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The first full-length biography in English of Aspar, the eastern Roman general and statesman, this book explores his central role in the history and politics of the fragmenting Roman Empire in the fifth century. It also considers what his life and career may suggest as to the differing fates of the eastern and western parts of the empire. Taking a chronological approach, Bleeker guides us through what is known of Aspar's life and his changing influence in the eastern Roman army and court. Born and raised in Constantinople, Aspar primarily viewed and presented himself as a Roman general, consul, and senator. Yet he also stood outside the Roman mainstream in two important ways–as a member of the empire's “barbarian” military leadership and as a devout Arian Christian. Early chapters treat his formative military experiences with the Persians, a Roman usurper in Italy, the Vandals in Africa, and the Huns of Attila, while later chapters focus on Aspar's political role in resolving the two imperial succession crises that struck the eastern Roman empire in the mid-fifth century and his extended struggle to control the succession to Leo I. Bleeker builds on earlier studies in three ways. First, previous work has largely concentrated on the role of “barbarian” generals in the western Roman empire, while much less attention has been paid to similar figures (such as Aspar) in the east. Secondly, while important recent work has explored the prevalence of “child-emperors” in the late-fourth and early-fifth centuries, this book suggests a further evolution of the imperial role in the mid-fifth century. Finally, while previous studies of this period have focused on Aspar's late career role in the succession struggles, a full study allows us to see how and why his relations with other key figures within and outside the eastern Roman government changed over the course of his lengthy career.
The first full-length biography in English of Aspar, the eastern Roman general and statesman, this book explores his central role in the history and politics of the fragmenting Roman Empire in the fifth century. It also considers what his life and career may suggest as to the differing fates of the eastern and western parts of the empire. Taking a chronological approach, Bleeker guides us through what is known of Aspar's life and his changing influence in the eastern Roman army and court. Born and raised in Constantinople, Aspar primarily viewed and presented himself as a Roman general, consul, and senator. Yet he also stood outside the Roman mainstream in two important ways–as a member of the empire's “barbarian” military leadership and as a devout Arian Christian. Early chapters treat his formative military experiences with the Persians, a Roman usurper in Italy, the Vandals in Africa, and the Huns of Attila, while later chapters focus on Aspar's political role in resolving the two imperial succession crises that struck the eastern Roman empire in the mid-fifth century and his extended struggle to control the succession to Leo I. Bleeker builds on earlier studies in three ways. First, previous work has largely concentrated on the role of “barbarian” generals in the western Roman empire, while much less attention has been paid to similar figures (such as Aspar) in the east. Secondly, while important recent work has explored the prevalence of “child-emperors” in the late-fourth and early-fifth centuries, this book suggests a further evolution of the imperial role in the mid-fifth century. Finally, while previous studies of this period have focused on Aspar's late career role in the succession struggles, a full study allows us to see how and why his relations with other key figures within and outside the eastern Roman government changed over the course of his lengthy career.
Examines the complex reaction of the Greek historian Polybius to the expansion of Roman power, embracing admiration and support tempered by detachment of different kinds, personal, cultural, patriotic and intellectual.
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Building on recent dynamic visual, literary and archaeological work on Roman freedmen, this book examines the impact of freed slaves on Roman society and culture.
This book is a study both of anachronism in antiquity and of anachronism as a vehicle for understanding antiquity. It explores the post-classical origins and changing meanings of the term 'anachronism' as well as the presence of anachronism in all its forms in classical literature, criticism and material objects. Contrary to the position taken by many modern philosophers of history, this book argues that classical antiquity had a rich and varied understanding of historical difference, which is reflected in sophisticated notions of anachronism. This central hypothesis is tested by an examination of attitudes to temporal errors in ancient literary texts and chronological writings and by analysing notions of anachronistic survival and multitemporality. Rather than seeing a sense of anachronism as something that separates modernity from antiquity, the book suggests that in both ancient writings and their modern receptions chronological rupture can be used as a way of creating a dialogue between past and present. With a selection of case-studies and theoretical discussions presented in a manner suitable for scholars and students both of classical antiquity and of modern history, anthropology, and visual culture, the book's ambition is to offer a new conceptual map of antiquity through the notion of anachronism.
One of the greatest aesthetic attractions in the ancient world was pantomime dancing, a ballet-style entertainment in which a silent, solo dancer incarnated a series of mythological characters to the accompaniment of music and sung narrative. Looking at a multitude of texts and particularly Lucian's "On the Dance", a dialogue written at the height of pantomime's popularity, this innovative cultural study of the genre offers a radical reassessment of its importance in the symbolic economy of imperial and later antiquity. Rather than being trivial or lowbrow, pantomime was thoroughly enmeshed in wider social discourses on morality and sexuality, gender and desire and a key player in the fierce battles about education and culture that raged in the ancient world. A close reading of primary sources, judiciously interlaced with a wealth of interdisciplinary perspectives, makes this challenging book essential for anyone interested in the performance culture of the Greek and Roman world.
What did it mean to be Roman after the fall of the western Roman empire in 476, and what were the implications of new formulations of Roman identity for the inhabitants of both east and west? How could an empire be Roman when it was, in fact, at war with Rome? How did these issues motivate and shape historical constructions of Constantinople as the New Rome? And how did the idea that a Roman empire could fall influence political rhetoric in Constantinople? In The Politics of Roman Memory, Marion Kruse visits and revisits these questions to explore the process by which the emperors, historians, jurists, antiquarians, and poets of the eastern Roman empire employed both history and mythologized versions of the same to reimagine themselves not merely as Romans but as the only Romans worthy of the name. The Politics of Roman Memory challenges conventional narratives of the transformation of the classical world, the supremacy of Christian identity in late antiquity, and the low literary merit of writers in this period. Kruse reconstructs a coherent intellectual movement in Constantinople that redefined Romanness in a Constantinopolitan idiom through the manipulation of Roman historical memory. Debates over the historical parameters of Romanness drew the attention of figures as diverse as Zosimos—long dismissed as a cranky pagan outlier, but here rehabilitated—and the emperor Justinian, as well as the major authors of Justinian's reign, such as Prokopios, Ioannes Lydos, and Jordanes. Finally, by examining the narratives embedded in Justinian's laws, Kruse demonstrates the importance of historical memory to the construction of imperial authority.
Shows how Europe's barbarians, strengthened by centuries of contact with Rome on many levels, turned into an enemy capable of overturning and dismantling the mighty Empire.
"Comprehensive, reader-friendly, richly detailed, forthright, subtle, and very clear, Controlling Desires is the only handbook on ancient sexuality that works persistently to offset modern readers' assumptions about sex and sexuality, to challenge the notion that sexuality is natural and universal, and to bring out the differences between ancient and modern discourses of sex—or, even, between ancient and modern experiences of desire. As such, it is a very helpful resource for students working on the history of sexuality in classical antiquity, because it shows how such a history might be possible and what is actually historical about sexuality." —David M. Halperin, University of Michigan, author of One Hundred Years of Homosexuality, Saint Foucault, and How to Do the History of Homosexuality Since its first publication in 2009, Controlling Desires has been widely lauded as an accessible introduction to sexual practices, attitudes, and beliefs in the classical world. Treating Greece and Rome in separate sections, with ample cross-references and comparisons, Kirk Ormand presents a wide array of evidence from literary texts and visual arts, including two new chapters on Greek vase painting and Roman artifacts and wall paintings.