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This catalogue makes available more than 600 complete or fragmentary stone vessels kept in the British Museum. Most of them were excavated at Nineveh and other major sites in northern Iraq and Syria, and are presented here for the first time. They range in date from prehistory down to the Persian and Hellenistic periods; the bulk belong in the eighth and seventh centuries, when the Near East under Assyrian rule grew increasingly cosmopolitan. The collection includes luxury items made for palaces and temples, often bearing royal inscriptions, besides many perfume-jars, mortars and other vessels for practical use. The catalogue incorporates extensive information on material culture, art, technology, economic relationships, and social and religious practices, and will be used by historians, archaeologists, philologists and anthropologists alike.
An interdisciplinary consideration of how eastern Mediterranean cultures in the first millennium BCE were meaningfully connected. The early first millennium BCE marks one of the most culturally diverse periods in the history of the eastern Mediterranean. Surveying the region from Greece to Iraq, one finds a host of cultures and political formations, all distinct, yet all visibly connected in meaningful ways. These include the early polities of Geometric period Greece, the Phrygian kingdom of central Anatolia, the Syro-Anatolian city-states, the seafaring Phoenicians and the biblical Israelites of the southern Levant, Egypt’s Twenty-first through Twenty-fifth Dynasties, the Urartian kingdom of the eastern Anatolian highlands, and the expansionary Neo-Assyrian Empire of northern Mesopotamia. This volume adopts an interdisciplinary approach to understanding the social and political significance of how interregional networks operated within and between Mediterranean cultures during that era.
Stone containers have been made and used in the Middle East for over eleven millennia where they pre-dated the invention of pottery. This is the first attempt to bring together different approaches to the study of softstone vessels, particularly those carved from varieties of chlorite, and covering all periods from prehistory to the present.
Sennacherib and his ill-fated siege of Jerusalem fascinated the ancient world. Twelve scholars—in Hebrew Bible, Assyriology, archaeology, Egyptology, Classics, Aramaic, Rabbinic and Christian literatures—examine how and why the Sennacherib story was told and re-told in more than a dozen cultures for over a thousand years. From Akkadian to Arabic, stories and legends about Sennacherib became the first vernacular tales of the imperial world. These essays address outstanding historical issues of the campaign and the sources, and press on to expose the stories’ theological and cultural roles in inner-cultural dialogues, ethnic origin stories, and morality tales. This book is the first of its kind for readers seeking out historical and historiographic bridges between the ancient and late antique worlds. "This work will undoubtedly serve as an important resource on the Assyrian attack on Jerusalem in 701..." Song-Mi Suzie Park, Austin Presbyterian Theological Seminary, Horizons in Biblical Theology
This book focuses on the characteristics and the development of the stone vessel industry in the Near East during the Iron Age and the Persian period (c. 1200 – 330 BCE).
The Royal Inscription of Esarhaddon, King of Assyria (680–669 BC) is the inaugural volume of the Royal Inscriptions of the Neo-Assyrian Period Project. The volume provides reliable, up-to-date editions of all of the known royal inscriptions of Esarhaddon, a son of Sennacherib who ruled Assyria for twelve years (680–669 BC). Editions of 143 firmly identifiable texts (which mostly describe successful battles and the completion of building projects, all done ad maiorem gloriam deorum), 29 poorly preserved late Neo-Assyrian inscriptions that may be attributed to him, and 10 inscriptions commissioned by his mother Naqia (Zakutu) and his wife Esharra-hammat are included. To make this corpus more user-friendly to both specialist and laymen, each text edition (with its English translation) is supplied with a brief introduction containing general information, a catalogue containing basic information about all exemplars, a commentary containing further technical information and notes, and a comprehensive bibliography (arranged chronologically from earliest to latest). The volume also includes: (1) a general introduction to the reign of Esarhaddon, the corpus of inscriptions, previous studies, and dating and chronology; (2) translations of the relevant passages of three Mesopotamian chronicles; (3) 19 photographs of objects inscribed with texts of Esarhaddon; (4) indexes of museum and excavation numbers and selected publications; and (5) indexes of proper names (Personal Names; Geographic, Ethnic, and Tribal Names; Divine, Planet, and Star Names; Gate, Palace, Temple, and Wall Names; and Object Names). The book is accompanied by a CD-ROM containing transliterations of selected inscriptions arranged in a ‘musical score’ format. The Royal Inscriptions of the Neo-Assyrian Period (RINAP) series will present up-to-date editions of the royal inscriptions of a number of late Neo-Assyrian rulers, beginning with Tiglath-pileser III (744–727 BC). This new series is modeled on the publications of the now-defunct Royal Inscriptions of Mesopotamia (RIM) series and will carry on where its RIMA (Royal Inscriptions of Mesopotamia, Assyrian Periods) publications ended. The project is under the direction of G. Frame (University of Pennsylvania) and is supported by the National Endowment for the Humanities.
