Download Free At A Glance Essays Book in PDF and EPUB Free Download. You can read online At A Glance Essays and write the review.

In June 1923, Edith Wharton, who had not set foot on native soil since before the First World War, came home to accept an honorary degree from Yale University. In April 1995, friends of Wharton again convened at Yale. The essays collected in "A Forward Glance: New Essays on Edith Wharton" represent a portion of the ocmplex and varied scholarly work delivered at that conference. -- From publisher's description.
At a Glance: Essays 2e is the essay-level book in the At a Glance concise handbook series which includes At a Glance: Sentences, At a Glance: Paragraphs, At a Glance: Essays, and Paired Sources. At a Glance: Essays has a visually appealing format with clear classroom-tested instruction. At a Glance: Essays explains the essay, covers prewriting and the writing process, and gives instructions on the writing pattern within each of the rhetorical modes. It also includes a research paper unit and a grammar handbook. Highlights of the new second edition include: - New! 13 brand new reading selections - A new selection on writing body paragraphs within the essay - A research paper selection organised around 10 steps of writing illustrated by student work - An example of a documented essay
"John D'Agata is an alchemist who changes trash into purest gold." —Guy Davenport, Harper's John D'Agata journeys the endless corridors of America's myriad halls of fame and faithfully reports on what he finds there. In a voice all his own, he brilliantly maps his terrain in lists, collage, and ludic narratives. With topics ranging from Martha Graham to the Flat Earth Society, from the brightest light in Vegas to the artist Henry Darger, who died in obscurity, Halls of Fame hovers on the brink between prose and poetry, deep seriousness and high comedy, the subject and the self.
Paragraphs and Essays with Integrated Readings—the higher level of Lee Brandon's two-level series that also includesSentences, Paragraphs, and Beyond—provides extensive writing instruction in a fun, engaging manner. Written in Lee Brandon's unique style and voice, the text incorporates coverage of reading, a three-stage writing process, and in-depth instruction on different essay patterns. The last chapter (Chapter 16) covers research writing; and a Handbook section provides grammar, mechanics, and punctuation review for students to brush up on their skills. New to this edition are 12 full-color photographs that provide writing prompts for student essays, a wide variety of brand-new readings, and new "Mindset" features that emphasize key concepts and point to additional exercises on the accompanying Online Study Center. Also new to this edition is Lee Brandon's co-author, son Kelly Brandon, who also teaches developmental writing. Strong emphasis on the writing process covers three separate stages of writing. Three chapters cover the writing process in detail: the exploring, experimenting, and gathering information stage; writing the controlling idea, organizing, and developing support stage; and writing, revising, and editing. Engaging writing samples by both professionals and students are integrated throughout the text. This edition incorporates more examples of text-based writing and stresses the importance of locating and qualifying sources, as well as incorporating and documenting sources. Intriguing topics such as cheating on papers, low-wage jobs, flirting, and the dangers of steroids, engage students' interest; paired readings in several chapters encourage critical thinking about the pros and cons of an issue. New!Writing across the disciplines and in the workplace is emphasized in every chapter. Every chapter begins with a consideration of how a particular type of writing can be helpful in college courses across the curriculum, as well as in the workplace. New!Application exercises are now linked with four-color photographs to provide critical thinking opportunities as well as writing prompts. These Application exercises can be used for individual or group consideration and discussion, or assigned as essay topics. The effective pedagogy includes a number of student exercises in every chapter for immediate review of chapter concepts; writing process worksheets to help students develop their essays; many annotated readings; and suggested writing topics. New to this edition are special features that point students to the Online Study Center, which contains self-study quizzes with immediate feedback and rejoinders for every chapter and "Mindset" features that provide additional questions and suggestions before many of the readings. A handbook of grammar, mechanics, and punctuation helps students refresh their understanding of parts of speech, sentence structure, and mechanics such as spelling and punctuation. Also included in the handbook is a brief guide for ESL students, with additional information on subjects such as idioms.
