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'A dazzling and joyous celebration' i-D 'Dazzling . . . East Side Voices is a thoughtful, painful reminder of the grand narratives that get buried under belittling stereotypes' Bidisha, Observer In this bold, first-of-its kind collection, East Side Voices invites us to explore a dazzling spectrum of experience from the East and Southeast Asian diaspora living in Britain today. Showcasing original essays and poetry from well-known celebrities, prize-winning literary stars and exciting new writers, East Side Voices takes us many places: from the frontlines of the NHS in the midst of the Covid pandemic, to the set of a Harry Potter film, from a bustling London restaurant to a spirit festival in Myanmar. In the process we navigate the legacies of family history, racial identity, assimilation and difference. Edited by Helena Lee, founder of the East Side Voices cultural salon and Acting Deputy Editor of Harper's Bazaar. Featuring writing from: Romalyn Ante, Tash Aw, June Bellebono, Gemma Chan, Mary Jean Chan, Catherine Cho, Tuyen Do, Will Harris, Rowan Hisayo Buchanan, Claire Kohda, Katie Leung, Amy Poon, Naomi Shimada, Anna Sulan Masing, Sharlene Teo, Zing Tsjeng and Andrew Wong. 'Invaluable and delightful' Esquire
Readers interested in Michigan history, sociology, and Asian American studies will enjoy this volume.
NLN Press proudly presents the newest publication in the Voices series . Here Asian and Asian American health educators discuss the implicati ons of cultural factors in providing health services to Asian and Asia n American communities. They also explore multiple issues concerning A sian American's health: health promotion and disease prevention in eld erly Chinese American women, the implications of Japanese health care, HIV/AIDS in Asian Americans, Buddhist ethics and implications for end -of-life issues, the dilemma in searching for health care, traditional Chinese medicines, Korean women's health, and much more.
A selection of papers presented at the Symposium on English Literature by Asian authors entitled Asian Voices in English held at The University of Hong Kong, 27-30 April 1990. Two kinds of writing experience are focused upon: one is the experience of post-colonial writers, who are re-appropriating the English language for their own cultural purposes. The other is the experience of immigrant writers, who bring an Asian view to bear on the culture of the English-speaking countries in which they live.
The emergence of modernity has typically focused on Western male actors and privileged politics and economy over culture. The contributors to this volume successfully unsettle such perspectives by emphasizing the social history, artistic practices, and symbolic meanings of female performers in popular music of Asia. Women surfaced as popular icons in different guises in different Asian countries through different routes of circulation. Often, these women established prominent careers within colonial conditions, which saw Asian societies in rapid transition and the vernacular and familiar articulated with the novel and the foreign. These female performers were not merely symbols of times that were rapidly changing. Nor were they simply the personification of global historical changes. Female entertainers, positioned at the margins of intersecting fields of activities, created something hitherto unknown: they were artistic pioneers of new music, new cinema, new forms of dance and theater, and new behavior, lifestyles, and morals. They were active agents in the creation of local performance cultures, of a newly emerging mass culture, and the rise of a region-wide and globally oriented entertainment industry. Vamping the Stage is the first book-length study of women, modernity, and popular music in Asia, showcasing cutting-edge research conducted by scholars whose methods and perspectives draw from such diverse fields as anthropology, Asian studies, cultural studies, ethnomusicology, and film studies. Led by an impressive introduction written by Weintraub and Barendregt, fourteen contributors analyze the many ways that women performers supported, challenged, and transgressed representations of existing gendered norms in the entertainment industries of China, Japan, India, Indonesia, Iran, Korea, Malaysia, and the Philippines. Placing women’s voices in social and historical contexts, the essays explore salient discourses, representations, meanings, and politics of “voice” in Asian popular music. Historicizing the artistic sounds, lyrical texts, and visual images of female performers, the essays reveal how women used popular music to shape the ideas, practices, and meanings of modernity in various Asian contexts and time frames. The ascendency of women as performers paralleled, and in some cases generated, developments in wider society such as suffrage, social and sexual liberation, women as business entrepreneurs and independent income earners, and particularly as models for new life styles. Women’s voices, mediated through new technologies of film and the phonograph, changed the soundscape of global popular music and resonate today in all spheres of modern life.
