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Richard Gavin's new collection has some of the finest weird fiction I have ever read, tales that are unique and effective. His sequel to H. P. Lovecraft's 'The Hound' is especially delicious. This is a wonderful book, highly recommended! W. H. Pugmire Richard Gavin is one of the bright new stars in contemporary weird fiction. His richly textured style, deft character portrayal, and powerful horrific conceptions make every one of his tales a pleasure to read. S. T. Joshi If you hear some in Kadath saying, Numinous, Terrifying, or Beautiful, they are either talking about the Northern Lights or the work of Richard Gavin. Canada? They re calling it Canada now? Whatever. Don Webb Canadian author Richard Gavin has established himself as a leading contemporary writer of weird fiction. His richly nuanced prose style, his imaginative range, and his shrewdness in the portrayal of character and domestic conflict make his tales far more than mere shudder-coining. In this fourth collection of short stories and novelettes, Gavin again casts a wide imaginative net, from haunted Canadian woodlands to the carnivorous mesas of the American frontier, from Lovecraft s New England to the spirit traditions of Japan. Of the dozen stories included in this book, eight are previously unpublished a rich new feast of terror for devotees of a writer who works in the tradition of Poe, Machen, Blackwood, and Ligotti. Richard Gavin is the author of three previous short story collections, Charnel Wine (2004), Omens (2007), and The Darkly Splendid Realm (2009). Gavin lives in Ontario, Canada, with his beloved wife and their brood.
The epic wisdom contained in a lost library helps the author turn his life around John Kaag is a dispirited young philosopher at sea in his marriage and his career when he stumbles upon West Wind, a ruin of an estate in the hinterlands of New Hampshire that belonged to the eminent Harvard philosopher William Ernest Hocking. Hocking was one of the last true giants of American philosophy and a direct intellectual descendent of William James, the father of American philosophy and psychology, with whom Kaag feels a deep kinship. It is James’s question “Is life worth living?” that guides this remarkable book. The books Kaag discovers in the Hocking library are crawling with insects and full of mold. But he resolves to restore them, as he immediately recognizes their importance. Not only does the library at West Wind contain handwritten notes from Whitman and inscriptions from Frost, but there are startlingly rare first editions of Hobbes, Descartes, and Kant. As Kaag begins to catalog and read through these priceless volumes, he embarks on a thrilling journey that leads him to the life-affirming tenets of American philosophy—self-reliance, pragmatism, and transcendence—and to a brilliant young Kantian who joins him in the restoration of the Hocking books. Part intellectual history, part memoir, American Philosophy is ultimately about love, freedom, and the role that wisdom can play in turning one’s life around.
"Explores the vulnerable ways we articulate and reckon with fear: fear of intergenerational trauma and the silent, hidden histories of families. What does it mean to grow up in a take-out restaurant, surrounded by food, just a generation after the Great Leap Forward famine in 1958-62. Full of elegy and resilient joy, these poems speak across generations of survival. How much of the world do we fear? How can we find comfort and ancestral power in this fear?"--
Discover your true identity in Christ. Many of us live for the approval of others. We let the world decide who we are, or we look to those around us to discover who we think we’d like to be. The problem is that living for what people think of you is the quickest way to forget what God thinks of you. In Altar Ego, pastor and author of Winning the War in Your Mind Craig Groeschel will show you how to sacrifice your broken ideas of approval-based identity on the altar of God’s truth and become who you were meant to be in Christ. You'll learn how to: Expose false labels and selfish motives. Live according to God's higher values with a deeper confidence in His calling. Trade in your broken ego and unleash your “altar” ego as a living sacrifice to Him. Understand how God continuously shapes you into His vision of you. Once you know your true identity and are growing in Christ-like character, then you can behave accordingly with bold behavior, bold prayers, bold words, and bold obedience. Altar Ego reveals who God says you are, and then calls you to live up to it. Rather than living a timid, halfhearted, shallow cultural Christianity, you'll boldly live in the confidence of the God who believes in you.
