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The sacred occupies a central place in the poetry of Guillevic, who described himself as a 'matérialiste religieux'. This study, informed by anthropological and psychoanalytical thought, examines the evolution of this aspect of his oeuvre from Terraqué (1942) through to the poet's last works and focuses in particular on the relation between the sacred and the mother figure. A semiotic approach is used for close textual analysis of key poems. Guillevic's poetic endeavour is conceived as an archaeological quest whereby the presence of the archaic within the domain of the real is disclosed and mythical patterns emerge. The re-enactment of the cosmogony, the performance of ritual and the process of mourning - all crucial to poetic creativity itself - are identified as motivating forces through which the poet seeks reparation of the mother. This study will be of interest to undergraduate and postgraduate students as well as to teachers of French literature, and will provide a useful introduction to those who may be unfamiliar with the unique voice of this major 20th century poet.
FREE VERSE EDITIONS, Edited by JON THOMPSON - In English and French. The sixteenth of the twenty-five major works of Guillevic published by Gallimard since 1942, SUMMONED (REQUIS) represents a pivotal moment, reaffirming the poet's position as an essential voice in contemporary French poetry. Noted for its ceaseless probing of the ungraspable enigma experienced in every immediate encounter with the material world, be it with stone, sea, a leaf, a blade of grass, the poet's vision now opens onto the ultimate reaches of the universe. The poet is summoned to bear witness to the human mortal condition and at the same time heed the compulsion of "our touch/ Upon the limitless." - "To translate the movements of one existent into another is poetry's privilege. It is also what life does. The living exchanges that take place between existents as dissimilar as a leaf and a cloud, or a pebble's surface and a human hand, are what Guillevic's poem celebrates and exemplifies. This sensitive translation by Monique Chefdor and Stella Harvey gives English-speaking readers the chance to listen to a Breton poet's unique engagement with spheres of living that extend even to the interstellar." -STEVEN WINSPUR - "A poem and its translation have been compared to a brocade and its underside: the threads are all there, but the magic is lost. This certainly does not apply to the translation of Guillevic's REQUIS by Monique Chefdor and Stella Harvey. SUMMONED is its own rich brocade, all the more striking given the daunting task of capturing the elegant simplicity of the form and the ineffable reaches of the content. For, embedded in the multi-layered poetry are both the yearnings of mystics to experience ultimate reality and the endeavors of physicists to explore the unknown realms beyond three-dimensional human existence." -KATHERINE KREUTER - EUGENE GUILLEVIC (1907-1997) was one of France's leading poets in the second half of the twentieth century. Guillevic, as he preferred to be known, published more than thirty-five collections of poetry in his lifetime. - MONIQUE CHEFDOR, formerly professor of French and Comparative Literature at Scripps College, Claremont University Center, California, and Maitre de Conferences in Comparative Literature at the University of Picardie Jules Verne, France, has published extensively on 20th century French literature, notably on Cendrars, Proust, Segalen, Guillevic and the relationship between painters and writers. - STELLA HARVEY is the author of a monograph Myth and the Sacred in the Poetry of Guillevic (Amsterdam-Atlanta: Rodopi, 1997) and has published a number of articles on Guillevic, the most recent of which appear in Guillevic maintenant (Paris: Honore Champion, 2011) and Notes Guillevic Notes (Vol. I, Fall/Automne, 2011). She has also published in the field of applied linguistics. She is a lecturer in the Centre for English Language and Academic Writing at Goldsmiths University of London. - LUCIE ALBERTINI GUILLEVIC, the poet's widow, is a writer and translator. Her collaborations as a translator have introduced to major French publishers (Maurice Nadeau, Gallimard, Actes Sud, Arfuyen) some forty Swedish and Finnish writers."
Theses on any subject submitted by the academic libraries in the UK and Ireland.
A world list of books in the English language.
Comprehensive bi-lingual anthology of the poems of Guillevic timed to coincide with the festivities in France to celebrate the 100th anniversary of his birth. Translated into some 50 languages in over 60 countries, Guillevic remains one of the most popular poets of Europe inspiring songs, artists, (over 100 of the worlds most prominent artists have illustrated his works) and poetry lovers everywhere. Despite his wide acclaim English language editions of his work are difficult to find and often poorly translated. This edition sets a new standard for English language renditions of his poetry.
The Soul Exceeds its Circumstances brings together sixteen of the most prominent scholars who have written on Seamus Heaney to examine the Nobel Prize winner’s later poetry from a variety of critical and theoretical perspectives. While a great deal of attention has been devoted to Heaney’s early and middle poems—the Bog Poems in particular—this book focuses on the poetry collected in Heaney's Seeing Things (1991), The Spirit Level (1996), Electric Light (2001), District and Circle (2006), and Human Chain (2010) as a thematically connected set of writings. The starting point of the essays in this collection is that these later poems can be grouped in terms of style, theme, approach, and intertextuality. They develop themes that were apparent in Heaney’s earlier work, but they also break with these themes and address issues that are radically different from those of the earlier collections. The essays are divided into five sections, focusing on ideas of death, the later style, translation and transnational poetics, luminous things and gifts, and usual and unusual spaces. A number of the contributors see Heaney as stressing the literary over the actual and as always looking at the interstices and positions of liminality and complexity. His use of literary references in his later poetry exemplifies his search for literary avatars against whom he can test his own ideas and with whom he can enter into an aesthetic and ethical dialogue. The essayists cover a great deal of Heaney’s debts to classical and modern literature—in the original languages and in translations—and demonstrate the degree to which the streets on which Heaney walked and wrote were two-way: he was influenced by Virgil, Petrarch, Milosz, Wordsworth, Keats, Rilke, and others and, in turn, had an impact on contemporary poets. This remarkable collection will appeal to scholars and literary critics, undergraduates as well as graduate students, and to the many general readers of Heaney's poetry.
Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.