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Excerpt from Astrology and Religion, Among the Greeks, and Romans Pennsylvania, who, as Secretary of the American Committee, may be said to have called this book into existence, and to whom I take pleasure in dedicating the volume, as a mark of recognition of his own researches in the cognate field of babylonian-assyrian astrology. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Franz Cumont was one of the preeminent classical scholars of his day, and his investigations into the history of religion had a dramatic impact upon the fields of archaeology, comparative mythology, and anthropology. This 1912 volume collects the influential series of lectures he delivered across the United States highlighting one aspect of his groundbreaking studies of ancient worship: the reverence of the stars. He discusses... . the origins of astrology in ancient Babylonia . why ancient scientists believed the stars were divine . how astrology influenced Greek and Roman paganism . astrology as the official religion of the Roman Empire . and more.
An original history of man's greatest adventure: his search to discover the world around him. In the compendious history, Boorstin not only traces man's insatiable need to know, but also the obstacles to discovery and the illusion that knowledge can also put in our way. Covering time, the earth and the seas, nature and society, he gathers and analyzes stories of the man's profound quest to understand his world and the cosmos.
This collection addresses how models from ancient Greece and Rome have permeated Irish political discourse in the century since 1916. The 1916 Easter Rising, when Irish nationalists rose up against British imperial forces, became almost instantly mythologized in Irish political memory as a turning point in the nation's history that paved the way for Irish independence. Its centenary has provided a natural point for reflection on Irish politics, and this volume highlights an unexplored element in Irish political discourse, namely its frequent reliance on, reference to, and tensions with classical Greek and Roman models. Topics covered include the reception and rejection of classical culture in Ireland; the politics of Irish language engagement with Greek and Roman models; the intersection of Irish literature with scholarship in Classics and Celtic Studies; the use of classical referents to articulate political inequalities across gender, sexual, and class hierarchies; meditations on the Northern Irish conflict through classical literature; and the political implications of neoclassical material culture in Irish society. As the only country colonized by Britain with a pre-existing indigenous heritage of expertise in classical languages and literature, postcolonial Ireland represents a unique case in the field of classical reception. This book opens a window on a rich and varied dialogue between significant figures in Irish cultural history and the Greek and Roman sources that have inspired them, a dialogue that is firmly rooted in Ireland's historical past and continues to be ever-evolving.
The revision of Origen's philosophical theology by St. Maximus the Confessor resulted in an eschatology involving the replacement of the human ego by the divine presence. In this study, I will examine the theological developments that led to this loss of a sense of human freedom and creativity in the face of the divine, tracing the influence of Origen's eschatology through the Cappadocian Fathers, Evagrius Ponticus and others, up to Maximus. This will allow me to show the manner in which Origen's humanistic theology was misunderstood and misinterpreted throughout the Patristic era, culminating in the anti-personalistic system of Maximus. Special attention will be paid to the development of Christian Neoplatonism, and how Christian contacts with the pagan philosophical schools came to have a profound effect on Eastern Patristic theology and philosophy. The final section of this study will suggest some ways in which the history of Patristic eschatology - especially Origen and Maximus - may serve as a fruitful source for contemporary theologians who are concerned with issues of personhood, creativity, and existential authenticity.
The Oxford Handbook of Natural Theology" explores the diversity and vitality o natural theology, both historically and as an issue of contemporary concern.
"From his earliest verses (the Latin verses written at Cambridge) to his first original English poem (the Infant ode), to his masterpiece (Lycidas) and its sad echo (Epitaphium Damonis), through his mature trilogy (Paradise Lost, Paradise Regained, and Samson Agonistes), Milton repeatedly seeks to explain why people die. Though Milton frequently changed his mind on important subjects, his fundamental view of death did not change. Milton throughout his life insists that death, both physical and spiritual, is caused by sin. In attempting to understand the significance of this belief, Death in Milton's Poetry will suggest some major re-evaluations of old assumptions." "This book is divided into two parts. The first part contains examples of death that support Milton's belief that death is caused by sin. The second part contains poems that focus on deaths that appear to violate this belief. Since Milton illustrates his belief in his mature works, Part 1 includes Paradise Lost, Paradise Regained, and Samson Agonistes. As the pattern of death emerges in these poems, the reader is able to see that Paradise Regained is as much about the death of Satan as it is about the life of Jesus and that Milton's drama focuses on an unregenerate Samson whose tragedy is his inability ever to reconcile with God." "The poems examined in Part 2 explain deaths that appear to violate Milton's, belief. In vindicating Milton's view of death, the Latin funeral elegies and "On the Death of a Fair Infant Dying of a Cough" form a pattern that culminates in Lycidas. Recognizing this pattern in Lycidas is indispensible to understanding the radical statement of Epitaphium Damonis, a poem that records Milton's temporary disillusionment with Christianity." "In addition to new insights into the individual poems, two patterns are highlighted. In Milton's earlier poems, readers usually have seen classicism as complementing Christianity. When Milton turns to death, however, he opposes classicism to Christianity, contrasting (except in the case of Epitaphium Damonis) the limited pagan gods of classicism with the providence of an omnipotent God. This antagonism is reinforced by another pattern that emerges in the poems. Though all sins tend to death, some sins are more fatal than others. In much of Milton's poetry, perhaps the most consistently fatal of sins was lust; and Milton frequently represents this lust as a characteristic of classicism."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Thus, because women were assumed to have pale skin from staying indoors too much, Greek biology and medicine sought to explain this feature as an indication of the "cold" nature of women, as opposed to the "hot" constitution of men.".