Geoffrey Turner's definitive study of the mid-19th century excavations by the British Museum at the Assyrian site of Nineveh documents the complete history of these excavations and provides detailed reconstructions of the architecture and sculpture in the palace of Sennacherib.
Bringing together the research of internationally renowned scholars, Assyria to Iberia at the Dawn of the Classical Age contributes significantly to our understanding of the epoch-making artistic and cultural exchanges that took place across the Near East and Mediterranean in the early first millennium B.C. This was the world of Odysseus, in which seafaring Phoenician merchants charted new nautical trade routes and established prosperous trading posts and colonies on the shores of three continents; of kings Midas and Croesus, legendary for their wealth; and of the Hebrew Bible, whose stories are brought vividly to life by archaeological discoveries. Objects drawn from collections in the Middle East, Europe, North Africa, and the United States, reproduced here in sumptuous detail, reflect the cultural encounters of diverse populations interacting through trade, travel, and migration as well as war and displacement. Together, they tell a compelling story of the origins and development of Western artistic traditions that trace their roots to the ancient Near East and across the Mediterranean world. Among the masterpieces brought together in this volume are stone reliefs that adorned the majestic palaces of ancient Assyria; expertly crafted Phonecian and Syrian bronzes and worked ivories that were stored in the treasuries of Assyria and deposited in tombs and sanctuaries in regions far to the west; and lavish personal adornments and other luxury goods, some imported and others inspired by Near Eastern craftsmanship. Accompanying texts by leading scholars position each object in cultural and historical context, weaving a narrative of crisis and conquest, worship and warfare, and epic and empire that spans both continents and millennia. Writing another chapter in the story begun in Art of the First Cities (2003) and Beyond Babylon (2008), Assyria to Iberia offers a comprehensive overview of art, diplomacy, and cultural exchange in an age of imperial and mercantile expansion in the ancient Near East and across the Mediterranean in the first millennium B.C.—the dawn of the Classical age.
The Neo-Assyrian king Sargon II was one of the most important and famous rulers of ancient Mesopotamia. In this volume of critically important ancient documents, Grant Frame presents reliable, updated editions of Sargon’s approximately 130 historical inscriptions, as well as several from his wife, his brother, and other high officials. Beginning with a thorough introduction to the reign of Sargon II and an overview of the previous scholarship on his inscriptions, this modern scholarly edition contains the entire extant corpus. It presents more than 130 inscriptions, preserved on stone wall slabs from his palace, paving slabs, colossi, steles, prisms, cylinders, bricks, metal, and other objects, along with brief introductions, commentaries, comprehensive bibliographies, accurate transliterations, and elegant English translations of the Akkadian texts. This monumental work is complemented by more than two dozen photographs of the inscribed objects; indices of museum and excavation numbers, selected publications, and proper names; and translations of relevant passages from several other Akkadian texts, including chronicles and king lists. Informed by advances in the study of the Akkadian language and featuring more than twice as many texts as previous editions of Sargon II’s inscriptions, this will be the editio princeps for Assyriologists and students of the Sargonic inscriptions for decades to come.
This anthology translates and discusses texts authored by women of ancient Mesopotamia.