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Enter a new dimension of spiritual self-discovery when you probe the mythic archetypes represented in your astrological birth chart. Myth has always been closely linked with astrology. Experience these myths and gain a deeper perspective on your eternal self. Learn how the characteristics of the gods developed into the meanings associated with particular planets and signs. Look deeply into your own personal myths, and enjoy a living connection to the world of the deities within you. When you finally stand in the presence of an important archetype (through the techniques of dreamwork, symbolic amplification, or active imagination described in the book), the god or goddess will have something to tell you.
This book shows how the discovery of the asteroids Ceres, Pallas Athena, Juno, and Vesta coincided with the shift of a woman. The creating, supporting, nurturing aspect held by the goddess Ceres, the universal mother, brings us to how we feel nurtured and how we function with our roles of mother-child. She embodies the principle of unconditional love. Pallas Athena is our Warrior Goddess, a woman in a man's world, carrying the principle of creative intelligence. Vesta, our goddess of Focus and Commitment, is our High Priestess. Juno, the Queen of Heaven and Divine Consort, is our capacity for meaningful relationships. Understanding the themes that each goddess holds enriches our understanding of that function and expression in our lives.
Jung on Astrology brings together C. G. Jung’s thoughts on astrology in a single volume for the first time, significantly adding to our understanding of Jung’s work. Jung’s Collected Works, seminars, and letters contain numerous discussions of this ancient divinatory system, and Jung himself used astrological horoscopes as a diagnostic tool in his analytic practice. Understood in terms of his own psychology as a symbolic representation of the archetypes of the collective unconscious, Jung found in astrology a wealth of spiritual and psychological meaning and suggested it represents the "sum of all the psychological knowledge of antiquity." The selections and editorial introductions by Safron Rossi and Keiron Le Grice address topics that were of critical importance to Jung—such as the archetypal symbolism in astrology, the precession of the equinoxes and astrological ages, astrology as a form of synchronicity and acausal correspondence, the qualitative nature of time, and the experience of astrological fate—allowing readers to assess astrology’s place within the larger corpus of Jung’s work and its value as a source of symbolic meaning for our time. The book will be of great interest to analytical psychologists, Jungian psychotherapists and academics and students of depth psychology, Jungian and post-Jungian studies, as well as to astrologers and therapists of other orientations, especially transpersonal.
This is a guide to using myths and ancient deity archetypes for astrological chart interpretation.
At least three major questions can be asked of myth: what is its subject matter? what is its origin? and what is its function? Theories of myth may differ on the answers they give to any of these questions, but more basically they may also differ on which of the questions they ask. C. G. Jung's theory is one of the few that purports to answer fully all three questions. This volume collects and organizes the key passages on myth by Jung himself and by some of the most prominent Jungian writers after him: Erich Neumann, Marie-Louise von Franz, and James Hillman. The book synthesizes the discovery of myth as a way of thinking, where it becomes a therapeutic tool providing an entrance to the unconscious. In the first selections, Jung begins to differentiate his theory from Freud's by asserting that there are fantasies and dreams of an "impersonal" nature that cannot be reduced to experiences in a person's past. Jung then asserts that the similarities among myths are the result of the projection of the collective rather than the personal unconscious onto the external world. Finally, he comes to the conclusion that myth originates and functions to satisfy the psychological need for contact with the unconscious--not merely to announce the existence of the unconscious, but to let us experience it.
Combining an understanding of astrological symbolism and the psychological processes involved in the pursuit of individuality, the author shares insights about how the concept of fate evolves. Through myths, fairy tales, and zodiacal signs, she shows usthis mythological journey.
A pioneer in the fields of astrophysics and astro-archeology, J. Norman Lockyer believed that ancient Egyptian monuments were constructed "in strict relation to the stars." In this celebrated study, he explores the relationship between astronomy and architecture in the age of the pharaohs. Lockyer addresses one of the many points already extensively investigated by Egyptologists: the chronology of the kings of Egypt. All experts are in accord regarding the identity of the first monarch, but they cannot agree upon the dates of his reign within a thousand years. The author contends that by applying a knowledge of astronomy to the actual site orientation of the region's pyramids and temples, accurate dating can be achieved. In order to accomplish this, Lockyer had to determine the level of the ancient Egyptian ideas of astronomy. Some of his inferences have been invalidated by subsequent scholarship, but many of his other conclusions stand firm and continue to provide sensational leads into contemporary understanding of archaic astronomy.
Winner of the IAJS award for best authored book of 2018! C. G. Jung had a profound interest in and involvement with astrology, which he made clear in virtually every volume of the Collected Works, as well as in many of his letters. This ancient symbolic system was of primary importance in his understanding of the nature of time, the archetypes, synchronicity, and human fate. Jung’s Studies in Astrology is an historical survey of his astrological work from the time he began to study the subject. It is based not only on his published writings, but also on the correspondence and documents found in his private archives, many of which have never previously seen the light of day. Liz Greene addresses with thoroughness and detailed scholarship the nature of Jung’s involvement with astrology: the ancient, medieval, and modern sources he drew on, the individuals from whom he learned, his ideas about how and why it worked, its religious and philosophical implications, and its applications in the treatment of his patients as well as in his own self-understanding. Greene clearly demonstrates that any serious effort to understand the development of Jung’s psychological theories, as well as the nature of his world-view, needs to involve a thorough exploration of his astrological work. This thorough investigation of a central theme in Jung’s work will appeal to analytical psychologists and Jungian psychotherapists, students and academics of Jungian and post-Jungian theory, the history of psychology, archetypal thought, mythology and folklore, the history of New Age movements, esotericism, and psychological astrology.
Seminar paper from the year 2014 in the subject Communications - Miscellaneous, grade: 1,0, University of Potsdam (Institut für Künste und Medien), language: English, abstract: As a ground-breaking pioneer of African-American experimental jazz, bandleader, composer and extraordinary visionary of his time, Sun Ra not only challenged contemporary musical theory, but also created a multi-layered and equally perplexing alternative universe whose mythology and intergalactic narrative navigated between ancient Egypt and outer space. Declaring himself “a brother from another planet” (essay title of John Corbett, 1994) namely from Saturn, not from planet Earth, Sun Ra cheerfully embraced the impossible – announcing in the 1960s that it attracted him because “everything possible has been done and the world did not change” (both cited in Lock 1999, 3) – and spent the rest of his life travelling the space ways, “from planet to planet” not only promoting but enacting a vision of a future utopia: “The impossible is the watchword of the greater space age. The space age cannot be avoided and the space music is the key to understand the meaning of the impossible and every other enigma” (cited in Lock 1999, 26).