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Scope includes artists who were born, or artistically active, in Kansas.
Hear the riveting stories of Black artists who drew--mostly covertly behind the scenes--superhero, horror, and romance comics in the early years of the industry. The life stories of each man's personal struggles and triumphs are represented as they broke through into a world formerly occupied only by whites. Using primary source material from World War II-era Black newspapers and magazines, this compelling book profiles pioneers like E.C. Stoner, a descendant of one of George Washington's slaves, who became a renowned fine artist of the Harlem Renaissance and the first Black artist to draw comic books. Perhaps more fascinating is Owen Middleton who was sentenced to life in Sing Sing. Middleton's imprisonment became a cause célèbre championed by Will Durant, which led to Middleton's release and subsequent comics career. Then there is Matt Baker, the most revered of the Black artists, whose exquisite art spotlights stunning women and men, and who drew the first groundbreaking Black comic book hero, Vooda! The book is gorgeously illustrated with rare examples of each artist's work, including full stories from mainstream comic books from rare titles like All-Negro Comics and Negro Heroes, plus unpublished artist's photos. Invisible Men features Ken Quattro's impeccable research and lean writing detailing the social and cultural environments that formed these extraordinary, yet invisible, men!
Model. Pin-up. Actress. Singer. Writer. Royalty. The life and times of men's adventure supermodel Eva Lynd, in words and pictures.
Introduction : "A camera is a tool for learning how to see ...".
... all of the artist names listed ... on AskART.com ...
Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable women artists but as notable artists who happen to be women." In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume. Contributors: Sara C. Arnold Daniel Belasco Lynne Blackman Carolyn J. Brown Erin R. Corrales-Diaz John A. Cuthbert Juilee Decker Nancy M. Doll Jane W. Faquin Elizabeth C. Hamilton Elizabeth S. Hawley Maia Jalenak Karen Towers Klacsmann Sandy McCain Dwight McInvaill Courtney A. McNeil Christopher C. Oliver Julie Pierotti Deborah C. Pollack Robin R. Salmon Mary Louise Soldo Schultz Martha R. Severens Evie Torrono Stephen C. Wicks Kristen Miller Zohn
cryptozoology (n.) The search for and study of animals whose existence or survival is unsubstantiated or in dispute, such as Sasquatch, the Loch Ness Monster, fish with human hands, the Yeti, the Thunderbird, the Ape-Man Monster of Tennessee, and the 'Thing' at Dutchman's Rig. For three decades, when American men had questions about the Yeti, the Loch Ness Monster, Bigfoot, and other weird beasts from the strange world of cryptozoology, they found answers in the hard-hitting pages of men's adventure magazines. Now, collected here for the first time ever, are samples of sensational period reporting and wild, "true" accounts of savage, fist-to-claw duels between man and Sasquatch, man and fishman, man and monster! Plus full-color vintage pulp artwork that accompanied the stories' original publication, rare archival discoveries, men's pulp history, expert analysis, cryptid-by-cryptid commentary, and much, much more. This latest installment in the Men's Adventure Library is edited by Robert Deis of MensPulpMags.com, David Coleman (THE BIGFOOT FILMOGRAPHY) and Wyatt Doyle (STOP REQUESTED), and includes contributions from luminaries in the field such as Sir Arthur C. Clarke, John Keel, and many others. CRYPTOZOOLOGY ANTHOLOGY is packed with 13 biting tales of creatures notorious and obscure, and this limited hardcover includes bonus material exclusive to this edition, including an additional wild story rescued from obscurity. Don't leave civilization without it!
"John Whorf, Rediscovered is the definitive resource for collectors and admirers of John Whorf (1903-1959). Researched for over a decade, the book includes examples of his paintings, many now in some of our nation's most prestigious museums, and reveals the truth about his influences, particularly that of his mentor and philosophical guide, Charles Webster Hawthorne (1872-1930). It also offers an assessment of Whorf's thirty-five year career as seen through the eyes of the influential Boston and New York critics who wrote about him from his first solo exhibit at the age of twenty-one."--Publisher description.