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Written in two voices, "Ashes of Izalco" is a collaborative novel by Claribel Alegrfa and Darwin Flakoll, a love story set against the events of 1932 when thirty thousand Indians and peasants were massacred in Izalco, El Salvador. "Ashes of Izalco" brings together a Salvadoran woman and an American man who together struggle over issues of love, loyalty and socio-political injustices.
An elaborate, elegant homage to the great Czech storyteller Bohumil Hrabal (author of Closely Watched Trains), The Book of Hrabal is also a farewell to the years of communism in Eastern Europe and a glowing paean to the mixed blessings of domestic life.
Luisa, a young girl growing up in El Salvador tries to adapt to her country's violent and changing character
Halting Steps represents the most complete single-volume retrospective in English of Claribel Alegr a's seven-decade career. The volume collects all of Alegr a's poems from her fourteen previously published books and debuts several new poems under the title "Otherness." Alegr a was born in Nicaragua during the United States occupation of that country. Alegr a's family opposed the occupation and moved to El Salvador, where she grew up. Her poetry is not only lyrical and introspective but also po-litically engaged. Her verse has always spoken forcefully, specifically, and fearlessly to matters of social justice in her region. She strikes a universal theme, however, in giving a voice to individuals of all classes in their struggle against oppression, but especially women who must contend with a system in which men hold the power and women are ex-cluded. Alegr a demonstrates her remarkable range with deeply personal poems, perhaps most notably in the poem cycle "Sorrow," as she moves steadily through the waves of grief she experiences after her husband's death. In Halting Steps, both longtime admirers and those new to her work can appreciate the sustained creative power of Claribel Alegr a's poems.
This vivid exposé of corruption and political tyranny in the Dominican Republic rang so true to the reality that the President of that country went on television to denounce the book. Sención's novel follows the lives of three seminary students who suffer from church-state oppression. The book also gives a chilling portrait of Dr. Ramos, a sinister autocrat, who manages to survive six terms as president of his country through manipulation and tyranny.
Current scholarship on Latin American historical fiction has failed to take feminism and postcolonialism into account. This study uses these important contemporary discourses as a starting point for a new definition of the Latin American historical novel that includes national identity, magical realism, historical intertextuality, and symbolism.
In her funny, idiosyncratic, and propulsive new novel, Art Is Everything, Yxta Maya Murray offers us a portrait of a Chicana artist as a woman on the margins. L.A. native Amanda Ruiz is a successful performance artist who is madly in love with her girlfriend, a wealthy and pragmatic actuary named Xōchitl. Everything seems under control: Amanda’s grumpy father is living peacefully in Koreatown; Amanda is about to enjoy a residency at the Guggenheim Museum in New York and, once she gets her NEA, she’s going to film a groundbreaking autocritical documentary in Mexico. But then everything starts to fall apart when Xōchitl’s biological clock begins beeping, Amanda’s father dies, and she endures a sexual assault. What happens to an artist when her emotional support vanishes along with her feelings of safety and her finances? Written as a series of web posts, Instagram essays, Snapchat freakouts, rejected Yelp reviews, Facebook screeds, and SmugMug streams-of-consciousness that merge volcanic confession with eagle-eyed art criticism, Art Is Everything shows us the painful but joyous development of a mid-career artist whose world implodes just as she has a breakthrough.
From The Other Boleyn Girl to Fingersmith , this collection explores the popularity of female-centred historical novels in recent years. It asks how these representations are influenced by contemporary gender politics, and whether they can be seen as part of a wider feminist project to recover women's history.
In this sweeping history of United States policy toward Latin America, Lars Schoultz shows that the United States has always perceived Latin America as a fundamentally inferior neighbor, unable to manage its affairs and stubbornly underdeveloped. This perception of inferiority was apparent from the beginning. John Quincy Adams, who first established diplomatic relations with Latin America, believed that Hispanics were lazy, dirty, nasty...a parcel of hogs. In the early nineteenth century, ex-President John Adams declared that any effort to implant democracy in Latin America was as absurd as similar plans would be to establish democracies among the birds, beasts, and fishes. Drawing on extraordinarily rich archival sources, Schoultz, one of the country's foremost Latin America scholars, shows how these core beliefs have not changed for two centuries. We have combined self-interest with a civilizing mission--a self-abnegating effort by a superior people to help a substandard civilization overcome its defects. William Howard Taft felt the way to accomplish this task was to knock their heads together until they should maintain peace, while in 1959 CIA Director Allen Dulles warned that the new Cuban officials had to be treated more or less like children. Schoultz shows that the policies pursued reflected these deeply held convictions. While political correctness censors the expression of such sentiments today, the actions of the United States continue to assume the political and cultural inferiority of Latin America. Schoultz demonstrates that not until the United States perceives its southern neighbors as equals can it anticipate a constructive hemispheric alliance.
A lucid and strikingly beautiful new collection which looks at the face of mortality, love, and aging, to explore the personal as well as universal questions that face each human being.