Behind the Silence is the first in-depth work in any language to explore the diverse perspectives of mainland Chinese regarding induced abortion and fetal life in the context of the world's most ambitious and intrusive family planning program. Through his investigation of public silence, official standpoints, forgotten controversies from the imperial era, popular opinions, women's personal stories, doctors' narratives, and the problem of coerced abortion, Nie Jing-Bao brings to light a surprising range of beliefs concerning fetal life and the morality of abortion, yet finds overall an acceptance of national population policies. China's internal plurality, the author argues, must be taken seriously if the West is to open a fruitful cross-cultural dialogue. Visit our website for sample chapters!
China’s increasing prominence on the global stage has caused consternation and controversy among Western thinkers, especially since the financial crisis of 2008. But what do Chinese intellectuals themselves have to say about their country’s newfound influence and power? Voices from the Chinese Century brings together a selection of essays from representative leading thinkers that open a window into public debate in China today on fundamental questions of China and the world—past, present, and future. The voices in this volume include figures from each of China’s main intellectual clusters: liberals, the New Left, and New Confucians. In genres from scholarly analyses to social media posts, often using Party-approved language that hides indirect criticism, these essayists offer a wide range of perspectives on how to understand China’s history and its place in the twenty-first-century world. They explore questions such as the relationship of political and economic reforms; the distinctiveness of China’s history and what to take from its traditions; what can or should be learned from the West; and how China fits into today’s eruption of populist anger and challenges to the global order. The fifteen original translations in this volume not only offer insight into contemporary China but also prompt us to ask what Chinese intellectuals might have to teach Europe and North America about the world’s most pressing problems.
Reclaim Your Headspace and Find Your One True Voice As a hospital chaplain, J.S. Park encountered hundreds of patients at the edge of life and death, listening as they urgently shared their stories, confessions, and final words. J.S. began to identify patterns in his patients’ lives—patterns he also saw in his own life. He began to see that the events and traumas we experience throughout life become deafening voices that remain within us, even when the events are far in the past. He was surprised to find that in hearing the voices of his patients, he began to identify his own voices and all the ways they could both harm and heal. In The Voices We Carry, J.S. draws from his experiences as a hospital chaplain to present the Voices Model. This model explores the four internal voices of self-doubt, pride, people-pleasing, and judgment, and the four external voices of trauma, guilt, grief, and family dynamics. He also draws from his Asian-American upbringing to examine the challenges of identity and feeling “other.” J.S. outlines how to wrestle with our voices, and even befriend them, how to find our authentic voice in a world of mixed messages, and how to empower those who are voiceless. Filled with evidence-based research, spiritual and psychological insights, and stories of patient encounters, The Voices We Carry is an inspiring memoir of unexpected growth, humor, and what matters most. For those wading through a world of clamor and noise, this is a guide to find your clear, steady voice.
While a growing number of popular and scholarly works focus on Asian Americans, most are devoted to the experiences of larger groups such as Chinese, Japanese, Korean, Filipino, and Indian Americans. This book presents discussion of underrepresented groups, including Burmese, Indonesian, Mong, Hmong, Nepalese, Romani, Tibetan, and Thai Americans.
This interdisciplinary inquiry examines Asian Canadian political and cultural activism around community building, identity making, racial equity, and social justice. Informed by a postcolonial and postmodern cultural critique, it traces the trajectory of progressive cultural discourse generated by Asian Canadian cultural activists over the course of several generations. Xiaoping Li draws on historical sources and personal testimonies to convincingly demonstrate how culture acts as a means of engagement with the political and social world. He addresses topical issues of "race," ethnicity, identity, and transculturalism.