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William Hannibal Thomas (1843–1935) served with distinction in the U.S. Colored Troops in the Civil War (in which he lost an arm) and was a preacher, teacher, lawyer, state legislator, and journalist following Appomattox. In many publications up through the 1890s, Thomas espoused a critical though optimistic black nationalist ideology. After his mid-twenties, however, Thomas began exhibiting a self-destructive personality, one that kept him in constant trouble with authorities and always on the run. His book The American Negro (1901) was his final self-destructive act. Attacking African Americans in gross and insulting language in this utterly pessimistic book, Thomas blamed them for the contemporary “Negro problem” and argued that the race required radical redemption based on improved “character,” not changed “color.” Vague in his recommendations, Thomas implied that blacks should model themselves after certain mulattoes, most notably William Hannibal Thomas. Black Judas is a biography of Thomas, a publishing history of The American Negro, and an analysis of that book’s significance to American racial thought. The book is based on fifteen years of research, including research in postamputation trauma and psychoanalytic theory on selfhatred, to assess Thomas’s metamorphosis from a constructive race critic to a black Negrophobe. John David Smith argues that his radical shift resulted from key emotional and physical traumas that mirrored Thomas’s life history of exposure to white racism and intense physical pain.
This book traces the history of mob violence in North and South Carolina, probing the origins of a phenomenon that has left an open wound in the American psyche. Lynching marked the violent outer boundaries of race and class relations in the American South between Reconstruction and the civil rights era. Everyday interactions could easily escalate into mob violence and did so thousands of times. Bruce E. Baker examines this important aspect of American history by studying seven lynchings in North and South Carolina and looking behind the superficial accounts and explanations provided at the time to explain the deeper causes and wider contexts of these events. Many studies of lynching begin only after Reconstruction had ended and African- Americans found themselves with little political power. This Mob Will Surely Take My Life, however, provides the most thorough study yet written of the Ku Klux Klan's most violent episode - the killing of thirteen black militia members in Union, South Carolina, in 1871- to argue that this act of mob violence set the stage in important ways for the entire lynching era. Enmities born in Reconstruction lingered afterwards and lay behind an 1887 lynching in York County, South Carolina. As lynching became an unsurprising part of life in the South, African-Americans even found that they could use it themselves, in one case to punish a child's killer and in another to settle a church's factional squabbles. The book ends with a discussion of the varied forces that opposed lynching and how, by the 1930s, they had begun to be effective.