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Two decades on from 9/11, the Taliban now control more than half of Afghanistan. Few would have foreseen such an outcome, and there is little understanding of how Afghans living in Taliban territory have navigated life under insurgent rule. Based on over 400 interviews with Taliban and civilians, this book tells the story of how civilians have not only bargained with the Taliban for their survival, but also ultimately influenced the course of the war in Afghanistan. While the Taliban have the power of violence on their side, they nonetheless need civilians to comply with their authority. Both strategically and by necessity, civilians have leveraged this reliance on their obedience in order to influence Taliban behaviour. Challenging prevailing beliefs about civilians in wartime, Negotiating Survival presents a new model for understanding how civilian agency can shape the conduct of insurgencies. It also provides timely insights into Taliban strategy and objectives, explaining how the organisation has so nearly triumphed on the battlefield and in peace talks. While Afghanistan's future is deeply unpredictable, there is one certainty: it is as critical as ever to understand the Taliban--and how civilians survive their rule.
At its peak the British Empire covered approximately one quarter of the Earth's total land area and ruled over the same proportion of the world's population: its boundaries stretched from Birmingham to Bombay, from Cairo to Cape Town, and from Winnipeg to Wagga-Wagga. In this unique book, Ashley Jackson takes the reader on a richly informative tour of the empire 'on which the sun never set', examining the representations of empire that informed the world view of hundreds of millions of people. In a sequence of elegantly written chapters Mad Dogs and Englishmen examines every aspect of the largest imperium the world has seen, from its district commissioners to dependent territories, from its armed forces to its architecture, and from its music to its monarchy. Ashley Jackson's text is as accessible as it is scholarly, and is amplified and embellished by imperial imagery from an exceptionally wide range of media. Authoritative, sumptuous, and written by a scholar who is steeped in knowledge of the period, Mad Dogs and Englishmen evokes the fascinating sights and sounds that the British Empire presented to its citizens, and thereby brings a unique period of British and world history unforgettably to life.
Uniquely endowed with talent, energy and determination, Winston Churchill was, as a close wartime colleague put it, 'unlike anyone you have ever met before'. To many, he was the saviour of the nation, even of Western civilization, 'the greatest Briton' who ever lived. Others would have agreed with Evelyn Waugh who described him 'always in the wrong, surrounded by crooks, a terrible father, a radio personality'. Whatever one's view, Winston Churchill remains splendidly unreduced and enormous fun. Ashley Jackson describes the contours and contradictions of Churchill's remarkable life and career as a soldier, politician, historian, journalist, painter and homemaker. In doing so, he resists the temptation to conflate Churchill's post-war career with Britain's demise on the international stage. Nor does he endorse the notion that Churchill became an anachronism as he lived and continued to work, at a prodigious rate, through his seventies and eighties. From thrusting subaltern to high-flying politician, Cabinet outcast to elder statesman, this is the eternally fascinating story of Winston Churchill's appointment with destiny.
From the eighteenth century until the 1950s the British Empire was the biggest political entity in the world. The territories forming this empire ranged from tiny islands to vast segments of the world's major continental land masses. The British Empire left its mark on the world in a multitude of ways, many of them permanent. In this Very Short Introduction, Ashley Jackson introduces and defines the British Empire, reviewing its historiography by answering a series of key questions: What was the British Empire, and what were its main constituent parts? What were the phases of imperial expansion and contraction and the general causes of expansion and contraction? How was the Empire ruled? What were its economic effects? What were the cultural implications of empire, in Britain and its colonies? What was life like for people living under imperial rule? What are the legacies of the British Empire and how should we view its place in world history? ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
