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This is a must handbook for private study and group discussion by all progressive and radical activists. Today's defense depends on our knowledge of yesterday's repression. The message: the political police haven't forgotten us--we can't afford to forget them and their methods.--Philip Agee, former CIA agent
This study demonstrates that such literary divisions as war novel and domestic novel limit readers' understanding of the ways these categories rely on and respond to each other. Haytock argues that gender creates an ideological context through which both domesticity and war are viewed and understood; issues of home and violence are intricately related for U.S. authors who wrote about the First World War. Haytock explores what war and domestic texts represent in light of the deconstructionist said in its cultural and historical context and seeing what is not said. Readers take food, shelter, and clothing for granted, and yet the way we treat them is part of what allows us to define ourselves as civilized. In war novels and domestic novels by Temple Beiley, Ellen, Glasgow, Edith Wharton, Willa Cather, John Dos Passons, Thomas Boyd, Ernest Hemingway, William Faulkner, and Eudora Welty, the idea of home and domestic rituals contribute to the creation of war propaganda, the soldier's experience of war, and the home front's ability to confront the war after the fact. This approach helps literary criticism reject the separation of men's and women's writing, particularly but not only their writing about war.
Introducing readers to women whose Civil War experiences have long been ignored, Judith Giesberg examines the lives of working-class women in the North, for whom the home front was a battlefield of its own. Black and white working-class women managed farms that had been left without a male head of household, worked in munitions factories, made uniforms, and located and cared for injured or dead soldiers. As they became more active in their new roles, they became visible as political actors, writing letters, signing petitions, moving (or refusing to move) from their homes, and confronting civilian and military officials. At the heart of the book are stories of women who fought the draft in New York and Pennsylvania, protested segregated streetcars in San Francisco and Philadelphia, and demanded a living wage in the needle trades and safer conditions at the Federal arsenals where they labored. Giesberg challenges readers to think about women and children who were caught up in the military conflict but nonetheless refused to become its collateral damage. She offers a dramatic reinterpretation of how America's Civil War reshaped the lived experience of race and gender and brought swift and lasting changes to working-class family life.
While numerous analysts have discussed, and decried, the geopolitical ambitions of the Bush administration and its neoconservative allies, the attention to America's imperial posture overseas has turned eyes away from a crucial dimension of belligerent foreign policy: the domestic politics of war. Frances Fox Piven, one of the most celebrated US social scientists, raises questions others have not. She examines the ways the War on Terror served to reinforce the Bush administration's political base and analyzes the manner in which flag-waving politicians used the emotional fog of war to further their regressive social and economic agendas. Always in the past, US governments that made war sooner or later tried to reward their peoples for the blood and wealth they were forced to sacrifice. During World War II, tax rates on the wealthy rose to 90 percent; toward the end of the Vietnam War, 18-year-olds were given the right to vote.
Surveys the bureaucratic mistakes--including poor weapons and strategic blunders--that marked America's entry into World War II, showing how these errors were overcome by the citizens waging the war.
Born in Kandahar in 1978, Sultan fled to the United States at age five with her family. Raised in Brooklyn and Flushing, Queens, Sultan saw her life change when she was married by arrangement at the young age of seventeen to a virtual stranger fourteen years her senior -- a marriage she struggled to maintain and then hastily fought, eventually (after three years) being granted a divorce. This very divorce would become one of the first in her close-knit Afgan community, where the subject is considered rare and taboo. Sultan went on to graduate from college summa cum laude with a degree in economics, and in July 2001, she returned to Kandahar, to explore her family roots and find herself. There she met her relatives and surveyed the conservative provincial town where she was born. on return visit to afganistan, she discovered the tragic death of her relatives at the hands of American troops and began to seek answers. My War at Home is her memoir of self-discovery, family tradition, and life as a Muslim and feminist with political ideals. It speaks to the younger generation of Muslims in America as they struggle to resolve the ever-present inner conflict about what it means to be an American and a Muslim, while also examining the Muslim-American identity at both personal and political levels.
The War at Home brings together some of the state's leading historians to examine the connections between Arkansas and World War I. These essays explore how historical entities and important events such as Camp Pike, the Little Rock Picric Acid Plant, and the Elaine Race Massacre were related to the conflict as they investigate the issues of gender, race, and public health. This collection sheds new light on the ways that Arkansas participated in the war as well as the ways the war affected Arkansas then and still does today.
Son, a Soldier's Work Is Never Done By Kathy Barnes, Ph.D. and Smith McGarr Helps children and parents talk about feelings when a military dad or mom goes to war. "Sealing feelings harms, not helps" War is scary. It can swallow up soldiers like monsters in books or bad dreams do. Seven-year-old Jackie knows because he heard it on the news. "The U.S. Military has lost 2,050 men in Iraq and the number is rising daily." This worries him because his dad is fighting in the Third Brigade in Iraq. When he and his dad hug good-bye at the army base, each promises to be brave and carry out his duty. Jackie's duty is to help his mom at home for ten long months. He finds this hard when taking care of his two younger sisters. "I've broken Dad's rules. I've called Sarah 'stupid' when she won't leave me alone. I've pinched little Allie when she chewed Samson's bone." He also shares his triumphs. "...I've worked pretty hard. I've washed the car and raked the yard." Jackie shares that he feels sad a lot. He hesitates telling his mom, because he doesn't want to be a coward. When he finally tells her, she says it is okay to feel sad. She does too. Our readers will quickly finish the book to see if Jackie's dad comes home. They will re-read it again and again because it's their story too. Praise for Son, a Soldier's Work Is Never Done. "This book is a great tool for helping children understand war. Whether they are military or not, all kids hear about war on the news, radio, television, and from neighborhood and school friends. War scares them and they need to talk about it." - Maria Edwards, executive vice president of the military writer's Society of America
A portrait of the strains of a military marriage and meditation on what it means to be left behind—a brave account of the challenges facing the wife of a Naval fighter pilot. When she fell in love with her brother’s best friend, Rachel Starnes had no idea she was about to repeat a painful family pattern—marrying a man who leaves regularly and for long stretches to work a dangerous job far from home. Through constant relocations, separations, and the crippling doubts of early parenthood, Starnes effortlessly weaves together strands from her past with the relentless pace of Navy life in a time of war. Searingly honest and emotionally unflinching—and at times laugh out loud funny—Starnes eloquently evokes the challenges she faces in trying to find and claim a sense of home while struggling to chart a new path and avoid passing on the same legacy to her two young sons. At once a portrait of the devastating strains that military life puts on families and a meditation on what it means to be left behind, The War at Home is a brave portrait of a modern military family and the realities of separation, endurance, and love that overcomes. “Rachel Starnes’s The War at Home navigates the joys, fears, compromises, and casualties that create the terrain of marriage. And if you are a military spouse, her memoir will reveal thoughts you never even knew you had. This is a wise and fearless book.” —Siobhan Fallon, author of You Know When the Men Are Gone “One of the most honest and genuine memoirs I’ve ever read, as well as one of the most finely written. There’s not a false note in these pages. Rachel Starnes’s story is at once both singular and emblematic. . . . The War at Home is that rare thing: a book about the here and now that promises to last well beyond next month or next year.” —Steve Yarbrough, award-winning author of The Realm of Last Chances and Safe from the Neighbors