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Someone has tried to assassinate the assassin! The only witness is a back-page reporter for the Chicago Tribune. The assassin saves her life in a tense, thrilling incident. Did he save her only to use her to find those who tried to kill him? Or did he have another reason? Will Molly (the reporter) fall under the spell of this charismatic and sophisticated killer. Or will he fall under her spell? Will they find the assassins in time to save themselves, or will one of them be sacrificed to save the other? This vibrant thriller carries the reader along to its stunning conclusion.
Three sexy dragonborn princes. An assassin with an erased past. And the impossible mission of assassinating the dragon emperor. I have spent my whole life training to be an assassin of Linmoor Valley, an underground gild of the world’s most lethal merceneries. My past is a blank, my master merciless. I kill on command, no questions asked. Life changes after the day I’m sent to the town’s brothel to make a kill. The people who ordered the killing now want me to execute the greatest assassination of our time. Their mission is simple: Kill the tyrant dragon emperor and bring peace to the four kingdoms. A wiser assassin would refuse the impossible. But I can’t. From the moment I see the three dragon born princes, I know I belong to them. And they, to me. Assassinating the emperor is no longer my only mission. I must protect the three princes, for they are the only hope of reviving the four kingdoms. My tasks seem impossible, but I am determined to carry them out if only for a chance to be with the men who make my frozen heart throb and bleed. Assassin’s Fate is the first book in an intrigue-filled whychoose fantasy romance that support’s our heroine’s right to choose more than one mate. Get ready for this captivating tale full of heart-pounding romance and edge-of-your-seat action. Note: The Assassin and Her Dragon Princes is a reverse harem series meant for mature readers who enjoy their fantasy fiction with no restraint to language, violence and a few heated scenes. The Assassin and Her Dragon Princess is now a completed series. Book 1: Assassin’s Fate Book 2: Assassin’s Past Book 3: Assassin’s Crown Book 4: Assassin’s Reign
“An enthralling conclusion to this superb trilogy, displaying an exceptional combination of originality, magic, adventure, character, and drama.”—Kirkus Reviews (starred review) King Shrewd is dead at the hands of his son Regal. As is Fitz—or so his enemies and friends believe. But with the help of his allies and his beast magic, he emerges from the grave, deeply scarred in body and soul. The kingdom also teeters toward ruin: Regal has plundered and abandoned the capital, while the rightful heir, Prince Verity, is lost to his mad quest—perhaps to death. Only Verity’s return—or the heir his princess carries—can save the Six Duchies. But Fitz will not wait. Driven by loss and bitter memories, he undertakes a quest: to kill Regal. The journey casts him into deep waters, as he discovers wild currents of magic within him—currents that will either drown him or make him something more than he was. Praise for Robin Hobb and Assassin’s Quest “Fantasy as it ought to be written . . . Robin Hobb’s books are diamonds in a sea of zircons.”—George R. R. Martin “Superbly written, wholly satisfying, unforgettable: better than any fantasy trilogy in print—including mine!”—Melanie Rawn
Focusing on lyric poetry, Mastery's End looks at important, yet neglected, issues of subjectivity in post-World War II travel literature. Jeffrey Gray departs from related studies in two regards: nearly all recent scholarly books on the literature of travel have dealt with pre-twentieth-century periods, and all are concerned with narrative genres. Gray questions whether the postcolonial theoretical model of travel as mastery, hegemony, and exploitation still applies. In its place he suggests a model of vulnerability, incoherence, and disorientation to reflect the modern destabilizing nature of travel, a process that began with the unprecedented movement of people during and after World War II and has not abated since. What the contemporary discourse concerning displacement, border crossing, and identity needs, says Gray, is a study of that literary genre with the least investment in closure and the least fidelity to ethnic and national continuities. His concern is not only with the psychological challenges to identity but also with travel as a mode of understanding and composition. Following a summary of American critical perspectives on travel from Emerson to the present, Gray discusses how travel, by nature, defamiliarizes and induces heightened awareness. Such phenomena, Gray says, correspond to the tenets of modern poetics: traversing territories, immersing the self in new object worlds, reconstituting the known as unknown. He then devotes a chapter each to four of the past half-century's most celebrated English-speaking, western poets: Elizabeth Bishop, Robert Lowell, John Ashbery, and Derek Walcott. Finally, two multi-poet chapters examine the travel poetry of Allen Ginsberg, Gary Snyder, and Robert Creeley, Lyn Hejinian, Nathaniel Mackey and others.
