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Imagen y palabra: En torno a "El Cristo de Velázquez" es un análisis estilístico e interpretativo del Poema cristológico de Miguel de Unamuno. El poema está inspirado en el famoso cuadro del pintor español Diego Velázquez. Unamuno comienza a componer estos poemas poco después de haber publicado su magna obra, "Del sentimiento trágico de la vida" (1913). En el poemario el Rector expone todos sus pensamientos y pensamientos en torno a la figura de Cristo. Es un poemario con profundas raíces bíblicas. A través de cada poema, escrito en clásicos endecasílabos, el poeta refleja su profunda fe en el Cristo Crucificado. Junto a su obra póstuma, "Diario intimo", esta obra poética no deja lugar a duda de que el conflictivo don Miguel murió creyente. Se encuentra aquí, pues, el "Unamuno contemplativo" frente al "Unamuno agónico" de los críticos. Eliezer Oyola hace un examen minucioso de cada poema, notando las alusiones bíblicas, literarias, históricas y mitológicas.
This anthology of plays from the Spanish Golden Age brings together the work of canonical writers, female writers who are rapidly achieving canonical status, and lesser-known writers who have recently gained critical attention. It contains the full text of fifteen plays; an introduction to each play with information about the author, the work, performance issues, and current criticism; and glosses with definitions of difficult words and concepts. The extensive bibliography provides opportunities for further research.
More than one million bereaved Catholic families have drawn comfort from the pastoral wisdom of Msgr. Joseph M. Champlin (1930-2008) in Through Death to Life since its original publication in 1979. This leading Catholic funeral planning resource contains all of the approved lectionary readings and other liturgical texts needed to celebrate a funeral Mass. Two distinct numbering systems in the volume coincide with official liturgical books as well as Ave's Funeral Mass and Rite of Committal card set for presiders. This easy-to-use aid is a practical tool for priests, deacons, and lay pastoral ministers as they help grieving Catholics plan the funeral of a loved one. Families can select the readings and prayers that they find most fitting for the Mass and record them on an easy-to-follow selection sheet, which is included with the book. This information is given to the presiding priest or his designate to prepare the funeral liturgy. A comforting pastoral introduction and an appendix explaining Church teaching on the practice of cremation are included.
Todo católico debiera tener esta libro de oraciones entre otras: tiene el Orden de la Misa en español con el texto en latín en páginas opuestas, una guía para la Confesión, y numerosas devociones como la preparación y acción de gracias de la Comunión, el Santo Rosario, el Vía Crucis, etc. This Spanish edition of Handbook of Prayers is a popular, compact treasury of prayers that includes basic prayers from the Manual of Indulgences; the Order of Mass in Spanish and Latin; a guide to a good confession; and devotions to the Blessed Trinity, Our Lord Jesus Christ, the Holy Spirit, the Blessed Virgin Mary, and St. Joseph.
No existe un Steve Jobs, sino que debemos hablar de cuatro Jobs (el joven indeciso que no sabe qué hacer con su vida, el fundador de Apple, el hijo pródigo propietario de Pixar y su regreso triunfal a la marca de la manzana con el lanzamiento del iPod, el iPhone y el iPad). En todas sus vidas el éxito ha sido el denominador común, un éxito alcanzado gracias a un talento desmesurado, un carisma arrollador y una dedicación absoluta a la persecución de sus objetivos. Sin duda una obra de referencia sobre uno de los grandes genios de nuestra época.
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Visual Propaganda, Exhibitions, and the Spanish Civil War is a history of art during wartime that analyzes images in various media that circulated widely and were encountered daily by Spaniards on city walls, in print, and in exhibitions. Tangible elements of the nation?s past?monuments, cultural property, and art-historical icons?were displayed in temporary exhibitions and museums, as well as reproduced on posters and in print media, to rally the population, define national identity, and reinvent distant and recent history. Artists, political-party propagandists, and government administrators believed that images on the street, in print, and in exhibitions would create a community of viewers, brought together during the staging of public exhibitions to understand their own roles as Spaniards. This book draws on extensive archival research, brings to light unpublished documents, and examines visual propaganda, exhibitions, and texts unavailable in English. It engages with questions of national self-definition and historical memory at their intersections with the fine arts, visual culture, exhibition history, tourism, and propaganda during the Spanish Civil War and immediate post-war period, as well as contemporary responses to the contested legacy of the Spanish Civil War. It will be of interest to scholars in art history, visual and cultural history, history, and museum studies.
Seventeenth-century Spain witnessed a rich flowering of dramatic activity that paralleled the Renaissance stage in other European countries. Yet this Golden Age traditionally has been represented in print almost entirely by male playwrights. With Women's Acts, Teresa Scott Soufas makes available eight plays by five long-neglected women dramatists: Angela de Azevedo, Ana Caro Mallen de Soto, Leonor de la Cueva y Silva, Feliciana Enriquez de Guzman, and Maria de Zayas y Sotomayor. In her introduction, Soufas reviews the development of sixteenth- and seventeenth-century Spanish drama while focusing on the position of women during this period, the significance of these plays, and the issues the playwrights address. Each dramatist's section opens with an overview of the author's life and professional activity, a synopsis of her work(s), and a selected bibliography.