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Artists Leo and Diane Dillon won their second consecutive Caldecott Medal for this stunning ABC of African culture. "Another virtuoso performance. . . . Such an astute blend of aesthetics and information is admirable, the child's eye will be rewarded many times over."--Booklist. ALA Notable Book; Caldecott Medal.
"In this Caldecott Medal winner, Mosquito tells a story that causes a jungle disaster. "Elegance has become the Dillons' hallmark. . . . Matching the art is Aardema's uniquely onomatopoeic text . . . An impressive showpiece." -Booklist, starred review. Winner of Caldecott Medal in 1976 and the Brooklyn Art Books for Children Award in 1977.
Yatandou lives in a Mali village with her family and neighbors. And though she is only eight years old and would much rather play with her pet goat, she must sit with the women and pound millet kernels. To grind enough millet for one day's food, the women must pound the kernels with their pounding sticks for three hours. It is hard work, especially when one is eight years old. But as they work, the women dream of a machine that can grind the millet and free them from their pounding sticks. But the machine will only come when the women have raised enough money to buy it. Yatandou must help raise the money, even if it means parting with something she holds dear. Through the eyes and voice of a young girl, award-winning author Gloria Whelan brings to life one village's dream of a better future. Atmospheric paintings from artist Peter Sylvada capture the landscape and spirit of this inspiring story of sacrifice and hope.
Discover the exhilarating diversity of the African continent in storyteller Atinuke’s kaleidoscopic nonfiction guide to the people, flora, and fauna of all fifty-five countries. A Nigerian storyteller explores the continent of Africa country by country: its geography, peoples, animals, history, resources, and cultural diversity. The book is divided into five distinct sections—South, East, West, Central, and North—and each country is showcased on its own bright, energetic page brimming with friendly facts on science, industry, food, sports, music, wildlife, landscape features, even snippets of local languages. The richest king, the tallest sand dunes, and the planet’s largest waterfall all make appearances along with drummers, cocoa growers, inventors, balancing stones, salt lakes, high-tech cities, and nomads who use GPS! Atinuke’s lively and comprehensive introduction to all fifty-five African countries—a celebration scaled to dazzle and delight even very young readers—evokes the continent’s unique blend of modern and traditional. Complete with colorful maps, an index, and richly patterned and textured illustrations by debut children’s book artist Mouni Feddag, Africa, Amazing Africa is both a beautiful gift book and an essential classroom and social studies resource.
Scott Joplin came from a music-making family in Texarkana, Texas. As a small boy, he loved the lively, rhythmic African melodies and the soft, touching spirituals that he heard his father sing. By the age of twenty, Joplin had left home to make a living as a musician. Barbara Mitchell's Raggin' is the story of this talented composer/musician who overcame prejudice and hardship to create such favorites as "Maple Leaf Rag" and "The Entertainer"--music that still makes people tap their toes.
This authoritative military history chronicles the significant but overlooked colonial wars between the British and the Asante of West Africa. Throughout the nineteenth century, Britain fought three major wars, and two minor ones, with the Asante people of West Africa. Like the Zulus, the Asante were a warrior nation who offered a tough adversary for the British regulars. And yet these wars are rarely studied and little understood. In this insightful and vividly detailed volume, Stephen Manning sheds much-needed light on the history of this neglected colonial conflict. In the war of 1823–6, the British endured a defeat so absolute that the British governor’s head was severed and taken to the Asante king. Fifty years later, Sir Garnet Wolseley overcame many of the challenges British expeditionary forces faced in the jungle region known as ‘The White Man’s Grave’. Finally, the 1900 campaign culminated in the epic defeat of the Asante at the British fort in Kumasi. Stephen Manning’s account, which is based on Asante as well as British sources, offers a fascinating view from both sides of one of the most remarkable and protracted struggles of the colonial era.
Nora waits hungrily for her mother to return from work and her father to finish preparing dinner. To pass the time, her Baba tells her abotu his childhood in Morocco and a much longer and hungrier wait for his father to bring back food during the famine.
The Afro-Bets Kids explore the cultural diversity and rich history of Africa.
Black Jews in Africa and the Americas tells the fascinating story of how the Ashanti, Tutsi, Igbo, Zulu, Beta Israel, Maasai, and many other African peoples came to think of themselves as descendants of the ancient tribes of Israel. Pursuing medieval and modern European race narratives over a millennium in which not only were Jews cast as black but black Africans were cast as Jews, Tudor Parfitt reveals a complex history of the interaction between religious and racial labels and their political uses. For centuries, colonialists, travelers, and missionaries, in an attempt to explain and understand the strange people they encountered on the colonial frontier, labeled an astonishing array of African tribes, languages, and cultures as Hebrew, Jewish, or Israelite. Africans themselves came to adopt these identities as their own, invoking their shared histories of oppression, imagined blood-lines, and common traditional practices as proof of a racial relationship to Jews. Beginning in the post-slavery era, contacts between black Jews in America and their counterparts in Africa created powerful and ever-growing networks of black Jews who struggled against racism and colonialism. A community whose claims are denied by many, black Jews have developed a strong sense of who they are as a unique people. In Parfitt’s telling, forces of prejudice and the desire for new racial, redemptive identities converge, illuminating Jewish and black history alike in novel and unexplored ways.