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"I will destroy you." I have searched for her for over half my life. Every night, I see her face in my dreams. Every morning, I wake to those words seared into my mind. She'll be my everything, the thing I've been searching for, the thing to complete me. The one who will choose to sit at my feet and serve me... the one I will never let go. But when I find her... She's a smart-mouthed, annoying, obnoxious little brat. Alice Benson is nothing but snark, chaos, and glitter, all rolled up into a tattooed curvy little body made to drive me to sin. As hard as I try to avoid her, I can't get her out of my head. I can't stop watching her. I can't stop wanting her. But when she finally opens up to me... I realize destruction never tasted so sweet. This is an interconnected standalone in the AnchorX series. It takes place after Let's Play a Game. This book was originally published under the title How to Tame a Brat. The content of the book has not changed.
What is science fiction's mass market appeal? In what ways do its devotees treat it like a religion? This book includes analyses of science fiction writers like Isaac Asimov, as well as programmes like Star Trek and 2001.
Sin City Gangsters: The Rise and Decline of the Mob in Las Vegas is a fast-paced account of how the mob created and controlled Las Vegas. It contains accounts of how the most powerful mobsters in the country built, bought, and controlled not only gambling casinos in Vegas, but also many important politicians, who did the mob’s bidding. Some of the more notorious mobsters were Bugsy Siegel, Meyer Lansky, Moe Dalitz, Sam Giancana, Tony Accardo, and Nick Civella, as well as the men they chose to carry out their plans, such as Tony Spilotro, Lefty Rosenthal, and Donald Angelini. Sin City Gangsters devotes a chapter to Jimmy Hoffa, and how the Teamsters Pension Fund financed the mob’s casinos. The book also offers fascinating accounts of the roles of Frank Sinatra and Elvis Presley in Vegas. Another chapter is devoted to Howard Hughes, who arrived in the dead of night in a sealed, germ-free railroad car and did not leave his suite at the Desert Inn for years. During that time he bought one casino after another as if playing Monopoly. Following his exit and that of the mob, Vegas became the domain of Jay Sarno, Kirk Kerkorian, Steve Wynn, and Sheldon Adelson. They were visionaries who transformed Vegas into the entertainment capital of the world by building billion-dollars-plus resorts and hiring the most popular contemporary entertainers. Sin City Gangsters is the only book that charts Vegas from the first modest mob-owned casinos to the present billion-dollar-resorts; its cast of characters is an assembly of exceedingly ambitious risk takers who let nothing stand in their way of turning their dreams into stunning realities.
The e-mail Danny and Allison read on their new computer in 1996 looks no different from the millions of others received by Web users around the world, with one glaring exception--it was sent by their dads who died during the 1970s. While residing in the afterworld at an amenity-laden paradise called Midway Manor, guitar-strumming Mickey Parks and piano-playing Lloyd Wallace monitor and manipulate the lives of their adult children on earth from the mid-'70s through the 1990s. Tampering with the facility's sophisticated computer, the dads thrust Mickey's daughter Allison and Lloyd's son Danny into a passionate but sometimes stormy relationship-a relationship steeped in Danny's heavy drinking and entangled in the often-zany world of men's adventure magazine publishing. After carefully implementing a plan to send their son and daughter a gift of knowledge that could enrich their lives forever, the dads' brief contact is cut short. They are banished to another destination in the afterworld, but not before they impart indisputable proof of life after death--and unwittingly put Danny's and Allison's earthbound lives on the line.
A comprehensive exploration of the final four decades of David Bowie’s musical career—covering every song he wrote, performed, or produced In Ashes to Ashes, the ultimate David Bowie expert offers a song-by-song retrospective of the legendary pop star's musical career from 1976 to 2016. Starting with Low, the first of Bowie's Berlin albums, and finishing with Blackstar—his final masterpiece released just days before his death in 2016—each song is annotated in depth and explored in essays that touch upon the song's creation, production, influences and impact.