A National Book Critics Circle Finalist for Criticism A deeply Malcolmian volume on painters, photographers, writers, and critics. Janet Malcolm's In the Freud Archives and The Journalist and the Murderer, as well as her books about Sylvia Plath and Gertrude Stein, are canonical in the realm of nonfiction—as is the title essay of this collection, with its forty-one "false starts," or serial attempts to capture the essence of the painter David Salle, which becomes a dazzling portrait of an artist. Malcolm is "among the most intellectually provocative of authors," writes David Lehman in The Boston Globe, "able to turn epiphanies of perception into explosions of insight." Here, in Forty-one False Starts, Malcolm brings together essays published over the course of several decades (largely in The New Yorker and The New York Review of Books) that reflect her preoccupation with artists and their work. Her subjects are painters, photographers, writers, and critics. She explores Bloomsbury's obsessive desire to create things visual and literary; the "passionate collaborations" behind Edward Weston's nudes; and the character of the German art photographer Thomas Struth, who is "haunted by the Nazi past," yet whose photographs have "a lightness of spirit." In "The Woman Who Hated Women," Malcolm delves beneath the "onyx surface" of Edith Wharton's fiction, while in "Advanced Placement" she relishes the black comedy of the Gossip Girl novels of Cecily von Zeigesar. In "Salinger's Cigarettes," Malcolm writes that "the pettiness, vulgarity, banality, and vanity that few of us are free of, and thus can tolerate in others, are like ragweed for Salinger's helplessly uncontaminated heroes and heroines." "Over and over," as Ian Frazier writes in his introduction, "she has demonstrated that nonfiction—a book of reporting, an article in a magazine, something we see every day—can rise to the highest level of literature." One of Publishers Weekly's Best Nonfiction Books of 2013
Fresh, vibrant, concise, and affordable, the Fifth Edition of AT A GLANCE: ESSAYS focuses on writing correct, effective essays in specific and combined rhetorical patterns, and features the writing process with emphasis on revision; twenty-one integrated professional and student essays verified by classroom testing to compel reading, provoke discussion, and inspire writing; a handbook chapter supported by a strong Student Companion Site; documented writing (two chapters) with the 2009 MLA Update and an illustrated ten-step approach; optional reading-based writing of summaries, reactions, and two-part responses (to promote critical thinking by linking reading to writing); and optional career-related writing to accommodate career-minded students and career-conscious programs. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
'So compellingly personal you feel you're looking over her shoulder as she sits down to write' New York Times 'Electrically entertaining ... Funny, generous, spirited and kind' The Times This Is the Story of a Happy Marriage is an irresistible blend of literature and memoir revealing the big experiences and little moments that shaped Ann Patchett as a daughter, wife, friend and writer. Here, Ann Patchett shares entertaining and moving stories about her tumultuous childhood, her painful early divorce, the excitement of selling her first book, driving a Winnebago from Montana to Yellowstone Park, her joyous discovery of opera, scaling a six-foot wall in order to join the Los Angeles Police Department, the gradual loss of her beloved grandmother, starting her own bookshop in Nashville, her love for her very special dog and, of course, her eventual happy marriage. This Is the Story of a Happy Marriage is a memoir both wide ranging and deeply personal, overflowing with close observation and emotional wisdom, told with wit, honesty and irresistible warmth.
Once I Was Cool contrasts past aspirations with the mess and magic of the present. In her younger days, essayist Megan Stielstra saw Jane’s Addiction at the Aragon Ballroom and fantasized about living on the same block, right in the thick of music and revelry. As an adult, she lives in a turreted condo across the street, with her husband, a child, and an onerous mortgage. It’s just the home her young, cool self imagined. And it isn’t what she expected, either. With conversational flourishes and on-the-mark descriptions, Stielstra’s essays evoke the richness of her everyday life and the memories that are never far away. She remembers learning how to shoot a gun, a cancer scare, and—in a piece that was anthologized in The Best American Essays 2013—the time she eavesdropped on another new mother using her son’s baby monitor. “I shouldn’t have listened,” she writes. “But it was the first time since my son was born that I didn’t feel alone.” Combining footnotes, electric sentences, and uproariously funny anecdotes (have you ever run into an ex while rolling on ecstasy?), Stielstra shows us that maturity is demanding, but its rewards are a gift.
This work presents both the range of Arendt's political thought and the patterns of controversy it has elicited. The essays are arranged in six parts around important themes in Arendt's work: totalitarianism and evil; narrative and history; the public world and personal identity; action and power; justice, equality, and democracy; and thinking and judging. Despite such thematic diversity, virtually all the contributors have made an effort to build bridges between interest-driven politics and Arendt's Hellenic/existential politics. Although some are quite critical of the way Arendt develops her theory, most sympathize with her project of rescuing politics from both the foreshortening glance of the philosopher and its assimilation to social and biological processes. This volume treats Arendt's work as an imperfect, somewhat time-bound but still invaluable resource for challenging some of our most tenacious prejudices about what politics is and how to study it. The following eminent Arendt scholars have contributed chapters to this book: Ronald Beiner, Margaret Canovan, Elisabeth Young-Bruehl, Seyla Benhabib, Jürgen Habermas, Hanna Pitkin, and Sheldon Wolin.