"The intention of my work is to dislodge assumptions about the fixity of the three-dimensional body."--Deborah Hay Her movements are uncharacteristic, her words subversive, her dances unlike anything done before--and this is the story of how it all works. A founding member of the famed Judson Dance Theater and a past performer in the Merce Cunningham Dance Company, Deborah Hay is well known for choreographing works using large groups of trained and untrained dancers whose surprising combinations test the limits of the art. Lamb at the Altar is Hay's account of a four-month seminar on movement and performance held in Austin, Texas, in 1991. There, forty-four trained and untrained dancers became the human laboratory for Hay's creation of the dance Lamb, lamb, lamb . . . , a work that she later distilled into an evening-length solo piece, Lamb at the Altar. In her book, in part a reflection on her life as a dancer and choreographer, Hay tells how this dance came to be. She includes a movement libretto (a prose dance score) and numerous photographs by Phyllis Liedeker documenting the dance's four-month emergence. In an original style that has marked her teaching and writing, Hay describes her thoughts as the dance progresses, commenting on the process and on the work itself, and ultimately creating a remarkable document on the movements--precise and mysterious, mental and physical--that go into the making of a dance. Having replaced traditional movement technique with a form she calls a performance meditation practice, Hay describes how dance is enlivened, as is each living moment, by the perception of dying and then involves a freeing of this perception from emotional, psychological, clinical, and cultural attitudes into movement. Lamb at the Altar tells the story of this process as specifically practiced in the creation of a single piece.
THE FIRST SEBASTIAN ST. CYR MYSTERY! “The combined elements of historical fiction, romance, and mystery in this fog-enshrouded London puzzler will appeal to fans of Anne Perry.”—Booklist It’s 1811, and the threat of revolution haunts the upper classes of King George III’s England. Then the body of a beautiful young woman is found savagely murdered on the altar steps of an ancient church near Westminster Abbey. A dueling pistol discovered at the scene and the damning testimony of a witness both point to one man: Sebastian St. Cyr, Viscount Devlin, a brilliant young nobleman shattered by his experiences in the Napoleonic Wars. Now a fugitive running for his life, Sebastian calls upon his skill as an officer during the war to catch the killer and prove his own innocence. In the process, he accumulates a band of unlikely allies, including the enigmatic beauty Kat Boleyn, who broke Sebastian’s heart years ago. In Sebastian’s world of intrigue and espionage, nothing is as it seems, yet the truth may hold the key to the future of the British monarchy, as well as to Sebastian’s own salvation....
Learn to create altars and sacred spaces to bring magic into your daily life with The Book of Altars and Sacred Spaces.
'A breath of fresh cold air . . . a dangerous edge to gladden fans of Lisbeth Salander' Boyd Tonkin The first in the Rebecka Martinsson series from the million-book bestselling author, for fans of Stieg Larsson, The Bridge and The Killing TV series. A church in the glittering frozen wastes of northern Sweden. Inside, a sacrifice: the body of a man - slashed to pieces, hands severed, eyes gouged out. The victim's sister is first to discover the body and she soon finds herself the police's only suspect. Terrified and confused, she calls on an old friend: hot-shot city lawyer Rebecka Martinsson. Can Rebecka dig beneath the surface of the community that she once fled, and find the truth? 'A chilling plot knee-deep in blood-spattered snow' Jim Kelly 'A labyrinthine conspiracy, superlative storytelling' Independent A nail biting, suspense-filled mystery' Sunday Telegraph
"If one suffers, I suffer. If one is chained, I am chained." My faith called me to become a Lance. My compassion drew me into one of the fallen lands. Through my connection with the Chained God, I alone can find and destroy the Horror that stains the land. Death can no longer chain me. But I couldn't have imagined the madness waiting for me in this village. I'm not sure my faith can withstand the secrets I'll uncover. Or that my compassion can survive the violence to come. This Horror may swallow me whole. Death can no longer free me. A creature stalks in the dark. Buildings burn. People die. An altar has been built on the village green.
A Novel. A shocking story of cruel genetic experiments done in the name of national security ... and, most disturbing of all, tied to a secret history of the Book of Genesis.