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Nepal Is A Hindu Kingdom. But Even Than It Is Not A Theoretic State. The Rajput Brahmin Combine Has Been Ruling The Country Since Long. Nepal Has Its Own Language Which Is Called Nepali. The Festivals Of Nepal Are Almost The Same As Are Prevalent Among Indian Hindus. The Temples Of Nepal Are Very Popular All Over The World. The Literary Rate In Nepal Is Not Very High, But There Is A Sizable Section Of People Who Are Highly Educated And Trained In Various Skills.In This Book The Various Facets Of Nepalese Culture Have Been Analysed In Historical Perspective.
Migration has been a basic fact of Nepali life for centuries. Over the last thirty years, migration from Nepal has increased diaspora communities across the world. In these diverse contexts, to what extent do Nepalis reproduce their culture and pass it on to subsequent generations? How much of diaspora life is a response to social and political concerns derived from the homeland? What aspects of Nepali life and culture change? In this volume twenty-one authors address these issues through eighteen detailed case studies that tackle issues of livelihood, identity and belonging, internal conflict, and religious practice, in the UK, the USA, India, Southeast Asia, the Gulf countries, and Fiji. Throughout the volume, we see how being Nepali outside Nepal enables new categories and new kinds of identity to emerge, whether as Nepali, Gorkhali, or as a member of a particular ethnic, regional, or religious group. The common theme of Global Nepalis is the exploration of continuity, change, and conflict as new practices and identities develop in Nepali diaspora life.exponentially, leading to many new
Reciting the Goddess presents the first critical study of the Svasthanivratakatha (SVK), a sixteenth-century Hindu narrative textual tradition. The extensive SVK manuscript tradition offers a rare opportunity to observe the making of a specific, distinct Hindu religious tradition. Jessica Vantine Birkenholtz argues that the SVK serves as a lens through which we can observe the creation of modern 'Hinduism' in the Himalayas, as the text both mirrored and informed key moments in the self-conscious creation of Nepal as the 'world's only Hindu kingdom' in the late medieval and early modern period. Birkenholtz mines the literary historiography that is contained within the SVK text itself, chronicling the text's literary and narrative development as well as the development of the Svasthani goddess tradition. She outlines the process whereby the SVK gradually transformed into a Purana text, and became a critical source for Nepali Hindu belief and identity. She also examines the elusive character of the goddess Svasthani whose identity is tied to the pan-Hindu goddess tradition, and the representation of women in the SVK and the ways in which the text influenced local and regional debates on the ideal of Hindu womanhood. Reciting the Goddess presents Nepal's celebrated SVK as a micro-level illustration of the powerful ways in which people, place, and literature intersect to produce new ideas and concepts of identity and place, even in a historically non-literate culture.
A New York Times Notable Book: “A ravishingly seductive novel . . . set in contemporary Kathmandu” (Elle). Ramchandra is a math teacher earning a low wage and living in a small apartment with his wife and two children. Moonlighting as a tutor, he engages in an illicit affair with one of his tutees, Malati, a beautiful, impoverished teenager, who is also a new mother. She provides for him what his wife, who comes from a privileged background, does not: desire, mystery, and a simpler life. Just as this Nepalese city struggles with the conflicts of change, Ramchandra must also learn to accommodate both tradition and his very modern desires, in this “gripping” novel by the Whiting Award–winning author of Buddha’s Orphans (The New York Times Book Review). “Utterly absorbing . . . Upadhyay’s lucent and tender storytelling gently unveils the strange interplay between self and family, the private and the political, and most mysteriously, the erotic and the spiritual.” —Booklist “Poignant . . . The Guru of Love effectively weaves together the complicated dichotomies of man and mistress, love and lust, tradition and modernity.” —USA Today “Reads like a graceful, page-turning mixture of stirring romance and social commentary.” —Entertainment Weekly
This open access handbook, the first of its kind, provides a comprehensive and carefully curated multidisciplinary and genre-spanning view of the state of the field of Critical Menstruation Studies, opening up new directions in research and advocacy. It is animated by the central question: ‘“what new lines of inquiry are possible when we center our attention on menstrual health and politics across the life course?” The chapters—diverse in content, form and perspective—establish Critical Menstruation Studies as a potent lens that reveals, complicates and unpacks inequalities across biological, social, cultural and historical dimensions. This handbook is an unmatched resource for researchers, policy makers, practitioners, and activists new to and already familiar with the field as it rapidly develops and expands.
This book presents a detailed view of Newar society and culture, and its socio-economic, socio-religious and ritual aspects, concentrating on the Newar town of Sankhu in the Valley of Nepal. The foundation of the town of Sankhu is attributed to the goddess Vajrayoginī, venerated by both Buddhists and Hindus in Nepal and beyond. Myths, history, and topographical details of the town and the sanctuary of the goddess Vajrayoginī and her cult are discussed on the basis of published sources, unpublished chronicles, and inscriptions. The book deals with the relation between Hinduism and Buddhism, with the interrelations between the Newar castes (jāt), caste-bound associations (sī guthi), and above all with the numerous socio-religious associations (guthi) that uphold ritual life of the Newars. All major and minor Newar feasts, festivals, dances, fasts and processions of gods and goddesses are discussed.
Suitably Modern traces the growth of a new middle class in Kathmandu as urban Nepalis harness the modern cultural resources of mass media and consumer goods to build modern identities and pioneer a new sociocultural space in one of the world's "least developed countries." Since Nepal's "opening" in the 1950s, a new urban population of bureaucrats, service personnel, small business owners, and others have worked to make a space between Kathmandu's old (and still privileged) elites and its large (and growing) urban poor. Mark Liechty looks at the cultural practices of this new middle class, examining such phenomena as cinema and video viewing, popular music, film magazines, local fashion systems, and advertising. He explores three interactive and mutually constitutive ethnographic terrains: a burgeoning local consumer culture, a growing mass-mediated popular imagination, and a recently emerging youth culture. He shows how an array of local cultural narratives--stories of honor, value, prestige, and piety--flow in and around global narratives of "progress," modernity, and consumer fulfillment. Urban Nepalis simultaneously adopt and critique these narrative strands, braiding them into local middle-class cultural life. Building on both Marxian and Weberian understandings of class, this study moves beyond them to describe the lived experience of "middle classness"--how class is actually produced and reproduced in everyday practice. It considers how people speak and act themselves into cultural existence, carving out real and conceptual spaces in which to produce class culture.