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... all of the artist names listed ... on AskART.com ...
Scope includes artists who were born, or artistically active, in Kansas.
Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable women artists but as notable artists who happen to be women." In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume. Contributors: Sara C. Arnold Daniel Belasco Lynne Blackman Carolyn J. Brown Erin R. Corrales-Diaz John A. Cuthbert Juilee Decker Nancy M. Doll Jane W. Faquin Elizabeth C. Hamilton Elizabeth S. Hawley Maia Jalenak Karen Towers Klacsmann Sandy McCain Dwight McInvaill Courtney A. McNeil Christopher C. Oliver Julie Pierotti Deborah C. Pollack Robin R. Salmon Mary Louise Soldo Schultz Martha R. Severens Evie Torrono Stephen C. Wicks Kristen Miller Zohn
Introduction : "A camera is a tool for learning how to see ...".
Presents an alphabetical listing of artists who have lived, worked, and exhibited in Texas between 1800 and 1945; features color reproductions of one or more of each artist's works; and includes tables of the major exhibitions and competitions in Texas during the late nineteenth and early twentieth century.
George Hull (1590-1659) and his family emigrated in 1630 from England to Dorchester, Massachusetts, moving in 1636 to Windsor, Connecticut. Joseph Hull (1596-1665), his brother, emigrated in 1635 and died at York, Maine. Richard Hull (1599-1662), not a relative, immigrated before 1636 to Massachusetts, moving to New Haven, Connecticut in 1639. Descendants of these three immigrants lived mainly in New York, New Jersey, Connecticut, Rhode Island, New Hampshire, Tennessee and California.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
From the best-selling author of The Highwaymen comes the story of the group's most prolific and most sought after painter. 65 color plates.
"Here, Monroe tells perhaps his most compelling tale of all--about the only Highwaywoman, Mary Ann Carroll."--Jeff Klinkenberg, author of Alligators in B-Flat "A tale of triumph, of personal survival, of discipline, and finally, of faith."--Linda Hudson, mayor, Fort Pierce, Florida "An inspiring story of how one African-American woman artist not only survived a man's world but also did it during the long storm of a racist climate."--Ginger Smith Baldwin, senior legislative assistant, Florida Senate "A great read of an inspiring story about a woman of faith, character and drive. Mr. Monroe captures the essence of the Highwaymen's art, Mary Ann Carroll's life, and the entrepreneurial spirit that helped Carroll succeed in a racially charged environment."--Tom Wagor, president, Marco Island Historical Society "So many lives of artists are made possible, or at least made easier, by the support of someone else making the dinner and tending to the children while the singular experience of Mary Ann Carroll, Highwaywoman, related in this book reveals an artist overcoming the institutional challenges of race and gender while tending to the daily chores."--Jean Ellen Wilson, author of Legendary Locals of Fort Pierce In the years since the art world discovered them, much has been made of the Highwaymen--the loosely knit band of African American painters whose edenic Florida landscapes, created with inexpensive materials and sold out of their cars, "shaped the state's popular image as much as oranges and alligators" (New York Times). But lost in the legends surrounding the group is the mesmerizing story of Mary Ann Carroll, the only female "Highwayman." In 1957, sixteen-year-old Carroll met Harold Newton, later dubbed the original Highwayman. He was painting a landscape along the side of the road. There were red flames on his car. Yet what shocked the young African American girl most of all was discovering a black man who didn't work in the orange groves, who made a living off of his paintings. It wasn't long before she was creating and selling her own landscapes, and the other Highwaymen, taking note of her startling use of color, welcomed her into the fold. Carroll sold her first painting at eighteen--remarkable for any young artist, unheard of for a black woman in the South. Like her Highwaymen brethren, she travelled across the state, selling her art at hotels, offices, and restaurants where she was not allowed to drink, eat, or even sit. If the Highwaymen faced discrimination at every door they knocked on, then the challenges--and dangers--were magnified for Carroll. She took pride in always having her pristine Buick gassed and ready to go and her small handgun cleaned and ready to use. After years of virtual obscurity, Carroll was invited to the First Lady's Luncheon in 2011, where she presented a painting of her iconic poinciana to Michelle Obama. Today, she is pastor of the Foundation Revival Center in Fort Pierce, is an accomplished artist and musician, and still paints and exhibits her work widely. Mary Ann Carroll is the never-before-told story of a black female artist's hard-fought journey to provide for her family while also making a name for herself in a man's world.
Raphael was for centuries considered the greatest artist who ever lived. Much of what we know about him comes from this biography, written by Florentine painter Giorgio Vasari. The Life of Raphael is a key text not only for the appreciation of Raphael's art--whose development Vasari portrays in detail--but also for its unprecedented attention to theoretical issues. This stand-alone edition of The Life of Raphael, published to coincide with a major exhibition of the artist's paintings and drawings at England's National Gallery, illuminates the entire span of Raphael's astonishing art.