John Green meets Rainbow Rowell in this irresistible story of first love, broken hearts, and the golden seams that put them back together again. Henry Page has never been in love. He fancies himself a hopeless romantic, but the slo-mo, heart palpitating, can't-eat-can't-sleep kind of love that he's been hoping for just hasn't been in the cards for him—at least not yet. Instead, he's been happy to focus on his grades, on getting into a semi-decent college and finally becoming editor of his school newspaper. Then Grace Town walks into his first period class on the third Tuesday of senior year and he knows everything's about to change. Grace isn't who Henry pictured as his dream girl—she walks with a cane, wears oversized boys' clothes, and rarely seems to shower. But when Grace and Henry are both chosen to edit the school paper, he quickly finds himself falling for her. It's obvious there's something broken about Grace, but it seems to make her even more beautiful to Henry, and he wants nothing more than to help her put the pieces back together again. And yet, this isn't your average story of boy meets girl. Krystal Sutherland's brilliant debut is equal parts wit and heartbreak, a potent reminder of the bittersweet bliss that is first love.
Richard Burridge invites readers to journey through the season of Lent with devotional readings that combine Scripture with stories from science fiction and popular culture.
For every athlete or sports fanatic who knows she's just as good as the guys. This is for fans of The Running Dream by Wendelin Van Draanen, Grace, Gold, and Glory by Gabrielle Douglass and Breakaway: Beyond the Goal by Alex Morgan. The summer before Caleb and Tessa enter high school, friendship has blossomed into a relationship . . . and their playful sports days are coming to an end. Caleb is getting ready to try out for the football team, and Tessa is training for cross-country. But all their structured plans derail in the final flag game when they lose. Tessa doesn’t want to end her career as a loser. She really enjoys playing, and if she’s being honest, she likes it even more than running cross-country. So what if she decided to play football instead? What would happen between her and Caleb? Or between her two best friends, who are counting on her to try out for cross-country with them? And will her parents be upset that she’s decided to take her hobby to the next level? This summer Caleb and Tessa figure out just what it means to be a boyfriend, girlfriend, teammate, best friend, and someone worth cheering for. “A great next choice for readers who have enjoyed Catherine Gilbert Murdock’s Dairy Queen and Miranda Kenneally’s Catching Jordan.”—SLJ “Fast-paced football action, realistic family drama, and sweet romance…[will have] readers looking for girl-powered sports stories…find[ing] plenty to like.”—Booklist “Tessa's ferocious competitiveness is appealing.”—Kirkus Reviews “[The Football Girl] serve[s] to illuminate the appropriately complicated emotions both of a young romance and of pursuing a dream. Heldring writes with insight and restraint.”—The Horn Book
This book provides a reimagining of how Western law and legal theory structures the human–earth relationship. As a complement to contemporary efforts to establish rights of nature and non-human legal personhood, this book focuses on the other subject in the human–earth relationship: the human. Critical ecological feminism exposes the dualistic nature of the ideal human legal subject as a key driver in the dynamic of instrumentalism that characterises the human–earth relationship in Western culture. This book draws on conceptual fields associated with the new sciences, including new materialism, posthuman critical theory and Big History, to demonstrate that the naturalised hierarchy of humans over nature in the Western social imaginary is anything but natural. It then sets about constructing a counternarrative. The proposed ‘Cosmic Person’ as alternative, non-dualised human legal subject forges a pathway for transforming the Western cultural understanding of the human–earth relationship from mastery and control to ideal co-habitation. Finally, the book details a case study, highlighting the practical application of the proposed reconceptualisation of the human legal subject to contemporary environmental issues. This original and important analysis of the legal status of the human in the Anthropocene will be of great interest to those working in legal theory, jurisprudence, environmental law and the environmental humanities; as well as those with relevant interests in gender studies, cultural studies, feminist theory, critical theory and philosophy.