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The text and more than one hundred full-page color plates document Tibetan folk music (particularly work songs), and local life in the Sman shod Valley, Sde dge County, Dkar mdzes Tibetan Autonomous Prefecture, Sichuan Province, China. Bo nyed, a local elder, describes the situation that motivated this timely documentation, "In the past we sang constantly, but now people don't sing no matter where they are or what they are doing. Now everyone is silent." The text includes richly contextualized and annotated transcriptions of the songs' Tibetan lyrics with English translations. Audio materials related to this publication can be found at: http://www.oralliterature.org/collections/zlaba001.html
This collection of essays celebrates the life and work of Dr. Charles Kevin Stuart. For more than three decades, Kevin Stuart has quietly exerted considerable influence on scholarship on Tibet, China, and Mongolia, demonstrating a particular sensitivity to emic voices, facilitating collaborations between etic-emic viewpoints, but always striving to preserve and privilege the latter. It is possible when reading Kevin's writings, and the contributions gathered here, to 'center the local' by thinking within local horizons of meaning. Introduction by Benedict Copps An Introduction to Amdo Tibetan Love Songs, or La gzhas by Skal bzang nor bu A Bibliographic Note and Table on Mid-19th to Mid-20th Century Western Travelogues and Research Reports on Gansu and Qinghai by Bianca Horrleman The Last Outstanding Mongghul Folksong Singer by Limusishiden Slinking Between Realms: Musk Deer as Prey in Yi Oral Literature by Mark Bender Describing and Transcribing the Phonologies of the Amdo Sprachbund by Juha Janhunen Animals Good for Healing: On Experiences with Folk Healers in Inner Mongolia (China) by Peter Knecht Ethnicity and Cultural Diversity on the Northeast Tibetan Plateau: Sanchuan's Weather Management Rituals in Comparative Context by Gerald Roche Herds on the Move: Transformations in Tibetan Nomadic Pastoral Systems by Daniel Miller 'Zomia': New Constructions of the Southeast Asian Highlands and Their Tibetan Implications by Geoffrey Samuel Witness to Change: A Tibetan Woman Recalls her Life by Nangchukja A Group of Mural Paintings from the 1930s in A mdo Reb gong by Rob Linrothe Kevin Stuart among Mongolian English-learners in Huhhot in the Mid-1980s by Mandula Borjigin, Narisu Narisu, and Chuluu Ujiyediin མདོ་སྨད་ཡུལ་གྱི་བོད་དབྱིན་སློབ་གསོའི་གནས་བབ་གླེང་བ - བུན་ཁྲང་རྒྱལ
This study of Rgyas bzang (Jizong) Village includes a brief summary of G.yu 'brug's life, local languages and location, agriculture, sleeping, eating, childbirth and child raising, stone houses, stone towers, taboos and customs, and folktales, a short story, annual religious rituals, death rituals, pilgrimage to Mount Dmu rdo, marriage, education, a glossary of non-English terms, a Rgyas bzang Tibetan Dialect-English word list, and an English-Rgyas bzang Tibetan Dialect word list.
The SAGE Encyclopedia of Music and Culture presents key concepts in the study of music in its cultural context and provides an introduction to the discipline of ethnomusicology, its methods, concerns, and its contributions to knowledge and understanding of the world's musical cultures, styles, and practices. The diverse voices of contributors to this encyclopedia confirm ethnomusicology's fundamental ethos of inclusion and respect for diversity. Combined, the multiplicity of topics and approaches are presented in an easy-to-search A-Z format and offer a fresh perspective on the field and the subject of music in culture. Key features include: Approximately 730 signed articles, authored by prominent scholars, are arranged A-to-Z and published in a choice of print or electronic editions Pedagogical elements include Further Readings and Cross References to conclude each article and a Reader’s Guide in the front matter organizing entries by broad topical or thematic areas Back matter includes an annotated Resource Guide to further research (journals, books, and associations), an appendix listing notable archives, libraries, and museums, and a detailed Index The Index, Reader’s Guide themes, and Cross References combine for thorough search-and-browse capabilities in the electronic edition
Cultural China is a unique annual publication for up-to-date, informed, and accessible commentary about Chinese and Sinophone languages, cultural practices, politics and production, and their critical analysis. It builds on the University of Westminster’s Contemporary China Centre Blog, providing additional reflective introductory pieces to contextualise each of the eight chapters. The articles in this Review speak to the turbulent year that was 2020 as it unfolded across cultural China. Thematically, they range from celebrity culture, fashion and beauty, to religion and spirituality, via language politics, heritage, and music. Pieces on representations of China in Britain and the Westminster Chinese Visual Arts Project reflect our particular location and home. Many of the articles in this book focus on the People’s Republic of China, but they also draw attention to the multiple Chinese and Sinophone cultural practices that exist within, across, and beyond national borders. The Review is distinctive in its cultural studies-based approach and contributes a much-needed critical perspective from the Humanities to the study of cultural China. It aims to promote interdisciplinary dialogue and debate about the social, cultural, political, and historical dynamics that inform life in cultural China today, offering academics, activists, practitioners, and politicians a key reference with which to situate current events in and relating to cultural China in a wider context.
