the importance of mirror glass, boulle work, English Baroque style, Palladian style, neo-Classical style, rooms designed by Robert Adam, Regency, Gothic Revival taste, Baronial style, French 18th century style, and room types such as staircases, libraries, dining rooms, parlors, bedrooms, picture galleries, entrance halls and sculpture galleries. Houses covered include: Hatfield - early 1600s (Jacobean); Wilton - 1630/40s (Inigo Jones); Boughton - 1680/90s (inspired by Versailles); Chatsworth -1690/early 1700s (Baroque); Castle Howard - early 1700s (Vanbrugh); Houghton - 1720s (Kent); Holkham - 1730s-50s (Palladian); Syon Park - 1760s (Adam); Harewood - 1760s/70s (neo-Classical); Goodwood - 1790s/1800s (neo-Classical/Regency); Regency at Chatsworth/Wilton/C Howard etc - 1820/30s; Waddesdon Manor - 1870/80ss (French Chateau style); Arundel Castle -1880s/90s (Gothic Revival); Berkeley Castle - 1920/30s (period recreations and antique collections); Parham House - 1920s/30s (period restorations and antique collections). The range is from the early 17th century to present day, drawn from the authenticated interiors of fifteen great country houses, almost all still in private hands and occupied as private residences still today. The book shows work by twentieth-century designers who have helped evolve the country house look, including Nancy Lancaster, David Hicks, Colefax & Fowler, and David Mlinaric
From an acclaimed social and architectural historian, the tumultuous, scandalous, glitzy, and glamorous history of English country houses and high society during the interwar period As WWI drew to a close, change reverberated through the halls of England's country homes. As the sun set slowly on the British Empire, the shadows lengthened on the lawns of a thousand stately homes. In The Long Weekend, historian Adrian Tinniswood introduces us to the tumultuous, scandalous and glamorous history of English country houses during the years between World Wars. As estate taxes and other challenges forced many of these venerable houses onto the market, new sectors of British and American society were seduced by the dream of owning a home in the English countryside. Drawing on thousands of memoirs, letters, and diaries, as well as the eye-witness testimonies of belted earls and bibulous butlers, Tinniswood brings the stately homes of England to life as never before, opening the door to a world by turns opulent and ordinary, noble and vicious, and forever wrapped in myth. We are drawn into the intrigues of legendary families such as the Astors, the Churchills and the Devonshires as they hosted hunting parties and balls that attracted the likes of Charlie Chaplin, T.E. Lawrence, and royals such as Edward VIII and Wallis Simpson. We waltz through aristocratic soiré, and watch as the upper crust struggle to fend off rising taxes and underbred outsiders, property speculators and poultry farmers. We gain insight into the guilt and the gingerbread, and see how the image of the country house was carefully protected by its occupants above and below stairs. Through the glitz of estate parties, the social tensions between old money and new, the hunting parties, illicit trysts, and grand feasts, Tinniswood offers a glimpse behind the veil of these great estates -- and reveals a reality much more riveting than the dream.
This book takes the reader on a tour of ten grand Irish country houses, provided an intimate look at a marvellous hotchpotch of rooms and decoration.
"There is nothing quite like the English country house anywhere else in the world." So pronounces Vita Sackville-West in the beautiful essay that opens English Country Houses, a brief history of the English country house from the Middle Ages to the twentieth century. People may know of Sackville West's novels, or her passion for gardening, or her relationship with Virginia Woolf, but few know of her efforts to boost the morale of her beloved England during World War II. Sackville-West spent her childhood years at Knole House, a stately country home that deeply influenced her life and work. In entertaining and accessible prose she brings a deep affection to the task of boosting the morale of a country beset by war. This volume in the Britain in Pictures series is a love letter to the elegant homes of the English countryside and served as a balm to a besieged country. Writing at the height of the Blitz, as cities lay in smoldering ruins after relentless bombing, Sackville-West demonstrates a yearning for the safety provided by these exceptional buildings. We discover the architecture of the stately houses, with details conveyed in such entertaining and vivid prose that the buildings and surrounding areas come to life. The story is not just about the buildings, however, but also about the people who built and lived in them, from the most common of squires to the highest-born kings and queens. Equal parts architectural history and cultural history, this insider's view is quintessentially British. Its elegant package, with a ribbon for bookmarking, makes it the perfect gift for any Anglophile.
For anyone interested in interiors, there is so much inspiration available online and in magazines these days of carefully curated spaces and contemporary homes. But what sort of spaces do interior designers themselves live in? British Designers at Home is for anyone curious to find out more about designers, and glean ideas and practical information for their own homes. This engaging and visually enticing book profiles 26 of the most important names in British design and decoration in their own personal spaces. Names include: Alidad; Sarah Barker; Edward Bulmer; Emma Burns; Nina Campbell; Jane Churchill; Octavia Dickinson; Mike Fisher; Veere Grenney; Beata Heuman; Gavin Houghton; Roger Jones; Kit Kemp; Robert Kime; Rita Konig; Penny Morrison; Paolo Moschino; Wendy Nicholls; Guy Oliver; Colin Orchard; Max Rollitt; Carlos Sanchez-Garcia; Daniel Slowik; Justin van Breda; Phillip Vergeylen; and, William Yeoward. Each designer has been profiled and photographed at home - alongside details of their working life and the story of how they became interested in design, they talk at length about the house itself and the thinking behind its design and decoration. From the unexpected to that classic British look, this is an exciting look at modern British interiors.