Internationally-bestselling, critically-acclaimed author Robin Hobb takes readers deep into the history behind the Farseer series in this exclusive, new novella. Long before the time of Chivalry Farseer, there was another indiscreet member of the royal line. Princess Caution Farseer, in defiance of her name, was headstrong and willful, destined to fall dangerously in love where she ought not. The child she bore, a Witted boy known as the Piebald Prince, rose to favour despite his questionable bloodlines. But the dukes of the Six Duchies backed Canny Farseer for the throne. And so both young men competed for power... But this was not their only struggle: for they both fell in love with the same lady. Such rivalry could end only in bloodshed... A tale of love and secrets, magic and manipulation, heartbreak and murder most foul: only a true-tongued minstrel can reveal the real story of the Wilful Princess and the Piebald Prince.
Bella isn't evil. But even people with good intentions can end up doing bad things. Especially when they meet people with the power to persuade them to do almost anything, like John Wilkes Booth-the most charismatic and famous actor of his time. So when Booth sets his sights on Bella, an assistant seamstress to Mary Todd Lincoln, to help with his plot to kidnap President Lincoln, he is able to persuade her to betray her president and even turn her back on the boy she has loved her entire life. Bella believes Booth is only trying to force the North to release Southern war prisoners, and will not harm her dear friend Mr. Lincoln. But the kidnapping plot fails, and now Booth will stop at nothing--even if it means harming Bella in the process. Anna Myers has crafted a provocative new look at the Lincoln assassination through the eyes of both a young White House insider and the assassin himself. An author's note provides the historical background to this tragic event.
In End of Days, James L. Swanson, the New York Times bestselling author of Manhunt: The 12-Day Chase for Lincoln's Killer, brings to life the minute-by-minute details of the JFK assassination—from the Kennedys' arrival in Texas through the shooting in Dealey Plaza and the shocking aftermath that continues to reverberate in our national consciousness fifty years later. The assassination of John F. Kennedy on November 22, 1963, has been the subject of enduring debate, speculation, and numerous conspiracy theories, but Swanson's absorbing and complete account follows the event hour-by-hour, from the moment Lee Harvey Oswald conceived of the crime three days before its execution, to his own murder two days later at a Dallas Police precinct at the hands of Jack Ruby, a two-bit nightclub owner. Based on sweeping research never before collected so powerfully in a single volume, and illustrated with photographs, End of Days distills Kennedy's assassination into a pulse-pounding thriller that is sure to become the definitive popular account of this historic crime for years to come.
This is the first book in a new Left Behind political thriller series that combines the Left Behind universe with the immediacy of "West Wing"-style political thrills.
“Ten days after the war ended, my sister Laura drove a car off a bridge.” These words are spoken by Iris Chase Griffen, married at eighteen to a wealthy industrialist but now poor and eighty-two. Iris recalls her far from exemplary life, and the events leading up to her sister’s death, gradually revealing the carefully guarded Chase family secrets. Among these is “The Blind Assassin,” a novel that earned the dead Laura Chase not only notoriety but also a devoted cult following. Sexually explicit for its time, it was a pulp fantasy improvised by two unnamed lovers who meet secretly in rented rooms and seedy cafés. As this novel-within-a-novel twists and turns through love and jealousy, self-sacrifice and betrayal, so does the real narrative, as both move closer to war and catastrophe. Margaret Atwood’s Booker Prize-winning sensation combines elements of gothic drama, romantic suspense, and science fiction fantasy in a spellbinding tale.
Lincoln's Last Days is a gripping account of one of the most dramatic nights in American history—of how one gunshot changed the country forever. Adapted from Bill O'Reilly's bestselling historical thriller, Killing Lincoln, this book will have young readers—and grown-ups too—hooked on history. In the spring of 1865, President Abraham Lincoln travels through Washington, D.C., after finally winning America's bloody Civil War. In the midst of celebrations, Lincoln is assassinated at Ford's Theatre by a famous actor named John Wilkes Booth. What follows is a thrilling chase, ending with a fiery shoot-out and swift justice for the perpetrators. With an unforgettable cast of characters, page-turning action, vivid detail, and art on every spread, Lincoln's Last Days is history that reads like a thriller. This is a very special book, irresistible on its own or as a compelling companion to Killing Lincoln.