Tibetan Buddhism teaches compassion toward all beings, a category that explicitly includes animals. Slaughtering animals is morally problematic at best and, at worst, completely incompatible with a religious lifestyle. Yet historically most Tibetans—both monastic and lay—have made meat a regular part of their diet. In this study of the place of vegetarianism within Tibetan religiosity, Geoffrey Barstow explores the tension between Buddhist ethics and Tibetan cultural norms to offer a novel perspective on the spiritual and social dimensions of meat eating. Food of Sinful Demons shows the centrality of vegetarianism to the cultural history of Tibet through specific ways in which nonreligious norms and ideals shaped religious beliefs and practices. Barstow offers a detailed analysis of the debates over meat eating and vegetarianism, from the first references to such a diet in the tenth century through the Chinese invasion in the 1950s. He discusses elements of Tibetan Buddhist thought—including monastic vows, the Buddhist call to compassion, and tantric antinomianism—that see meat eating as morally problematic. He then looks beyond religious attitudes to examine the cultural, economic, and environmental factors that oppose the Buddhist critique of meat, including Tibetan concepts of medicine and health, food scarcity, the display of wealth, and idealized male gender roles. Barstow argues that the issue of meat eating was influenced by a complex interplay of factors, with religious perspectives largely supporting vegetarianism while practical concerns and secular ideals pulled in the other direction. He concludes by addressing the surge in vegetarianism in contemporary Tibet in light of evolving notions of Tibetan identity and resistance against the central Chinese state. The first book to discuss this complex issue, Food of Sinful Demons is essential reading for scholars interested in Tibetan religion, history, and culture as well as global food history.
Sonam Doomtso (b. 1987) describes her lived experiences and recollections encompassing the first twenty years of her life. These include living on the grassland in Sichuan Province, experiences with relatives and neighbors; attending schools; moving to Lhasa; religious fasting; pilgrimage; encounters with marmot hunters; attending school in Xining City; and the death of her beloved grandfather.
Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian.
Winner of the International Lannan Literary Award for Nonfiction Animal tracks, word magic, the speech of stones, the power of letters, and the taste of the wind all figure prominently in this intellectual tour de force that returns us to our senses and to the sensuous terrain that sustains us. This major work of ecological philosophy startles the senses out of habitual ways of perception. For a thousand generations, human beings viewed themselves as part of the wider community of nature, and they carried on active relationships not only with other people with other animals, plants, and natural objects (including mountains, rivers, winds, and weather patters) that we have only lately come to think of as "inanimate." How, then, did humans come to sever their ancient reciprocity with the natural world? What will it take for us to recover a sustaining relation with the breathing earth? In The Spell of the Sensuous David Abram draws on sources as diverse as the philosophy of Merleau-Ponty, Balinese shamanism, Apache storytelling, and his own experience as an accomplished sleight-of-hand of magician to reveal the subtle dependence of human cognition on the natural environment. He explores the character of perception and excavates the sensual foundations of language, which--even at its most abstract--echoes the calls and cries of the earth. On every page of this lyrical work, Abram weaves his arguments with a passion, a precision, and an intellectual daring that recall such writers as Loren Eisleley, Annie Dillard, and Barry Lopez.