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Asmat Art features the world renowned woodcarvings of the Asmat, former head-hunters who live in the western half of New Guinea This book presents a full range of Asmat woodcarving art, but emphasizes the rare early shields and figure sculptures. Drums, canoe prowheads and the larger, more dramatic "objects" are also shown. Together with bisj poles, war shields are perhaps the most famous creation of Asmat artists, and these were carved throughout the region. It is in the design and construction of the shields that the variations in style region can most clearly be seen. Figure sculptures, of varying styles, are also well represented here, and a limited number of the huge ceremonial carvings, such as bisj poles and basu suangkus, have also been included. The cultural context in which these items play their part is described in detail in the introductory chapters. But it is not the intention of this book to be an ethnography. The focus is on the art pieces themselves.
"This book marks the first time that anthropologists systematically studies cross-cultural variation in homosexual behavior in a non-Western culture area. Gilbert Herdt has provided a substantial new introduction for the paperback edition"--
Ethnographic Artifacts: Challenges to a Reflexive Anthropology examines anthropological practice and product, confronting issues of representation and the power of discourse in the lives and practice of both those doing research and of those being researched. Using eight case studies by ethnographers who share extensive research experience in the Pacific, the volume outlines "the trouble with ethnography" so representative of the end of this century, where ethnography itself is perceived as a codification of contested relations. Ethnographic Artifacts takes a unique approach to the social life of ethnography. The editors identify three domains in which ethnographic artifacts are given meaning: as text, as object, and as a historically contrived representation of the community in the public sphere. By allowing that analysis of the life of ethnography is important in all three of these domains, appreciation moves beyond narrow rhetorical and textual concerns. The volume provides a multi-faceted means for the reflexive understanding of the production, distribution, and reception of ethnography. Its goal is not mere documentation but rather the assessment of the ethical dimensions of the discipline's practice in a globalizing world. By melding ethical concerns with reflection on the text and the object itself, Ethnographic Artifacts adds dimension to the now well-established reflexive literature. Contributors: Niko Besnier, Jonathan Friedman, Michael Goldsmith, Sjoerd R. Jaarsma, Grant McCall, Mary N. MacDonald, Judith Macdonald, Toon van Meijl, Marta A. Rohatynskyj.
The communities of south coast New Guinea were the subject of classic ethnographies, and fresh studies in recent decades have put these rich and complex cultures at the centre of anthropological debates. Flamboyant sexual practices, such as ritual homosexuality, have attracted particular interest. In the first general book on the region, Dr Knauft reaches striking new comparative conclusions through a careful ethnographic analysis of sexuality, the status of women, ritual and cosmology, political economy, and violence among the region's seven major language-culture areas. The findings suggest new Melanesian regional contrasts and provide for a general critique of the way regional comparisons are constructed in anthropology. Theories of practice and political economy as well as post-modern insights are drawn upon to provide a generative theory of indigenous social and symbolic development.
The series Ethiopic Manuscripts, Texts, and Studies offers, in the first place, catalogues of the Ethiopic Manuscript Imaging Project, whose purpose it is to digitize and catalogue collections of Ethiopic manuscripts in North America and around the world. Beyond this, though, the series offers a venue for monographs, revised dissertations, and texts that explore the rich historical, literary, and artistic traditions of Ethiopia and the Ethiopian Orthodox Church. From the Series Foreword
Nothing lasts forever. This common experience is the source of much anxiety but also hope. The concept of impermanence or continuous change opens up a range of timely questions and discussions that speak to globally shared experiences of transformation and concerns for the future. Impermanence engages with an emergent body of social theory emphasizing flux and transformation, and brings this into a dialogue with other traditions of thought and practice, notably Buddhism that has sustained a long-lasting and sophisticated meditation on impermanence. In cases drawn from all over the world, this volume investigates the significance of impermanence in such diverse contexts as social death, atheism, alcoholism, migration, ritual, fashion, oncology, museums, cultural heritage and art. The authors draw on a wide range of disciplines, including anthropology, archaeology, art history, Buddhist studies, cultural geography and museology. This volume also includes numerous photographs, artworks and poems that evocatively communicate notions and experiences of impermanence.
Indonesia, the largest country in Southeast Asia, has as its national motto "e;Unity in Diversity."e; In 2010, Indonesia stood as the world's fourth most populous country after China, India and the United States, with 237.6 million people. This archipelagic country contributed 3.5 per cent to the world's population in the same year. The country's demographic and political transitions have resulted in an emerging need to better understand the ethnic composition of Indonesia. This book aims to contribute to that need. It is a demographic study on ethnicity, mostly relying on the tabulation provided by the BPS (Badan Pusat Statistik; Statistics-Indonesia) based on the complete data set of the 2010 population census. The information on ethnicity was collected for 236,728,379 individuals, a huge data set. The book has four objectives: To produce a new comprehensive classification of ethnic groups to better capture the rich diversity of ethnicity in Indonesia; to report on the ethnic composition in Indonesia and in each of the thirty three provinces using the new classification; to evaluate the dynamics of the fifteen largest ethnic groups in Indonesia during 2000-2010; and to examine the religions and languages of each of the fifteen largest ethnic groups.
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