“Offers us a fascinating new perspective on the Second World War—its impact on local societies in the Middle East.” (Richard J. Aldrich, author of The Black Door) This dynamic history is the first to construct a total picture of the experience and impact of World War II in Iran and Iraq. Contending that these two countries were more important to the Allied forces’ war operations than has ever been acknowledged, historian Ashley Jackson investigates the grand strategy of the Allies and their operations in the region and the continuing legacy of Western intervention in the Middle East. Iran and Iraq served as the first WWII theater in which the U.S., the U.K., and the U.S.S.R. fought alongside each other. Jackson charts the intense Allied military activity in Iran and Iraq and reveals how deeply the war impacted common people’s lives. He also provides revelations about the true nature of Anglo-American relations in the region, the beginnings of the Cold War, and the continuing corrosive legacy of Western influence in these lands. “Skillfully brings together the complex range of developments that took place in Iraq and Iran during the Second World War.” —Evan Mawdsley, author of December 1941 “A brilliant book that confirms Ashley Jackson’s place among the preeminent scholars of the British empire.” —Joe Maiolo, author of Cry Havoc “Consistently fascinating and thought-provoking.” —Simon Ball, author of The Bitter Sea “In this lucid work, filled with telling details and well-crafted arguments, Jackson has finally revealed the undoubted significance of Iran and Iraq to the wider war.” —Niall Barr, author of Eisenhower's Armies
A collection of drawings by the landscape artist famed for his moody portrayals of the Yorkshire moors, including his personal reflections. I am not one for pretty pictures. Perhaps when I am long gone this will be a quote that I am remembered for alongside my paintings. For you will mostly find me in the gallery on a sunny day and out on the moors when it is at its most inhospitable, for these are the days that captivate me. Ashley Jackson's Watercolour Sketches is a collection of the artist’s raw drawings combined with his intimate thoughts and feelings. Jackson uses his sketchbook the same way others create diaries of words, and it reflects his relationship with the Yorkshire landscape. Originally intended only as his personal recollections, they are now shared in this book, allowing us to join him in his artistic journey and conversation with nature.
Ashley Jackson The Yorkshire Artist' contains a collection of paintings that have been personally chosen by the artist to bring together his personal memories and intimate reflections of the emotions and atmosphere that he has captured in each watercolour painting. As he explains, 'All artists paint what inspires them, what allows them to capture what they see with their eyes with their hands and heart. We all have differing inspirations, mediums and connections with our subject mine is the Yorkshire Moors.' From the open moorland of Marsden Moor to the inhabited landscape of Whitby, this book brims with what Ashley does best; capturing the atmospheric skies and drama of the landscape. As Ashley explains, 'I have strived throughout my life to witness and portray every mood swing of nature as she takes a stand against all that the elements throw at her, whether that be rain, wind, snow or fire.' You will truly find Ashley Jackson and his 'Yorkshire Mistress', as he calls the Yorkshire landscape, laid bare in these stunning paintings.
Ashley Jackson has had an extremely distinctive and illustrious life in the world of art. Since opening his first gallery back in 1963, he has become one of the country's leading and most successful landscape watercolorists. His unique evocative and distinctive paintings of brooding moorlands have become synonymous with Yorkshire, and more particular the moors above and around his Gallery situated in the heart of the Pennines, Holmfirth. His works have been exhibited worldwide, and adorn the walls of many successful and famous people, from politicians to actors, from Tsars to Princes. Ashley was honored when former US President, Bill Clinton, an avid art collector, was presented with an original watercolor. Ashley, throughout his career, has always been an ambassador for the arts. He has strived through his life to encourage people not just to take up art, but to appreciate the beauty of the landscape around us. His exhibitions have included "Ashley Jackson One Man Exhibition" at Patchings Artfarm, Calverton Notts in 2003 and "Ashley Jackson's Yorkshire Moors—a love affair"—Victoria Quarter, Leeds in 2002. He has also held exhibitions in New York, Chicago and Milan. His awards include the 2006 Life Time Achievement Award from Yorkshire Awards, and the 2007 Life Time Achievement Award from the Huddersfield Examiner. He is the present day Ambassador for Northernart. The local artist has done extensive charity work in the past and is part of the Prince's Trust.
This is the first full study of an African country during the Second World War. Unusually, it provides both an Africanist and an imperial perspective. Using extensive archival and oral evidence, Ashley Jackson explores the social, economic, political, agricultural, and military history ofBotswana. He examines Botswana's military contribution to the war effort and the impact of the war on the African home front. The book focuses on events and personalities `on the ground' in Africa and also on their interaction with and impact upon events and personalities in distant imperialcentres, such as Whitehall and the wartime British Army headquarters in the Middle East. The attitudes, aims, and actions of all levels of colonial society - British rulers, African chiefs, military officials, ordinary African men and women - are considered, producing a `total history' of an Africancountry at war.